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Inmates Inside Out/Wanted CD - Import

 Inmates Discography of CDs

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Inside Out/Wanted Music


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List Price $17.98 (You save $2.13)
Category Rock/Pop Albums, New Wave CDs, Rock
Label Last Call
Orig Year 2003
All Time Sales Rank   560729  
CD Universe Part number 6496032
Catalog number 3087492
Discs 1
Release Date Nov 11, 2003
Mono/Stereo Stereo
Additional Info United Kingdom
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest ...
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple ...
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This remastered two-fer CD includes two of Cliff Richard's original LPs from the 1960s, 1965's CLIFF RICHARD, featuring "Angel" and "Sway," and 1968's DON'T STOP ME NOW, featuring a collection of covers of early rock hits and more recent singer-songwriter material. Two of Cliff Richard's mid-'60s albums, Cliff Richard and Don't Stop Me Now, are combined ...
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Since the release of 2003's Shutdown the Sun/From the Ashes of Electric Elves Oranger have erased the last vestiges of country-rock, guitar psych, and experimentation from their sound. 2005's New Comes and Goes is sleek and shiny, a stripped-down and exciting guitar rock record that doesn't score many points on the originality front but makes up for it with solid songcraft, tight and wiry performances, and a raft of memorable songs. The dual-guitar attack, the simple but (college) radio-ready arrangements, and Mike Drake's laconic drawl of a voice call to mind Pavement's poppier and more lucid moments; the uplifting choruses, vocal harmonies, and subtle but important keyboards of Pat Main bring up thoughts of the New Pornographers; and the tough, melodic, and timeless tunes show the influence of '70s power ...
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One could argue that John Entwistle's instrumental prowess on the bass and mordant lyrical humor in tunes like "Boris the Spider" and "Whiskey Man" had nearly as strong an impact on the Who's early work as Pete Townshend's input, but both men's work grew and changed significantly with the passing of time. While Townshend was always determined to remain on the cutting edge of what mattered in rock, Entwistle evolved from the cool guy who never moved on-stage to the cheesy old geezer in the tight polyester pants who never moved on-stage, and in the 1980s his solo work reflected less of the witty hard rock that dominated Mad Dog or Whistle Rymes and more of the hard rock bombast that was filling arenas in America. After the disappointing commercial reception of his 1981 solo effort, Too Late the Hero, and his difficulties scoring a record deal after the Who broke up, Entwistle was determined to make an album that would sell beyond his cult following, and The Rock not only didn't sound like a typical Entwistle album, he didn't even sing on it (believing his voice was part of what put folks off) and wrote only four of its 11 tracks. Elsewhere, former Prism vocalist Henry Small co-wrote the other seven tunes (primarily with guitarist Devin Powers) and took over lead vocals, with Gene Block also handling guitar, Zak Starkey playing drums, and Adrien Cook on keyboards. Ultimately, the results resemble Tesla, Extreme, or other bands on the (relatively) more intelligent side of the 1980s hair metal scene than anything the ostensive leader did with the Who. There's no questioning the technical skill of the performances -- this band sounds tight and expert throughout, and Entwistle and Starkey are a mighty rhythm section -- but most of Small's songs are a mass of clichés and the guitar and keyboard figures firmly date this album as a product of the mid-'80s (it was recorded in 1986, but legal issues with Entwistle's record company kept The Rock on the shelf for ten years). You can't blame Entwistle for wanting his solo work to appeal to an audience as much as the Who's music has, but The Rock trades his more distinctive work for faceless cookie-cutter hard rock, and there's no denying he could do better. ...
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Australian exclusive 20 track collection
Skytroopers-Songs Of War Peace & Love From Vietnam
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Richard Morris has sung in amateur choirs and community theatre, and entertained many groups with jazz, blues, and musical comedy songs. He was born in 1943 in Pittsburgh into a steelworker family and grew up in Cleveland. After college, he attended Officer Candidate School at Ft. Benning, Georgia, served in Vietnam, and attended graduate school before starting a career in the housing industry. As a second lieutenant rifle platoon leader in the 1st Cavalry Division (Airmobile) in Vietnam in 1967, he went on helicopter assaults and foot patrols through mountain ...
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