| | Dale Evans Sweetheart Of The West CD Dale Evans Discography of CDs
Sweetheart Of The West Music Dale Evans Sweetheart Of The West Songs | 1. | Ten Days With Baby |
| 2. | Sentimental |
| 3. | I Surrender Dear |
| 4. | Two Seated Saddle, And a One Gated Horse, A |
| 5. | Very Thought of You, The |
| 6. | Trolley Song, The |
| 7. | (You Are) Always in My Heart |
| 8. | Besame Mucho |
| 9. | Goin' Back to Texas |
| 10. | Frankie and Johnny |
| 11. | San Fernando Valley |
| 12. | Spanish Medley |
|
Sweetheart Of The West Review
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Buy Sweetheart Of The West CD Purchase Sweetheart Of The West CD To buy, Click on price to add to cart | Best Years Of Our Lives DVD (1946)
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With its focus on character flaws instead of plot devices, LITTLE CAESAR is the mother of the modern gangster flick. Edward G. Robinson stars as Enrico Bandelli in the role that made him ...
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North Carolina sibling duo the Avett Brothers return in 2009, fresh off a few years of building a cult following for its melodic and rootsy alt-bluegrass sound, with the subdued I AND LOVE AND YOU. The opening single and title track basks in piano-pop splendor in an odd mix of Beach Boys, Byrds, and the Band.
The Avett Brothers continue charting the same musical course as EMOTIONALISM and MIGNONETTE on major-label debut I AND LOVE AND YOU, despite the presence of hands-on producer Rick Ruben. The country-folk duo continue to add elements of pop and hillbilly rock to a country/bluegrass foundation on the 2009 LP, a record with a newfound emphasis on piano and nuanced arrangements. Working with a larger budget allows the group to add small flourishes -- a cello line here, a keyboard crescendo there -- but the resulting music is rarely grand, focusing on textures rather than sheer volume. Scott and Seth Avett share vocals throughout the album, delivering their lyrics in ...
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| | Billy Dean Let Them Be Little CD (2005)
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Billy Dean had a bunch of hits in the early '90s, but times turned tough at the end of the decade, as personal and professional problems overwhelmed his career. He spent the better part of six years working things out, returning in 2004 with an independently recorded, independently released cover of John Denver's "Thank God I'm a Country Boy." The single became a minor hit, attracting the attention of Curb, who signed him and released his comeback album, Let Them Be Little, in the spring of 2005. If his early albums suffered from his desire to be everything to everyone, Let Them Be Little showcases an artist who knows exactly what he is: namely, an achingly sensitive, middle-of-the-road crooner chronicling everyday life for the red states of the U.S. of A. For example, the title track is a slick, maudlin ode to parenthood that rivals Bob Carlisle's "Butterfly Kisses" in its saccharine sentiments and cloying melody. It fits comfortably next to the three odes to longtime love and domestic bliss, plus the one languid ballad about a beautiful wedding, that make up the first half of the record -- the sweet and slick half, the one about the life Dean is living now. The second half dwells on the past, chronicling some of the hard times since his last record as he sings about good loves gone bad and a race to the bottom, plus a couple of nostalgic looks back to the past (topped of by re-recordings of two previous hits, "Somewhere in My Broken Heart" and "Billy the Kid"). According to all of the press surrounding the release of Let Them Be Little, Dean put everything he had into this record, conceiving it as his last great chance at a career, which may explain its curious mix of earnest, clichéd lyrical platitudes and glossy, commercially minded clichéd music. It's everyday music about everyday things, which will surely appeal to listeners looking for a soundtrack that doggedly details all the mundane parts of their lives -- and if you like any of the singles here, particularly "Let Them Be Little" or "This Is the Life," you will certainly like the rest of the album, since it simply serves up more of the same -- but the problem with being so stubbornly ordinary in your music is that the music itself winds up ordinary and, ultimately, forgettable. ~ Stephen Thomas Erlewine
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