| | Liberty Ellman Tactiles CD Liberty Ellman Discography of CDs
Live Recording
Recorded at Orange Music Sound Studio, West Orange, New Jersey on April 30, May 1 & 9, 2003.
Personnel: Liberty Ellman (guitar); Greg Osby (alto saxophone); Mark Shim (tenor saxophone); Stephan Crump (acoustic bass); Eric Harland (drums).
Recording information: Orange Music Sound Studio, West Orange, NJ (04/30/2003-05/09/2003).
Photographer: Alan Nahigian.
Personnel: Liberty Ellman (guitar); Greg Osby (alto saxophone); Mark Shim (tenor saxophone); Stephan Crump (bass); Eric Harland (drums).
CMJ (12/1/03, p.23) - "...Ellman and his fine combo run through a thorny set of tunes that are as precise as a math equation, but weirdly groovy..." Liberty Ellman Tactiles Songs Tactiles Review
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Purchase Tactiles CD To buy, Click on price to add to cart | William Parker Scrapbook CD (2003)
Tactiles album
$13.59 William Parker's Violin Trio band is one of the more surprising and delightful bands to come out of New York's modern free jazz scene. Parker and his truly singular tone and ingenious modes of attack, violinist Billy Bang, and drummer Hamid Drake conjure the notion of song as it processes itself not only through the simulation and presentation of improvisation but also through the process of memory -- allegorical, perceptual, cultural, and personal -- and they turn it back in itself in creating something brand new from the various shards that lay upon the pavement in the dark, highlighted only by an errant street lamp. The possibilities for music like this -- lyric, harmonic, and tonal -- is one of the great surprises this trio brings with them. The six selections ...
| | Andrew Hill Passing Ships CD (1969) Remastered
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$9.49 This larger group session was recorded for Blue Note in 1969 but had to wait until 2003 to see the light of day. It was worth the wait, since PASSING SHIPS is one of composer-pianist Andrew Hill's most varied and distinctive efforts. Actually, the group here isn't all that big when you check the lineup, but Hill's skillful writing makes it sound as if we're listening to a more spacious ensemble. In addition, he makes most effective use of reedman Joe Farrell's multi-instrumental talents here. Not only does Farrell excel in the usual tenor and soprano saxophone roles but it's his English horn that sings the plaintive ...
| | Miles Davis Cellar Door Sessions 1970 CDs (2005) Remastered; Box Set; Special Edition
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$88.15 Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL.
There is an ...
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| | Dave Holland Critical Mass CD (2006)
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$13.59 One word that comes to mind when listening to Critical Mass is generosity. Double-bassist Dave Holland, four decades into his career, could certainly be forgiven for taking the word "leader" at its literal meaning, calling all the shots and keeping his musicians at bay. But that's not what he's about, and at any given time Critical Mass could just as easily have been credited to saxist Chris Potter, trombonist Robin Eubanks, vibist/marimbaist Steve Nelson, or drummer Nate Smith. Each player is provided with ample moments in ...
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| | Between Green Tangents CD (2003)
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$15.75 Michael McGinnis' 11 originals (which hold together well as a suite) blend together adventurous jazz improvising with touches of Irish music, rock, folk, and classical. "Arrival" has a spooky beginning with McGinnis' soprano being joined by eerie sounds by the rhythm section, eventually featuring some impressive interplay between the soprano and trumpeter Shane Endsley. Most of the other selections evolve unpredictably. "Indecision Insanity" (which has McGinnis sounding excellent on tenor) is worthy ...
| | Marian Mcpartland's Piano Jazz CD (2004)
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$9.65 Marian McPartland chose her old friend Mary Lou Williams to be her very first guest on her long running NPR series Marian McPartland's Piano Jazz, though the taping of this inaugural show was not without its problems. First of all, McPartland intended to have Williams as her sole guest, but Williams brought along bassist Ronnie Boykins without telling McPartland, who ended up accompanying her instead of the hostess on all but one song, while the finale features all three musicians. As a result, McPartland seems a bit nervous at times during the show, occasionally talking over her guest, while Williams hardly helps by abruptly ...
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