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Solido Vuelve CD

 Solido Discography of CDs
5 stars (1 Customer Review)

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Vuelve Music


Detailed Vuelve Music Information



List Price $15.97 (You save $2.82)
Category Latin Albums, Regional Mexican CDs, Norteno, Tejano, Mexican
Label Freddie Records / Ce Distributor
All Time Sales Rank   99850  
CD Universe Part number 6429999
Discs 1
Release Date Sep 09, 2003
Vuelve Music Review


Customer Vuelve Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars every thing that i expected
this album is great. I never thought that i wouldn't ever skip a song in a cd but this is the one that has proved to be the exception i recommend it too you all
Submitted by martha (rio grande valley, texas usa)
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CROSSROADS was nominated for the 2008 Grammy Award for Best Norteno Album.
Intocable: Ricky Munoz (vocals, accordion); Johnny Rose, Daniel Sánchez (bajo sexto, background vocals); René Martínez (drum); Sergio Serna (percussion); Félix G. Salinas, Jose Juan Hernandez, Silvestre Rodríguez, José Angel Farías, José Angel González.
With a dozen years logged, every one of them spent pushing the boundaries and expanding the realm ...

Best Of
Sandy Posey Best Of CD  (1996)

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CD $11.59  4 stars Audio Samples

Das Beste Aus Der D.D.R.1
Das Beste Aus Der D.D.R.1 CD  (1997) (Import) Germany

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CD $9.89  Audio Samples

Jahrhundert Hits-Deutsche
Jahrhundert Hits-Deutsche CD  (Import) Germany

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CD $38.09

One World
John Martyn One World CD  (1977) (Import) Deluxe Edition; United Kingdom

Vuelve music CDs
CD $20.39
Readers should get one matter out of the way immediately -- this rather mysterious and cryptically annotated double-CD set from Prism Records is not comprised of tracks from John Martyn's 1977 Island album of the same name. Rather, according to its own very small-print annotation, it assembles 27 tracks recorded at Woodhall in 1994, and that's as much hard information as there is here about this set's origins. This is Martyn at his most musically diverse, with various progressive and world music influences, and even elements of soul woven throughout his familiar folk-rooted style, presented here with full amplification and (mostly) a small band accompaniment -- only "John Wayne," the closer for the set, gets into a really big-scale sound at its end. The content is all well-recorded and offers material ranging across a couple of decades of Martyn's history, encompassing several stylistic phases, but one wishes there were more information about the actual recordings and their origins and circumstances -- and especially about the live version of "Easy Blues" late on Disc Two (which, one assumes, is the same cut that opens the John Martyn Live CD from Artful), the parent company of Prism Platinum. As to the musical content, the fact that "Big Muff" and "One World," as well as "Dealer," which are spread all over these two CDs, also happen to be the finest pieces on this set -- though it should be said that everything here is worth hearing -- also speaks to the debt that this collection (whatever its origins) owes to the Island One World album. ~ Bruce Eder
After Sunday's Child, John Martyn took an extended break from studio recording. By late 1975, feeling he was close to going "completely round the bend," he had also stopped touring. To put some distance between himself and the pressures of the business and to recoup his creative energies, he went to Jamaica. There, after meeting dub producer Lee "Scratch" Perry, Martyn sat in on sessions by other artists and contributed to Burning Spear's Man in the Hills. Martyn returned to the U.K. reinvigorated and began recording One World in summer 1977. Produced by Island boss Chris Blackwell and featuring Dave Pegg, Morris Pert, John Stevens, Danny Thompson, and Steve Winwood, among others, One World combines the experimental tendencies of 1973's Inside Out and the more conventional song structures of Sunday's Child. While tracks like "Couldn't Love You More," "Smiling Stranger," and "Certain Surprise" display some continuity with the rootsy, jazzy folk-rock of Martyn's previous albums, this record has a stronger commercial feel than his earlier work, crossing over into pop territory. Especially memorable in that regard is the electrified swagger of "Big Muff," a number co-written by Perry that ...

Bridge
Billy Joel Bridge CD  (1986) (Import) Japan; Remastered; Mini LP Sleeve

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CD $30.19  4 stars
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2008. Also available in a 3-pack with STORM FRONT and THE NYLON CURTAIN.
This edition of THE BRIDGE is an Enhanced CD containing both a full audio program as well as video clips for the songs "A Matter Of Trust" and "Baby Grand."
Personnel: Billy Joel (vocals, harmonica, keyboards); Russell Javors, John McCurry, Dean Parks, David Brown (guitar); Donnie Brooks, Dave Brooks (harmonica); Mark Rivera (alto & tenor saxophones); Eddie Daniels (alto saxophone); Michael Brecker (tenor saxophone); Ronnie Cuber (baritone saxophone); Marvin Stamm, Alan Rubin (trumpet); Dave Bargeron (trombone); Steve Winwood (organ, keyboards); Neil Jason, Doug Stegmeyer, Neil Stubenhaus, Ron Carter (bass); Liberty DeVito (drums, percussion); Vince Calaiuta (drums); Jimmy Bralower (percussion); Ray Charles, Cyndi Lauper, Pete Hewlitt (background vocals).
Digitally remastered by Ted Jensen (Sterling Sound, New York, New York).
Riding high on the blockbuster An Innocent Man and with a new jet-setting bride at his side, Billy Joel took full advantage of the high life, as is clear from The Bridge, an album that unwittingly celebrates the excesses of the Reagan years. While he hasn't quite settled into middle age, Joel is ready to take advantage of his wealth and status, recruiting a hero (Ray Charles) and a new wave kid (Cyndi Lauper) for duets, turning to Sting for inspiration ("Running on Ice"), fronting a big band ("Big Man on Mulberry Street"), writing a song for a movie ("Modern Woman"), and picking up the guitar ("A Matter of Trust"), just for the hell of it. You could say that it's eclectic, but it's scattershot, because it's just Joel showing off his musical skills. He's done this before, to great effect on Turnstiles, but this is all about hubris and, as such, it sounds exactly like its time. From its processed, distorted guitars to its hollow synthesizers, The Bridge sounds dated and it's his most uneven ...

Watt
Ten Years After Watt CD  (2008) (Import)

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cdu4asppid music 6429999 cdu4pidall cdu4pls7 ver231cdu cdu4all 11/27/2009 2:52:35 AM