D Boon D. Boon And Friends CD

D. Boon And Friends Music

List Price	$13.97 (You save $2.79)
Category	Rock/Pop Albums, Rock CDs, Alternative, Punk
Label	CD Baby (distributor)
Orig Year	2006
All Time Sales Rank	315120
CD Universe Part number	6374406
Discs	1
Release Date	Nov 10, 2009
Studio/Live	Studio
Mono/Stereo	Stereo
Recording Time	61 minutes

D Boon D. Boon And Friends Songs

	1.	Everyone Was There 6.47
	2.	Fifth Gear 1.22
	3.	Deadline 1.47
	4.	Waiting Stage 0.33, The
	5.	Indecision 1.15
	6.	Theme From Empty Box 0.18
	7.	Long Road Home 2.07, The
	8.	Take You There 4.37
	9.	Freedom Forever 0.23
	10.	Jam #6 3.06
	11.	Binky's Round-up 0.43
	12.	Too Much Fun 2.13
	13.	All Over the Place 1.11
	14.	Viking Song 1.57, The
	15.	Just Around the Corner 0.59
	16.	As Long as (Parts 1 & 2) 1.51
	17.	Hammerdown I 3.57
	18.	This Land Is Your Land 1.00
	19.	Hammerdown II 1.52
	20.	Our New Industrial Direction 1.07
	21.	That's All There Is 1.30
	22.	My Part 0.54
	23.	Don't Look Now 2.02
	24.	Plight 1.50
	25.	Corona 2.36
	26.	But First... 1.16
	27.	I Felt Like a Gringo 1.43
	28.	God Bows to Math 1.08
	29.	Themselves 1.11
	30.	Self-Referenced 1.07
	31.	#1 Hit Song 1.32
	32.	History Lesson - Part II 2.31
	33.	Many as One 2.41

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Teaze One Night Stands CD (1979) (Import) Canada

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ONE NIGHT STANDS is a 1979 release by Canadian hard rockers Teaze, featuring the singles "Boy's Night Out" and "Heartless World." One Night Stands was the third album released by Teaze on the Aquarius Records label, and their debut release in the U.S. on Capitol. With the success of the live album, Tour of Japan, the Montreal-based band became one of the hottest Canadian acts of the late '70s. For this U.S. debut album, all the stops were pulled out by the band's management. Myles Goodwyn, from April Wine, was brought in for production and eight new songs were written by the bandmembers for the album. The songs were powerful hard rock numbers with intelligent lyrics and good choruses. The album had all of the right ingredients to make it a hit, but, despite this, the timing was just not right. Disco was dominating the charts, new wave music was becoming the current rage, and punk rock was rearing its ugly head. The music world in general was in turmoil and commercial styled hard rock was just not where it was at in 1979, causing the album to become a commercial failure. There was no single released from the album, and because of that Teaze failed to attract the attention it deserved. The failure of One Night Stands in the U.S. prompted Capitol Records to drop the band from its contract midway through the recording of a follow-up album. Teaze's shot at international stardom had been dashed. The band was still signed to Aquarius Records in Canada, so there still was an outlet for the album they were working on, which was to be called Body Shots. [This release by Unidisc Records features one previously unreleased bonus track at a budget price, complete with original artwork]. ~ Keith Pettipas One Night Stands was the third album released by Teaze on the Aquarius Records label, and their debut release in the U.S. on Capitol. With the success of the live album, Tour of Japan, the Montreal-based band became one of the hottest Canadian acts of the late '70s. For this U.S. debut album, all the stops were pulled out by the band's management. Myles Goodwyn, from April Wine, was brought in for production and eight new songs were written by the bandmembers for the album. The songs were powerful hard rock numbers with intelligent lyrics and good choruses. The album had all of the right ingredients to make it a hit, but, despite this, the timing was just not right. Disco was dominating the charts, new wave music was becoming the current rage, and punk rock was rearing its ugly head. The music world in general was in turmoil and commercial ...

Ozma Spending Time On The Borderline CD (2003) Enhanced CD

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Ozma keep maturing as a power pop-punk outfit and shaking off the Weezer tag a bit -- in fact, at times they're reminiscent of old Split Enz, in large part because of the keyboards. But there's plenty of energy about the songs, and "Turtleneck Coverup" even shows major signs of political awareness -- growing up in public. There's more variety in the sound, both in the instruments, like acoustic guitar or keyboards codas to pieces, or even in the texture of the instruments -- witness the opening to "Spending Time." The songwriting continues to hit a high standard, although "Eponine" and "Wake Up" both seem to vanish in the moment, before "Restart" and "Lightyears Will Burn" forcefully reclaim attention. The singing is what you've come to expect, more joyous abandon than necessarily always hitting the right notes, but that's fine -- it works in the context, although you have to think that with a little more work on the vocals they could actually move into a classic pop category. Still, there's absolutely nothing wrong with this -- you've just got to wonder how far they can run in this style, though, before it becomes a dead end. ~ Chris Nickson What kind of musical chaos ensues when the rock n' roll torch of the 20th century is handed down to a new generation raised on such 1980s cultural staples as Nintendo, Back to the Future, and Tron? The answer is something of an oxymoron: a very orderly chaos. The Los Angeles power-pop quintet Ozma evolved their unique brand of guitar-based, synth-driven chaos in the latter half of the 1990's. A rabid fan following developed quickly in the Southern California clubs, and spread widely in this country and others with the 1999 release of Ozma's debut album "Rock and Roll Part Three." Ozma formed quite by chance in September 1995 when Jose Galvez and Ryen Slegr met Daniel Brummel on the Internet and the three began collaborating on songs with high school friend Patrick Edwards on drums. The Internet remains crucial to Ozma: their self-designed website, ozmaonline.com, ...