| | Horowitz - Live And Unedited - Historic 1965 Return Concert CD Horowitz, Vladimir CDS
| Category | Classical, Live Performances, Chamber Music/Recitals, Romantic Period, 20th Century Period, Box Sets, Baroque Period, Sonata, Suite, Character Piece, Fantasy, Fugue, Serenade, Etude, Toccata, Mazurka, Ballade |
Horowitz - Live And Unedited - Historic 1965 Return Concert Music | List Price | $15.93 (You save $1.58) | | Label | Sony Classical | | All Time Sales Rank |  6728  | | CD Universe Part number | 6428523 | | Catalog number | 93023 | | Discs | 3 | | Release Date | Sep 30, 2003 | | Mono/Stereo | Stereo | | Recording Time | 1 48 | | Additional Info | Digipak |
Horowitz - Live And Unedited - Historic 1965 Return Concert Review
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Horowitz - Live And Unedited - Historic 1965 Return Concert Songs | 1. Toccata, Adagio and Fugue in C major, BWV 564 (17:28) | | Catalog No. | BWV 564 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Baroque Period / Fugue / Toccata | | Date Written | 1708-1717 | | Period | Baroque | | Country | ?Weimar, Germany | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | Notes | Arranged: Ferruccio Busoni | | 2. Phantasie for Piano in C major, Op. 17 (30:44) | | Composer | Robert Schumann (1810 - 1856) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Fantasy / Romantic Period | | Date Written | 1836-1838 | | Period | Romantic | | Country | Germany | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 3. Sonata for Piano no 9 in F major, Op. 68 "Black Mass" (9:17) | | Common Name | Sonata For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | 20th Century Period / Sonata | | Date Written | 1912-1913 | | Period | 20th Century | | Country | Russia | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 4. Poemes (2) for Piano, Op. 32: no 1 in F sharp major (3:32) | | Common Name | Poemes For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | 20th Century Period | | Date Written | 1903 | | Period | 20th Century | | Country | Russia | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 5. Mazurkas (4) for Piano, B 105/Op. 30: no 4 in C sharp minor (4:00) | | Common Name | Mazurkas For Piano | | Catalog No. | B 105 | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Mazurka / Romantic Period | | Date Written | 1836-1837 | | Period | Romantic | | Country | Paris, France | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 6. Etudes (12) for Piano, Op. 10: no 8 in F major (2:38) | | Common Name | Etudes For Piano | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Etude / Romantic Period | | Date Written | 1829 | | Period | Romantic | | Country | Poland | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 7. Ballade for Piano no 1 in G minor, B 66/Op. 23 (8:56) | | Common Name | Ballade For Piano | | Catalog No. | B 66 | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Ballade / Romantic Period | | Date Written | 1831-1835 | | Period | Romantic | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 8. Children's Corner: no 3, Serenade for the Doll (3:21) | | Common Name | Serenade Doll, Children's Corner For The | | Composer | Claude Debussy (1862 - 1918) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | 20th Century Period / Serenade / Suite | | Date Written | 1906-1908 | | Period | 20th Century | | Country | France | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 9. Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor (3:10) | | Common Name | Etude, Pieces For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | 20th Century Period / Etude | | Date Written | 1887-1889 | | Period | 20th Century | | Country | Russia | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 10. Etudes (15) de virtuosite, Op. 72 "Per aspera ad astra": no 11 in Ab major (1:44) | | Common Name | Per Aspera Ad Astra Etudes, Etudes De Virtuosite | | Composer | Moritz Moszkowski (1854 - 1925) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Etude / Romantic Period | | Date Written | by 1903 | | Period | Romantic | | Country | Germany | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 11. Kinderszenen, Op. 15: no 7, Traumerei (3:01) | | Composer | Robert Schumann (1810 - 1856) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Character Piece / Romantic Period | | Date Written | 1838 | | Period | Romantic | | Country | Germany | | Recording | Live | | Venue | Carnegie Hall, New York City | | Recording Date | 05/09/1965 | | 12. Kinderszenen, Op. 15 (17:46) | | Composer | Robert Schumann (1810 - 1856) | | Performer | Vladimir Horowitz (Piano - Steinway) | | Genre | Character Piece / Romantic Period | | Date Written | 1838 | | Period | Romantic | | Country | Germany | | Recording | Studio | | Venue | CBS 30th Street Studio, New York City | | Notes | Selection recorded November 6th, 13th, 29th, and December 18th. |
Horowitz - Live And Unedited - Historic 1965 Return Concert Music Composers on Horowitz - Live And Unedited - Historic 1965 Return Concert CD : Johann Sebastian Bach, Frederic Chopin, Claude Debussy, Moritz Moszkowski, Robert Schumann, Alexander Scriabin Genres on Horowitz - Live And Unedited - Historic 1965 Return Concert CD : 20th Century Period, Ballade, Baroque Period, Character Piece, Etude, Fantasy, Fugue, Mazurka, Romantic Period, Serenade, Sonata, Suite, Toccata Performers on Horowitz - Live And Unedited - Historic 1965 Return Concert CD : Vladimir Horowitz Purchase Horowitz - Live And Unedited - Historic 1965 Return Concert To buy, Click on price to add to cart | Biber: Requiem À 15, Battalia À 10 / Savall, Et Al CD (2002) (Import)
Horowitz - Live And Unedited - Historic 1965 Return Concert
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The music's the thing in this glossy life of Benny Goodman - and the swinging clarinet great himself supplied the sounds. The story follows Goodman from his modest upbringing in Chicago through romance and marriage to his historic concert at Carnegie Hall. Jazz buff Allen has just the right bookish kind of hep, and Harry James and Gene Krupa are among the musical cameos.
Closed Captioned; Standard Screen; Soundtrack English; English Subtitles
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Horowitz - Live And Unedited - Historic 1965 Return Concert
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This terrifying 2-pack contains classic Hollywood versions of the legendary story concerning a mad doctor who morphs into a mad murderer, including the original uncut 1932 version starring Fredric March and 1941's version starring Spencer Tracy. See individual titles for detailed information.
The classic tale about a scientist's investigation into the nature of good and evil will become a double feature for this title. The original 1932 Paramount uncut long version starring Frederic March - for which he won the Oscar - and the 1941 MGM remake with Spencer Tracy in the title role as well as Ingrid Bergman and Lana Turner will be offered
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Horowitz - Live And Unedited - Historic 1965 Return Concert
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MUTINY ON THE BOUNTY is the classic tale of one of the most infamous adventures on the high seas. The story is based on the fictional accounts written by Charles Nortdhoff and James Norman Hall. English conscripts sailing for Tahiti buckle under the chastisements of cruel Captain William Bligh, savagely portrayed by Charles Laughton. Bligh's grotesque abuses of power, including a brutal flogging that results in the death of the sick old ship's doctor, finally inspire a mutiny on the return voyage, conducted under the leadership of fair-minded officer Fletcher Christian, played by the dashing and heroic Clark Gable. Following the mutiny, Bligh and a few cronies are set onto a small dinghy after the successful muntiy, at which point the real adventure begins--Bligh's 4,000-mile journey from Tahiti to the Dutch East Indies. A solid seagoing adventure epic with breathtaking location photography, MUTINY ON THE BOUNTY offers an unparalleled nautical authenticity--the ship photographed and the costumes worn were exact replicas of the 18th-century originals.
First officer Clark Gable and tyrannical captain Charles Laughton powerfully clash in this vigorous retelling of a true historic incident about a British ship commandeered from its brutal master. Franchot Tone also stars in 1935's Best Picture Academy Award(R) Choice.
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Horowitz - Live And Unedited - Historic 1965 Return Concert
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Award Winner
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Culled from six concerts given in the 1940s, with most of its tracks previously released on 78-rpm albums in that decade, this disc, as annotator Paul Robeson, Jr., notes, presents Paul Robeson at the peak of his singing career (from age 44 to 49) and re-creates a typical recital. Robeson sings spirituals, folk songs from various countries in various languages, classical pieces, and theater music, including works by Felix Mendelssohn, Marc Blitzstein (a brilliant "The Purest Kind of Guy" from No for an Answer), Earl Robinson, George Gershwin, and, of course, Jerome Kern and Oscar Hammerstein II ("I Still Suits Me" and "Ol' Man River" from Show Boat). Robeson is accompanied by his usual pianist, Lawrence Brown, on the first 17 tracks and by the Columbia Concert Orchestra on the remaining eight. The sound quality is remarkably clear, showing little evidence of the 50-year-old (and older) sources. As a result, Robeson's amazing bass-baritone is revealed in all its power, as is a sense of enunciation and presentation that perfectly suits a wide range of material. Released shortly before Robeson's centenary, this album is a fitting tribute to him. ~ William Ruhlmann
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