| | Primordial Undermind Thin Shells Of Revolution CD Primordial Undermind Discography of CDs
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Eric Arn has led Primordial Undermind through several incarnations and as many musical evolutions, none of them interchangeable but all, in their ways, vastly rewarding. The project's fifth full-length album is no different in that regard, and continued to expand the band's music in complexity, and with an undiluted beauty. The double percussionist setup is instantly reminiscent of the Grateful Dead, and Arn's guitar playing is comparably stratospheric, especially on a few archetypal, barely contained psychedelic explosions -- the majestic "F.L.I.," "Akaknow," with its wending, Phil Lesh-like bassline, and the almost too lovely "Ten Toes, One Soul," which boasts the sort of encompassing, sun-cast melody at which U2 has long excelled. Elsewhere, the high, lonesome sound of the Dillards' "There Is a Time" becomes cosmic in Primordial Undermind's possession. From desolate bluegrass the song is transformed into a seething, foreboding dirge, as if visited by a phalanx of maleficent phantoms. The album's most important addition, though, proves to be the versatile reed playing of Otis Cleveland, which gives the band an unmistakably free-form, avant-garde edge on certain songs, and the ability to explore sonorities and textures heretofore unavailable to them. The modal blowing and invigorating jungle polyrhythms (as well as some searching work from Arn) on "Theme from Serpent," for instance, come very close to re-creating the mood of Merrell Fankhauser and Jeff Cotton's brilliantly skewed '70s band, Mu. Cleveland's flute embellishments also allow the group to find subtle nuances in the characteristically enveloping, raga-esque "WWOD?" And the valedictory version of the Dead Kennedys' "Kinky Sex" is an authentic free jazz free-for-all that launches the band into thrilling progressive territory without losing anything to self-indulgence. Thin Shells of Revolution is a marvelous, pure expression, and it equals the earlier masterpiece, Universe I've Got, in almost every way. ~ Stanton Swihart
Primordial Undermind includes: Eric Arn (guitar).
The Wire (1/04, p.68) - "THIN SHELLS OF REVOLUTION sees their already baroque take on melodic psych bolstered by a battery of horns, bells, acoustic ethnic instrumentation and a mysterious 'electric nun'..." Thin Shells Of Revolution Music Primordial Undermind Thin Shells Of Revolution Songs | 1. | Kinky Sex Makes the World Go 'Round | |
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$12.39 Eric Arn has led Primordial Undermind through what seems like any number of lifetimes now, so it's always ...
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| | Meat Loaf Heaven & Hell CD (1994) Germany
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$9.09 HEAVEN & HELL is a 1993 collection that takes turns presenting songs by the dramatic rock singer Meat Loaf and the pop vocalist Bonnie Tyler. The CD includes hits such as "Bat Out Of Hell" and "Total Eclipse Of The Heart."
This is a rather pointless collection of tunes written (mostly) by Jim Steinman performed alternately by Meat Loaf and Bonnie Tyler. This sampler is one of those CDs that seemed like a good idea at the time (1993). Tyler had scored her big hits by that time, and Meat Loaf hadn't quite lit up the boards with Bat out of Hell II in the year this was issued. Steinman is the thread that holds this set together, full of bombast, excess, and rock & roll theater. Tyler's "It's a Heartache" is not here, but "Total Eclipse of ...
| | Ozma Rock And Roll Part Three CD (2001)
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$11.79 Jose Galvez (guitar, background vocals); Star Wick (keyboards);
"Say hello to the new sound, same as the old sound." About a minute into the last song, the band puts their finger on the exact reason why their 2001 album, Rock and Roll Part Three, is as good as it is. Some bands sound a lot like other bands, but Ozma practically is Weezer. It is actually hard to believe that they aren't Weezer at some moments. But this is not necessarily a bad thing; in fact, Ozma may have arguably written the best Weezer album of 2001 (and yes, the real thing also had an album come out the same year). Filled to the brim with catchy choruses, oddball lyrics, and poppy keyboards, Ozma knows this style of music like the back of their hands. "Domino Effect," "Natalie Portman," "Last Dance" -- it is all quality emo pop that is short and catchy. The only point where they really significantly depart from the Weezer sound is on "Battlescars," an epic of whiny vocals and strummed guitars that has far more in common with other indie epics, like Pavement's "Fillmore Jive." But all comparisons aside, this is a solid album of alternative rock that just happens to sound exactly like another good band who makes the same kind of music. Still, fans of this sort of music should give this a listen; it is really quite good. ~ Bradley Torreano
What kind of musical chaos ensues when the rock n' roll torch of the 20th century is handed down to a new generation raised on such 1980s cultural staples as Nintendo, Back to the Future, and Tron? The answer is something of an oxymoron: a very orderly chaos. The Los Angeles power-pop quintet Ozma evolved their unique brand of guitar-based, synth-driven chaos in the latter half of the 1990's. A rabid fan following developed quickly in the Southern California clubs, and spread widely in this country and others with the 1999 release of Ozma's debut album "Rock and Roll Part Three." Ozma formed quite by chance in September 1995 when Jose Galvez and Ryen Slegr met Daniel Brummel on the Internet and the three began collaborating on songs with high school ...
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