| | Alvin Lee Anthology CD Alvin Lee Discography of CDs
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Because of his spotlight-hogging singer/songwriter/guitarist/frontman status in the popular Ten Years After, Alvin Lee seemed a natural for solo success. But, through a series of well meaning yet increasingly spotty albums released on a variety of labels -- none of which seemed to want to promote him -- Lee's career has been of interest to die-hard British boogie blues lovers only, which makes this 25-year double-disc summary of his dozen or so post-TYA albums so welcome. Typically, when artists choose selections for their own compilations, as is the case here, the tracks aren't those that fans might have picked. But Lee does an admirable job, not only in his mixture of undiscovered treats and some previously unreleased material, but in the non-chronological sequencing that helps this collection flow. Sure, the boogie quotient is evident, but after all, that is what Lee does best. So even when he's simply recycling a Chuck Berry riff on "Play It Like It Used to Be" or his own licks on some live Ten Years After material, he makes the best of a rather weak voice and the limitations that come with the genre. More problematic is the lack of specific track personnel, or even explicitly stating what album every tune is from, in the notes that Lee pens for each song. And why is disc two less than 50 minutes long when there was plenty more material to choose from? In fact, there are curiously no selections from his early effort In Flight, one of Lee's more popular releases. Of particular interest, though, are two tracks where friend and neighbor George Harrison adds his distinctive slide guitar ("Real Life Blues" and "The Bluest Blues"), which are obscure gems well worth rediscovering. Lee experienced a bit of a comeback in 2004 with the release of his In Tennessee project, in which the guitarist played with renewed vigor in the company of some Sun session men. This album closes with a fiery version of his most recognizable song, "I'm Going Home," from that disc. It is an appropriate way to conclude this generally excellent recap of Alvin Lee's inconsistent but surprisingly productive solo career through 2004. ~ Hal Horowitz
Additional Tracks
Includes liner notes by Alvin Lee.
Personnel includes: Alvin Lee (vocals, guitar, harmonica); George Harrison, Joe Brown, Mick Ralphs (guitar); Clarence Clemons, Mel Collins (tenor saxophone); Zoot Money (piano); Jon Lord (Hammond B-3 organ); Steve Winwood, Steve Grant, Tim Hinkley (keyboards); Steve Gould, Alan Spenner, Boz Burrell (bass); Alan Young, Ian Wallace, John Susswell, Richard Newman, Bryson Graham (drums); David Hubbard (electronic drums).
Purchase Anthology CD To buy, Click on price to add to cart | Alvin Lee Pure Blues CD (1995)
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| | Alvin Lee In Tennessee CD (2004)
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$14.69 Although technically he never left, Alvin Lee is back. Recorded in 2003 at original Elvis guitarist Scotty Moore's Nashville home studio, with Moore as the mastermind behind the sessions (although due to ear problems he only plays on two tracks), along with Presley's drummer D.J. Fontana on the skins, this would be a listenable effort regardless of who was singing. With ex-Ten Years After's Alvin Lee playing guitar and taking the lead vocals it's a powerfully compelling disc that approximates many of the Sun label greats. Recorded predominantly live in the studio and sounding it, these songs -- mostly originals written expressly for the sessions and an unexpectedly rip-snorting run through of the TYA chestnut "I'm Going Home" -- find Lee at his most enthusiastic. He's clearly having a blast returning to his roots with some of the original architects of the sound backing him up, and that energy jumps out of the grooves. The songs aren't particularly memorable ("I'm Gonna Make It" is little more than a rewrite of "Great Balls of Fire," "How Do You Do It" sounds like any ...
| | Alvin Lee Saguitar CD (2007)
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$14.19 This rather awkwardly titled album (Alvin Lee's horoscope sign is Sagittarius) is a true solo project from the ex-Ten Years After frontman. He plays virtually all the instruments except keyboards, overdubbing himself in his home studio to impressive effect. Musically, he's not blazing any new territory at this point in his career, content with sticking to the Chuck Berry styled rocking blues boogies and the country twang he has dabbled in for 40 years. Lee's not a great drummer, and the lack of a rhythm section (other than his own overdubbing) results in a somewhat stiff, homogenous feel that might have been avoided if he had just hired a few pros to play these parts. Still, Lee's voice hasn't changed an iota since his heyday, and songs such as "The Squeeze" adequately replicate "I'd Love to Change the World"-styled hits without being carbon copies. "Smoking Rope" digs into the stop-start "I'm a Man" blues riff with surprisingly electrified results, helped enormously by Tim Hinkley's keyboards and an acoustic ...
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| | Paul Motian Trio 2000 + Two On Broadway Vol.5 CD (2009) (Import)
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$17.05 Paul Motian was 57 when, in 1988, he launched his On Broadway series with On Broadway, Vol. 1 -- and 20 years later in 2008, a 77-year-old Motian made his fifth contribution to the series with On Broadway, Vol. 5. The lineups have changed from one On Broadway disc to another; this time, the veteran drummer is joined by Loren Stillman and Michaël Attias on sax, Masabumi Kikuchi on acoustic piano, and Thomas Morgan on upright bass. But the basic idea behind the series remains the same -- Motian approaching popular standards not as Broadway show tunes, traditional pop, or cabaret, but as straight-ahead instrumental jazz -- and a spirit of improvisation prevails. The only song on this 56-minute CD that Motian composed is the North African-tinged opener "Morrock"; other than that, he focuses on the work of other composers, usually favoring a ballad tempo. But the fact that On Broadway, Vol. 5 is dominated by ballads ...
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