| | Leoncavallo: I Pagliacci / Björling, Cellini, Et Al CD Bjorling / Cellini / Leoncavallo / Warren Discography of CDs
Leoncavallo: I Pagliacci / Björling, Cellini, Et Al Music Leoncavallo: I Pagliacci / Björling, Cellini, Et Al Review
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Purchase Leoncavallo: I Pagliacci / Björling, Cellini, Et Al CD To buy, Click on price to add to cart | Walker Brothers Ultimate Collection CD (2008) (Import)
Leoncavallo: I Pagliacci / Björling, Cellini, Et Al
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This two-CD compilation, assembled from the Walker Brothers' three albums and various singles released by Philips between 1965 and 1967, gives a good overview of their ...
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Leoncavallo: I Pagliacci / Björling, Cellini, Et Al
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Christmas and the blues might seem at first like a strange combination, given that the music of the holiday season ...
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Leoncavallo: I Pagliacci / Björling, Cellini, Et Al
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$11.69  | | Judy Dunaway Mother Of Balloon Music CD (2006)
Leoncavallo: I Pagliacci / Björling, Cellini, Et Al
$12.25
Personnel: Judy Dunaway (balloons); Ryuko Mizutani (koto); Tom Chiu (violin); Damian Catera (sampler).
Audio Mixers: Damian Catera; Brenda Hutchinson; Judy Dunaway.
Liner Note Author: Judy Dunaway.
Recording information: Harsh House, Jersey City, NJ; Spin, Brooklyn NY; The Tone House, Rochester, NY.
Director: Philip Blackburn.
Editor: Judy Dunaway.
For those with a sensitivity to sounds such as the scraping of a blackboard with chalk, or of pulling at the outside skin of a balloon with the palm of one's hand, Judy Dunaway's Mother of Balloon Music on Innova will be like a prescription for a migraine headache -- not for the medicine, but for the headache. Initially inspired by a whimsical 1972 effort by Anthony Braxton entitled "Composition 25," which calls for 250 balloons, composer Dunaway has taken the lowly party favor and created an entire musical aesthetic around it. Dunaway applies a much wider range of performance applications to the balloon than most would even conceive, such as using balloons in place of the bridges of a koto, or in chamber music combinations. Through tape recording, digital sampling, and the use of enormously large balloons, Dunaway seems to have conquered the short decay time of a balloon, although she does not try to overcome its unpredictability in terms of pitch and randomness of output. Unlike Gershon Kingsley, who once demonstrated to concert entrepreneur Sol Hurok the musical viability of an early synthesizer by playing "Mein Yiddische Mama" on it, Dunaway will never be able to perform a familiar melody by request; her instrument will not permit ...
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