| | Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos Super-Audio CD Bpo / Ozawa / Rachmaninoff / Tchaikovsky / Volodos CDS
| Category | Classical, Live Performances, Romantic Period, 20th Century Period, Orchestral/Symphonic, Enhanced CD, Concerto, Song, Prelude, Fantasy, Super Audio, Paraphrase |
Arcadi Volodos/Berlin Phil.Orc Seiji Ozawa **Super Audio CD (SACD)** A Super Audio CD player is required to play this CD. This item will not play on standard CD players. Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos Music Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos Review
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Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos Songs 1. Piano Concerto No. 1 in B flat minor, Op. 23: 1. Allegro non troppo e molto maestoso (32:12) Windows Media Real Audio | | Common Name | Piano Concerto 1 | | Composer | Pyotr Il'yich Tchaikovsky (1840 - 1893) | | Conductor | Seiji Ozawa | | Performer | Arcadi Volodos (Piano) | | Genre | Concerto / Romantic Period | | Date Written | 1874 | | Period | Romantic | | Country | Russia | | Venue | Philharmonie, Berlin, Germany | | Notes | Philharmonie, Berlin, Germany (06/12/2002-06/14/2002) | 2. Piano Concerto No. 1 in B flat minor, Op. 23: 2. Andantino (3:36) Windows Media Real Audio | | Common Name | Prelude For Piano | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Genre | Prelude | | Date Written | 1903 | | Country | Russia | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 3. Piano Concerto No. 1 in B flat minor, Op. 23: 3. Allegro con fuoco (3:18) Windows Media Real Audio | | Common Name | Moments Musicaux For Piano | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Date Written | 1896 | | Country | Russia | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 4. Prelude for piano No.11 in G flat major, Op. 23/10 (2:29) Windows Media Real Audio | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Genre | Song | | Date Written | 1916 | | Country | Russia | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 5. Moments Musicaux (6) for piano, Op. 16: Moment Musical in E flat minor, Op. 16, No. 2 (2:57) Windows Media Real Audio | | Common Name | Prelude For Piano | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Genre | Prelude | | Date Written | 1910 | | Country | Russia | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 6. Daisies, song for voice & piano, Op. 38/3 (1:44) Windows Media Real Audio | | Common Name | Oriental Sketch, Pieces For Piano | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Genre | Romantic Period | | Date Written | 1917 | | Period | Romantic | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 7. Prelude for piano No.16 in G major, Op. 32/5 (4:15) Windows Media Real Audio | | Common Name | 3. Melodie, Morceaux De Fantaisie For Piano | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Arcadi Volodos (Piano) | | Genre | Fantasy | | Date Written | 1892 | | Country | Russia | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) | 8. Pieces (3) for piano, TN ii/19: Oriental Sketch (3:03) Windows Media Real Audio | | Composer | Arcadi Volodos (1972 - ) | | Performer | Arcadi Volodos (Piano) | | Venue | Scoring Stage, Berlin, Germany | | Notes | Scoring Stage, Berlin, Germany (04/25/2003-04/28/2003) |
Purchase Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos To buy, Click on price to add to cart | Dory Previn Mythical Kings And Iguanas/Reflections In A Mud Puddle CD (1998) (Import) United Kingdom
Tchaikovsky: Piano Concerto No 1; Rachmaninoff / Volodos
$17.79 You might have expected that British label BGO Records, in reissuing Dory Previn's early-'70s albums as twofers, would pair her debut album, On My Way to Where, with her second, Mythical Kings and Iguanas, and her third, Reflections in a Mud Puddle/Taps Tremors and Time Steps, with her fourth, Mary C. Brown and the Hollywood Sign. But On My Way to Where wasn't released in England until after the others, and BGO bloody-mindedly decided to follow the British release schedule, first releasing a twofer of Mary C. Brown and the Hollywood Sign with On My Way to Where, then following with this disc containing Mythical Kings and Iguanas and Reflections in a Mud Puddle (the second part of the album's title is not listed on this release). While it would have made more sense to do it in the correct order, matching these two albums, which followed each other and were both released in 1971, is less jarring than the other pairing. Mythical Kings and Iguanas is Previn's most consistent and accessible album, one on which the confessional tone of On My Way to Where is more tempered by craft. Like Leonard Cohen and Joni Mitchell, the singer is concerned with intimate relations on such songs as "Yada Yada La Scala," "The Lady with the Braid," "Angels and Devils the Following Day," and "Lemon Haired Ladies," adopting the persona of a needy older woman contending with a young, heedless companion. But she also finds space for "Mary C. Brown and the Hollywood Sign," ...
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$27.69 This is a Super Audio CD playable only on Super Audio CD players.
Canzonen und T„nze des Frhbarock (Early Baroque Canzonas and Dances) came from Italy: around 1600 Venice was one of the main centres where the development of European art music was being fostered. Composers in Venice had a preference for cultivating an ornamentation of both vocal and instrumental melodies and Giovanni Bassano, who worked at the San Marco Cathedral, wrote important textbooks about this musical practice. Bassano wrote the work Ricercata Ottava featured on the newly-released CD. The recording's framework is made up of canzonas written by Angelo Berardi, a Catholic priest. The two-part version of the madrigal Vestiva i colli, one of the most frequently arranged madrigals of its day. is one example ...
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