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Like Queensrÿche's 1988 prog metal masterpiece Operation: Mindcrime, Riot's Privilege of Power works off of fear, paranoia, and conspiracy, employing ten complex tracks that work as a single unit. Where Mindcrime stuck to a straight narrative, working every Pink Floyd-ism it could into its disillusioned protagonist, Power takes a broader, less specific approach to its subject. The atmospheric snippets that tuck-point each song into place help maintain a general air of unease, eventually giving way to an ambiguous but entertaining revolution that lacks Queensrÿche's self-importance. Lyrically, the group does little to deviate from obvious metaphor and "Viking" simplicity -- in "metalspeak" something as mundane as an airplane ride ("Metal Soldiers") is described by shouting "We climb aboard the eagle made of steel" followed by a four-octave scream -- but "true blue" fans of heavy metal know the genre's scholarly limitations, and revel in its face-value descriptions of rebellion and honor. The bizarre use of a horn section (keyboards?) on tracks like "On Your Knees" and "Killer" actually works, adding a swaggering charm to the already hook-laden tunes. The ferocious "Dance of Death" brings to mind classic Judas Priest and features brutal guitar work by guitarist/songwriter Mark Reale -- he really is remarkable -- and elements of Iron Maiden run rampant throughout the rousing "Storming the Gates of Hell." The record loses its flow -- not its focus, as it never really has any -- with the dreadful "Little Miss Death" -- a study in "horned-hand" mediocrity -- and the obvious single "Maryanne," which -- although the vocals are outstanding and the slight melodic variation (mixed with car horns and other sonic oddities) is infectious -- is virtually a carbon copy of Boston's "More Than a Feeling." ~ James Christopher Monger
2003 reissue of the New York-based heavy metal band's 1990 album features 10 tracks. Collectables.
Recorded at Greene Street Studio Recording and Bleeker Court Studio, New York, New York; between December 1988 and September 1989. Originally released on CBS (45121).
Riot: Tony Moore (vocals); Mark Reale (vocals, guitar); Don Vanstavern (bass); Bobby Jorzombek (drums).
Riot Privilege Of Power Songs Privilege Of Power Music Review Average Rating: (3.6 out of 5 stars)   Brilliant and punishing METAL
After THUNDERSTEEL, Riot wisely capitalized on the powerful lineup that they had. Two years later and the band unleashed THE PRIVILEGE OF POWER, one of the most intense albums ever made— Metal or otherwise. Aside from the punishing rhythms and soaring crescendos, this album is a biting commentary on politics, war, murder and conflict ("On Your Knees," "Killer" and "Runaway"). Of course, there are also songs about cars, Metal, and women ("Black Leather & Glittering Steel," "Metal Soldiers", "Maryanne"). Between the songs are very cleverly placed clips from news broadcasts, interviews, and TV. Some of them are disturbing, some are funny, but all are real. Thus, the album mixes songs based on life in a violent world with songs about fantasy. "Killer," an awesome song featuring guest vocals by Joe Lynn Turner, actually does both. "Killer" and "On Your Knees," features the Tower of Power horn section. And these aren't some flaky horns, either. First time I've actually liked horns in anything. Trust me, this album will kick your a$$. Just one listen to "Dance of Death" and "Storming The Gates of Hell" and you know you're down for the count. Some of the most diverse Metal ever made. A must-have for any Metal fan.
Submitted by Dr. Metal (Orlando, FL USA)
Was This Review Helpful? Yes No 1 of 2 found this helpful.
Just buy this album
Just buy this album, if you are into power metal or just eppriciate good talent, which these guys have tons of.
I also can't beleive that one reviewer gave this album one star, i'm still in shcok after seeing that.
This album is worth every cent.
Submitted by shion (Colombo, Sri Lanka) 
Was This Review Helpful? Yes No  Very Good
For sure the absolute winner to the worst cover ever, even the screens might makes sence it is still awful. On the other hand direct and in your face Metal, great guitar work with sharp riffs and powerfull vocals one thing I really like is that they do not abuse of the double bass on the fast tunes. IMO they abused on some intros they are really long. Not the most unique or ground bracking record but for sure a CD thata every metalhead will enjoy
Submitted by C.E. (Mexico City)
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 Privilege of Power
This album in no way compares to Thundersteel, but it does contain a certain sense of power metal. Storming the gates of hell is by far, the best balled on the album. Awesome guitar, and siren-like vocals pierce the ear. The guitar solos really show of Mark Reale's talent. Maryanne, a glam-rock sounding tune should have came out 5 years before, and it would have been a major hit. The tune Metal Soldiers, again, shows that Riot can still right an awesome metal song. Buy the CD, but do not expect thundesteel........
Submitted by Ian (Cudahy, WI)
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 Forget this album
Forget this forgettable album. Don't waste your time or money. Riot's only album worth purchasing is Thundersteel. The rest, including this album, is second or third rate garbage. I don't care how good or fast the guitars are. The songs just suck. The only track I semi enjoy is the instrumental. It's no mystery to me why these guys never made it big. Riot is a one album wonder.
Submitted by rathbun.f (Illinois)
Was This Review Helpful? Yes No 1 of 3 found this helpful.
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