| | Eurythmics Sweet Dreams (Are Made Of This) CD Eurythmics Discography of CDs
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Eurythmics: Annie Lennox (vocals, keyboards); David A. Stewart (guitar, keyboards). Additional personnel includes: Green Gartside (vocals). Eurythmics: Dave Stewart, Annie Lennox. Additional personnel: Vic Martin (keyboards); Dean Garcia (bass); Pete Phipps (drums); Maggie Ryder, Gill O'Donovan, Susie O'List (background vocals). Eurythmics: Annie Lennox (vocals); Dave Stewart (various instruments). Additional personnel: Green (background vocals). Audio Remasterer: Ian Cooper . Eurythmics' breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the latter supplied by Annie Lennox's warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip past the music's usual coldness and into a territory all their own. It can be smug (the new wave here is served with a side of irony) and a tad dull (the long, operatic pieces serve little purpose), but the payoffs -- "Love Is a Stranger" and, especially, the magnificent title tune -- are among the finest the genre has to offer. ~ Michael Gallucci 1983's SWEET DREAMS (ARE MADE OF THIS) is actually Eurythmics' second album, but 1981's Krautrock-influenced IN THE GARDEN was never released in the US and made minimal waves in the rest of the world. Thanks to two striking videos and some canny self-promotion on the part of androgynous singer Annie Lennox, this was certainly not the case with this much-improved follow-up. The hypnotic drone of the title track and the ticking, pressurized "Love Is A Stranger," were enormous radio and video hits around the world, but much of the album belies the synth-pop tag those songs earned. Dave Stewart plays bluesy slide throughout, and the respectful cover of Sam and Dave's "Wrap It Up" gives Lennox a chance to showcase her soulful growl which would, on subsequent albums, replace the chilly soprano featured here. The Eurythmics' breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the latter supplied by Annie Lennox's warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip past the music's usual coldness and into a territory all their own. It can be smug (the new wave here is served with a side of irony) and a tad dull (the long, operatic pieces serve little purpose), but the payoffs -- "Love Is a Stranger" and, especially, the magnificent title tune -- are among the finest the genre has to offer. [The 2005 reissue features remastered sound and bonus tracks that originally appeared on singles, as well as a previously unreleased cover of Lou Reed's "Satellite of Love."] ~ Michael Gallucci
Uncut (p.124) - 4 stars out of 5 - "Loaded with iconic MTV imagery and brilliant synth-pop..." CMJ (1/5/04, p.12) - Ranked #11 in CMJ's "Top 20 Most-Played Albums of 1983". Sweet Dreams (Are Made Of This) Music | List Price | $7.99 (You save $0.40) | | Category | Rock/Pop Albums, Rock CDs, World, Pop, Japanese, New Wave | | Label | Legacy | | Orig Year | 1983 | | All Time Sales Rank | 16779  | | CD Universe Part number | 6448053 | | Catalog number | 25355 | | Discs | 1 | | Release Date | Mar 31, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dave Stewart; Giorgio Moroder; A. Williams; David A. Stewart; Giorgio Moroder; A. Williams; R. Crash | | Engineer | David A. Stewart | | Personnel | David A. Stewart - guitar, keyboards Annette "Queenie" Lennox - vocals, keyboards
Also: Dave Stewart, Dean Garcia, Maggie Ryder, Gill O'Donovan, Pete Phipps, Susie O'List | | Additional Info | Japan; Deluxe Edition |
Eurythmics Sweet Dreams (Are Made Of This) Songs Sweet Dreams (Are Made Of This) Music Review Buy Sweet Dreams (Are Made Of This) CD Purchase Sweet Dreams (Are Made Of This) CD To buy, Click on price to add to cart | Eurythmics Touch CD (1983) Bonus Tracks; Reissue; Remastered; Deluxe Edition; Digipak
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Eurythmics: Annie Lennox, ...
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| | Joan Baez Dark Chords On A Big Guitar CD (2003)
Sweet Dreams (Are Made Of This)
$14.55 Personnel: Joan Baez (vocals); Doug Pettibone (acoustic guitar); Duke McVinnie (guitar, electric bass); Byron Isaacs (acoustic & electric basses); George Javori (drums, percussion); Rani Arbo, Gail Ann Dorsey (background vocals). Recorded at Allaire Studios, Shokan, New York. Personnel: Duke McVinnie (guitar, electric bass); Doug Pettibone (acoustic guitar); Byron Isaacs (acoustic bass, electric bass); George Javori (drums); Gail Ann Dorsey, Rani Arbo (background vocals). Audio Mixer: Brandon Mason. Recording information: Allaire Studios, Shokan, NY; Arlyn Studios, Austin, TXMaster Mix Studios, Minneapoli. Photographers: Norman Moore; Dana Tynan. Six years is a long time to go between albums, especially for an artist who has recorded as sporadically as Joan Baez has over the last decade-and-a-half. And while her last outing, Gone From Danger, with songs by Dar Williams, Richard Shindell, and other contemporary singer/songwriters, was a milestone for Baez, it was merely an appetizer for the depth and weight that is Dark Chords on a Big Guitar. Here Baez uses her uncanny gift for song selection to choose material from a different generation of songwriters. She's moved away from the precious New England types, and looked instead to the moodier, murkier, sketchier material by scribes who've been comfortable walking the edges for awhile: Greg Brown, Steve Earle, Gillian Welch and David Rawlings, Ryan Adams, Caitlin Cary, Joe Henry, Josh Ritter, and even chart-topper Natalie Merchant. ...
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