| | Elton John Goodbye Yellow Brick Road Super-Audio CD Elton John Discography of CDs
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This new edition of Elton John's classic album has been remastered is CD and SACD 6.1 Surround sound. Also included are three 'B' sides not on the original album, in fact, never previously included in any version of "Goodbye Yellow Brick Road". The DVD is the Making of the album, a marvelous, newar 50-minue long "Classic Albums" opus, which features historic footage, interviews with Elton, Bernie and the band, producer Dodgeon, orchestrator Del Newman and more.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Elton John (vocals, piano, Farfisa, Mellotron); Prince Rhino (spoken vocals); Davey Johnstone (acoustic guitar, electric guitar, background vocals); Leroy Gomez (saxophone); David Hentschel (ARP synthesizer); Dee Murray (bass instrument, background vocals); Nigel Olsson (drums, congas, tambourine, background vocals); Ray Cooper (tambourine); Kiki Dee (background vocals). Liner Note Author: John Tobler. Goodbye Yellow Brick Road was where Elton John's personality began to gather more attention than his music, as it topped the American charts for eight straight weeks. In many ways, the double album was a recap of all the styles and sounds that made John a star. Goodbye Yellow Brick Road is all over the map, beginning with the prog rock epic "Funeral for a Friend (Love Lies Bleeding)" and immediately careening into the balladry of "Candle in the Wind." For the rest of the album, John leaps between popcraft ("Bennie and the Jets"), ballads ("Goodbye Yellow Brick Road"), hard rock ("Saturday Night's Alright for Fighting"), novelties ("Jamaica Jerk-Off"), Bernie Taupin's literary pretensions ("The Ballad of Danny Bailey"), and everything in between. Though its diversity is impressive, the album doesn't hold together very well. Even so, its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early '70s. ~ Stephen Thomas Erlewine Generally regarded as Elton John's masterpiece, GOODBYE YELLOW BRICK ROAD is a double-album (on one CD) that includes several of his signature songs alongside a sprawling array of lesser-known (but by no means lesser) tunes. The hits included "Bennie And The Jets," a funky, falsetto stomper; the Rolling Stonesy rocker "Saturday Night's Alright For Fighting"; and the gorgeous title ballad. "Candle In The Wind," an elegy for Marilyn Monroe, which didn't become a certified hit until 14 years later, when John re-recorded it with the Melbourne Symphony. The fact that it wasn't released as a single at the time is testimony to the wealth of pop pleasures available here. The swelling, synth-fueled overture of "Funeral For A Friend" gives way to one of John's toughest guitar-rockers in an 11-minute medley. "Grey Seal" is a piano showcase with a perfect verse-chorus-verse construction. The rocking "All The Girls Love Alice" is one of the era's most overt references to lesbianism, and "Harmony," the soft ballad that closes the album, may be John's grandest melody. Willfully eclectic and packed with great music, GOODBYE YELLOW BRICK ROAD bursts with the bold energy and undeniable talent that made John a superstar.
**Super Audio CD (SACD)** A Super Audio CD player is required to play this CD. This item will not play on standard CD players. Goodbye Yellow Brick Road Music | List Price | $39.98 (You save $2.79) | | Category | Rock/Pop Albums, Rock CDs, Singer/Songwriter, Enhanced CD, Super Audio | | Label | Island | | Orig Year | 1973 | | All Time Sales Rank | 10998  | | CD Universe Part number | 6406986 | | Catalog number | 000147840 | | Discs | 2 | | Release Date | Nov 25, 2003 | | Studio/Live | Studio | | Mono/Stereo | Multi | | Producer | Gus Dudgeon | | Engineer | David Hentschel | | Personnel | Elton John - vocals, piano, Farfisa, Mellotron Ray Cooper - tambourine Nigel Olsson - drums, congas, tambourine, background vocals Davey Johnstone - acoustic guitar, electric guitar, background vocals Dee Murray - bass instrument, background vocals Kiki Dee - background vocals David Hentschel - ARP synthesizer Leroy Gomez - saxophone Prince Rhino - spoken vocals
| | Additional Info | Hybrid; Bonus DVD |
Elton John Goodbye Yellow Brick Road Songs Goodbye Yellow Brick Road Music Goodbye Yellow Brick Road Music Review Buy Goodbye Yellow Brick Road SA Purchase Goodbye Yellow Brick Road CD To buy, Click on price to add to cart | Who Tommy CDs (1969) Hybrid; Bonus Tracks; SACD Hybrid; Remastered; Deluxe Edition
Goodbye Yellow Brick Road
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| | Aerosmith Toys In The Attic (1975)
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| | Kinks Schoolboys In Disgrace (1976)
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$15.15 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. The Kinks: Dave Davies, Ray Davies (vocals, guitar); John Gosling (keyboards); John Dalton (bass guitar); Mick Avory (drums). Additional personnel: Alan Holmes (saxophone); Nick Newell (tenor saxophone); John Beecham (trombone); Pamela Travis, Debbie Doss, Shirley Roden (background vocals). Liner Note Author: Matt Resnicoff. Ray Davies had indulged himself one time too often with Soap Opera, and his bandmates, namely brother Dave and founding member Mick Avory, revolted, insisting that their sixth RCA album sound more like a Kinks album (certainly, that's something RCA wanted too). So, Davies designed their next album as a return to a simpler, band-oriented sound. Of course, he didn't jettison his love for conceptual works, so Schoolboys in Disgrace was born. Working under the presumption that a return to simple rock demanded a simple theme, Davies constructed the album as a nostalgic trip through childhood, reviving '50s rock & roll (including the occasional doo wop harmony) for the album's foundation, then turning the amps up high. There's no actual story per se -- it's a series of vignettes, like a coming-of-age film. As such, it's intermittently successful, on both the hard rock ("Jack the Idiot Dunce") and ballads ("The First Time We Fall in Love"). [A Japanese edition was issued in 2009.] ~ Stephen Thomas Erlewine Ray Davies had indulged himself one time too often with Soap Opera, and his bandmates, namely brother Dave and founding member Mick Avory, revolted, insisting that their sixth RCA album sound more like a Kinks album (certainly, that's something RCA wanted too). So, Davies designed their next album as a return to a simpler, band-oriented sound. Of course, he didn't jettison his love for conceptual works, so Schoolboys in Disgrace was born. Working under the presumption that a return to simple rock demanded a simple theme, Davies constructed the album as a nostalgic ...
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