| | Plateforme CD Aeva Discography of CDs
The four themes of this CD are extracts of the "Projections" Collection. The "Projections" collection relies on numerous clinical studies to offer a musical support - which has shown itself to be effective - for those who seek to improve their personal well-being. Numerous testimonies emphasize its unique capacity to put each one in touch with his problematic characteristics, thereby shedding light upon his personal search for 'meaning'.Making this music resonate along with the mental and affective sphere in each person can serve to reveal and activate the subconscious and its driving archetypes. It is therefore particularly recommended for use by psychotherapists and sophrologists... but at the same time for use by retirement homes - in particular for the treatment of Alzheimer's disease - for palliative treatments... and, generally speaking, for anyone working with people who are suffering.However, these sectors of activity are not exhaustive. Dr. Amouyal's music has also been used by numerous teachers, yoga instructors, physical therapists and centres of functional re-education, because of its calming effect. Finally, teachers of drawing and painters have appreciated it for its stimulating effect on the imagination. Plateforme Songs | 1. | Platform |
| 2. | Vocalises |
| 3. | Experiencing the Rise |
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Purchase Plateforme CD To buy, Click on price to add to cart | Tapiola Sinfonietta Beethoven: Piano Concertos No 4 & 5 CD (2009) Sacd Hybrid
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| | Ultimate Death Row Box Set CDs (2009) (Import) Box Set; Canada
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After releasing a collection of Snoop outtakes plus their "Re-Lit" version of Dr. Dre's The Chronic, the WIDEawake Entertainment group continued their unleashing of Death Row Records vault with their most ambitious project yet. The Ultimate Death Row Collection kicks off with a disc full of hits from the infamous West Coast label's heyday. With "Gin & Juice" (Snoop Dogg), "Nuthin' But a "G" Thang" (Dr. Dre), "I Ain't Mad at Cha" (2Pac), "Regulate" (Warren G.), and a slew of others, it's a whirlwind of vital G-Funk hits and West Coast classics that finishes on a high note, the fan favorite "Afro Puffs" (Lady of Rage). Disc two and three are where things get interesting, as a series of unreleased and rare tracks present an alternative-reality version of Death Row. From the LBC Crew's ominous "Six Shooter" to Soopafly's underappreciated party cut "This Type of Flow," the collection makes the Row seem much more active ...
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Distinguished as "one of the classical guitar world's most foremost personalities," by Classical Guitar Magazine, "an American original, an American master," by Guitar Review Magazine, and "iconoclastic" and "inventive" by The New York Times, Benjamin Verdery has enjoyed an innovative and eclectic musical career. Since his 1980 New York debut with his wife, flutist Rie Schmidt, Benjamin has performed worldwide,including the International Guitar Festival (Havana, Cuba); Festival International de Agosto (Caracas, Venezuela); Theatre Carré (Amsterdam); Chichester Cathedral (England); Bad Urach Schubert Festival (Germany); the 92nd Street Y, the Chamber Music Society of Lincoln Center and the Metropolitan Opera (NYC), the Ambassador Theater in Los Angeles, and concerts in Japan, Korea and Singapore. He has recorded and performed with such diverse artists as Frederic Hand, William Coulter, Leo Kottke, Anthony Newman, Jessye Norman, Paco Peña, Hermann Prey and John Williams. Several composers have composed music for him, including Daniel Asia, John Anthony Lennon, Ingram Marshall, Anthony Newman, Roberto Sierra, Van Stiefel and Jack Vees. Benjamin has released over 15 albums, his most recent, Start Now (Mushkatweek) won the 2005 Classical Recording Foundation Award. Other recordings of note include his Some Towns and Cities which won the 1992 Guitar Player Magazine Best Classical Guitar Recording and his collaboration with John Williams on John Williams Plays Vivaldi (Sony Classical). Soon to be released is his recording of arrangements of works by Mozart, Hendrix, Strauss and Bach entitled Branches. Since 1985, Benjamin has been chair of the guitar department at the Yale University School of Music. In 2004, the Yale University Music Library commissioned Ingram Marshall to compose a work for classical and electric guitars. Dark Florescence was premiered at Carnegie Hall with the American Composers Orchestra and Steven Sloane in February 2005 and had its European premiere at the Belfast Festival (Ireland) with the Ulster Orchestra in November 2005. The electric guitarist for these occasions was Andy Summers (formerly of The Police). Having met at the 2002 New York Guitar Festival, Benjamin ...
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