| | Shelley Phillips Butterfly CD Shelley Phillips Discography of CDs
Photographers: Margaret Mathewson; Paul Schraub.
Arrangers: Jesse Autumn; Shelley Phillips; Barry Phillips.
Personnel: Shelley Phillips (whistling, celtic harp, bamboo flute, pennywhistle, oboe, English horn, kalimba, wind); Martin Simpson, William Coulter (guitar); Harris Moore (hammer dulcimer); Jesse Autumn (double harp); Don Lax (violin); Deby Benton Grosjean (fiddle); Barry Phillips (cello, tabla, percussion); Lars Johannesson (wooden flute); Christa Stiner (bassoon); Jay "Icepick" Jackson (piano).
Recording information: Bear Creek Recording Studio, Santa Cruz, CA; Smerwick Studio, Ballyferriter, Dingle, Co. Kerry, Irel.
Butterfly Music | Category | Rock/Pop Albums, International CDs, Country, Folk Music, Spanish, Celtic, Folk | | Label | Gourd | | Orig Year | 2003 | | All Time Sales Rank |  341147  | | CD Universe Part number | 6498597 | | Discs | 1 | | Release Date | Nov 11, 2003 | | Mono/Stereo | Stereo | | Producer | Shelley Phillips | | Engineer | Jon Sanders; Justin Mayer | | Personnel | William Coulter - guitar
Barry Phillips - cello, tabla, percussion
Martin Simpson
Don Lax - violin
Shelley Phillips - whistling, celtic harp, bamboo flute, pennywhistle, oboe, English horn, kalimba, wind
Lars Johannesson - wooden flute
Jay "Icepick" Jackson - piano
Christa Stiner - bassoon
Deby Benton Grosjean - fiddle
Harris Moore - hammer dulcimer
Jesse Autumn - double harp
Jesse Autumn - double harp
|
Shelley Phillips Butterfly Songs | 1. | Butterfly, The |
| 2. | Newcastle |
| 3. | Cold Frosty Morning |
| 4. | King of the Faeries/Temple Hill |
| 5. | All in a Garden Green/The Honeysuckle |
| 6. | Sackpipslat Fran Norra Rada/Konvulsionslaten |
| 7. | Rain |
| 8. | Rossignol, Le (The Nightingale)/Cuncti Simus |
| 9. | Johsefin's Dopvals/Polska Efter Pell Pederson |
| 10. | Neil Gow's Lament at the Death of His Second Wife |
| 11. | George White's Favorite/Blackberry Blossom |
| 12. | Separation of the Soul from the Body |
| 13. | Lowlands of Holland |
| 14. | Divinum Mysterium |
|
Butterfly Review
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Purchase Butterfly CD To buy, Click on price to add to cart | Celtic Woman Christmas Celebration CD (2006)
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| | Seldom Scene Like We Used To Be CD (1994)
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LIKE WE USED TO BE was nominated for Best Bluegrass Album in the 37th Annual Grammy Awards.
John Starling re-joined the Seldom Scene in 1994 to record an album that recalled the groups first lineup from 1971-1977 (minus bass player Tom Gray). Starling's vocals on "Grandpa Get Your Guitar" and "Almost Threw Your Love Away" carry the same solid smoothness of the early years. He also sings his share of sad songs of love lost and lives wasted as in "Like I Used to Do" and "Cheap Whiskey." the Seldom Scene have always shown a willingness to choose material from folk, country, and rock. The difference here is that the songs are quieter, drawing equally from folk and traditional bluegrass. The biggest difference though between Like We Used to Be and an earlier effort like Act 1 is ...
| | Top Of The Hill Bluegrass CD (1995)
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Top of the Hill Bluegrass is an introduction to artists from the Sugar Hill label's roster; contributions come from Doc Watson, Ricky Skaggs, Peter Rowan and others. ~ Jason Ankeny
Includes liner notes by Jon Hartley Fox.
Personnel: Glen Duncan, Peter Rowan (vocals, guitar, fiddle); Doc Watson, Jeff White, Larry Cordle, Lou Reid , Pat Flynn, Steve Gulley, Bob Amos (vocals, guitar); Tony Rice (vocals, acoustic guitar); Gene Wooten, Mike Auldridge, Sally Van Meter (vocals, dobro); Herb Pedersen (vocals, banjo); Dan Tyminski, John Duffey, Ricky Skaggs, Roland White, Sam Bush, Tim O'Brien (vocals, mandolin); Ronnie Bowman (vocals, bass guitar); Eddie Lynn Snodderly, Emmylou ...
| | Tommy Duncan Texas Moon CDs (1998) (Import) Germany
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ON THE CONTINENT contains music sung in German, Spanish and French.
On the Continent brings together every single track Cliff Richard recorded for exclusive European release -- that is, those he recorded in each of the four foreign languages deemed representative of his biggest non-English markets: German, French, Italian, and Spanish. And if the idea of hearing "Congratulations" rendered into any one (or, in fact, all four) of those tongues does not immediately strike you as compulsive entertainment, then you probably don't need to know that the collection does not end with released material. Outtakes and alternates also creep in, for a total of 102 tracks spread across four discs (the fifth recalls an early-'60s interview with the German magazine Bravo). And there is also a beautifully designed 96-page hardback book, recounting the singer's European adventures in words, pictures, and record covers, plus a full sessionography covering the collection's contents. It was EMI's German office that first suggested, in December 1960, that Richard record a unique German language version of his latest hit, "Fall in Love With You," as a gift to his local fans; it was the immediate success of the venture that prompted a follow-up just three months later, "Theme for a Dream." Both of these singles, in their original form, have remained Holy Grails of a kind for collectors: "Fall in Love" for its totally rearranged backing track; "Theme" for its exclusive B-side, "Vrenelli." And both remained isolated offerings for another couple of years -- it would be 1963 before Richard again attempted a foreign language, when the unprecedented continental success of Summer Holiday demanded a slew of immediate follow-ups. Comprising a mixture of both new material and re-recordings of familiar hit songs, When in Spain was performed completely in Spanish, When in France in French, and When in Rome in Italian. All three sets are presented here in their entirety, each rounded out by a string of singles recorded and released in their respective territories toward the end of the 1960s: "Questions" (French), a re-recording of "On the Beach" (Italian), and the eternal "Congratulations" included.
The performances are, generally, superb. Unlike such misbegotten renderings as the Beatles' "Sie Liebe Dicht," Bowie's Italian "Space Oddity," and sundry other well-intentioned continental ...
| | Dixie Chicks Fly CD (1999)
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Principally recorded at Westwood Sound Studio, Nashville, Tennessee.
All tracks have been digitally mastered using HDCD technology.
FLY won the 2000 Grammy Award for Best Country Album. "Ready To Run" won the 2000 Grammy Award for Best Country Performance By A Duo Or Group With Vocal. FLY was nominated for the 2000 Grammy Award for Album Of The Year. "Ready To Run" was nominated for the 2000 Grammy Award for Best Country Song.
The Dixie Chicks won the 2000 CMA Awards for Entertainer Of The Year and Vocal Group Of The Year. FLY won the 2000 CMA Award for Album Of The Year.
"Goodbye Earl" won the 2000 CMA Award for Best Video Of The Year.
Forget the platform sneakers and safety pins--under all that glitz and glitter, the Dixie Chicks are one heckuva country group. The group sings, plays, and writes beautifully on their sophomore release, FLY. Thankfully, crossover success hasn't taken the country out of the Chicks--Martie Seidel's fiddle and mandolin and Emily Robison's banjo and dobro are still front-and-center in all the arrangements. Natalie Maines' powerful voice wrings every drop of emotion out of a ballad like "Let Him Fly," and then turns ...
| | Shonen Knife Yama-No Attchan CD (1984) Bonus Tracks; Remastered
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The year between the recording of their first record, 1983's Burning Farm, and their second, 1984's Yama-no Attchan, allowed Shonen Knife to improve their musicianship a touch. Not enough to mess up their innocent charm, but enough to make this record an improvement over their already quite good debut. The songs are just a bit stronger too. "Cycling Is Fun" bounces along on a near-Motown beat the likes of which they couldn't have done a year earlier, "Chinese Song" betrays the influence of dub punk like the Slits and the Raincoats, "Flying Jelly Attack" sports a killer bubblegum chorus and some tight riffing, and "Dali's Sunflower" betrays some heavy metal influence thanks to heavy power chords and guest guitarist Yasushi Utsunomiya's guitar mangling. The lyrical topics are just as wacky, though, covering insect collecting, leaves, cycling and cannibal plants. All in all, a stronger ...
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