| | Maylay Sparks Graymatter CD - Import Maylay Sparks Discography of CDs
(1 Customer Review)
Rapster continued giving a leg up to deserving American hip-hoppers (Freddie Foxxx, Baby Blak, Pete Rock) with Graymatter, the debut solo record from Maylay Sparks (aka Rahsheed). A rapper every bit as tough and menacing as fellow underground heavyweights Cappadonna or Freddie Foxxx, Sparks doesn't have much to add to the hip-hop lexicon, but his delivery and rhymes are excellent. (Rhyming "hat tricks" and "ice picks" won't blow anyone out of the water, but he makes it groove.) He also has a smooth flow, knows how to keep enough space within his rhymes, and benefits from excellent productions. (DJ Noize takes most of the tracks, and an old Sparks hand, DJ Whiteshadow, makes only one appearance.) The sound matches Sparks' rapping perfectly, with rich and gritty '70s Philly soul samples bolstered by the dense, claustrophobic sound of N.Y.C. hitters DJ Premier or RZA. ~ John Bush
Recording information: des Bar.
Photographer: Peder .
Producers: Rick Smoove, Context, The.Prunes., DJ Noize, Little Jay.
Audio Mixer: Prunes.
Maylay Sparks Graymatter Songs Purchase Graymatter CD To buy, Click on price to add to cart | Shakira She Wolf CD (2009)
Graymatter album
$11.18 Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but ...
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$13.00 Liner Note Author: Jeff Hannusch.
| | Maceo Parker Funk Overload CD (1998)
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$13.89 A key figure in the development of funk, Maceo Parker lent his incendiary sax to James Brown's JB's during their late-'60s peak and later joined George Clinton's Parliament-Funkadelic ensemble. Parker is one of the best-known backing musicians in pop history. This is due in no small part to James Brown's exhortations on numerous famous cuts (Brown would often shout "Maceo!" to prompt a horn part). Still, it is Parker's bright, soulful delivery and his expertise at funky punctuation that makes him the final name in R&B brassmanship.
1998's FUNK OVERLOAD gives Parker plenty of room to stretch out. Slick, sophisticated grooves like the opening "Uptown Up" alternate with harder-edged, contemporary jams complete with raps courtesy of Corey Parker. Such old school funk-outs as "Tell Me Something Good," "Youth of the World," and a heart-felt ...
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$11.99 What do you get when you combine one of the biggest names in hip-hop with the premier R&B singer of his generation? In the case of R. Kelly and Jay-Z, besides the obvious marketing opportunity, you get an intersection between the two genres that illuminates the strengths of both while simultaneously working on a new paradigm from the middle ground occupied by both artists. "Break up to Make up" isn't the old Stylistics R&B hit, but a ...
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| | Fergie Dutchess CD (2006) Edited
Graymatter songs
$12.65 The association that versatile pop chanteuse Fergie (aka Stacy Ferguson) struck up with the hip-hop crew Black Eyed Peas (she was central to their hugely successful 2003 release, ELEPHUNK) proved she was capable of playing in the big leagues, and it was only a matter of time before the singer dropped a solo effort. THE DUTCHESS arrived in 2006 and was packed, not surprisingly, with slick, commercially viable pop-rap.
The first release on Black Eyed Pea will.i.am's record label, THE DUTCHESS seems intent on giving Beyonce, Kelis, and every female pop/R&B singer a run for her money. With production help from Polow the Don and will.i.am (who also contributes raps to a couple of songs), Fergie delivers a record that kicks out spare club tracks inspired by Missy Elliott and M.I.A. (such as the disc's lead-off single "London Bridge"), alongside sultry soul ballads ("Clumsy"). There aren't many surprises here, but THE DUTCHESS is a glossy, fun, and satisfying album, which is exactly what her fans are expecting.
Through all the twists and turns taken by Stacy "Fergie" Ferguson during her 20-year career as an entertainer -- including a stint on Kids Incorporated, background vocals for Martika, two albums with adult contemporary/dance-pop group Wild Orchid, and superstardom with Black Eyed Peas -- she has always sounded as if she is trying really, really hard. That has been the lone consistent characteristic of her output, and it remains in effect throughout The Dutchess. The album has all the characteristics of a release fronted by someone who has been itching to go solo and prove herself, once and for all, as a versatile force all her own. Fergie does cartwheels and handstands, juggles three objects at once, balances books on her head, hangs upside down, rides a unicycle with her hands in the air -- all these things while wearing different outfits. The whole process, produced mostly by fellow Pea will.i.am, is mildly entertaining. There's throwback hip-hop ("Fergalicious," done to the tune of J.J. Fad's "Supersonic"), ...
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Graymatter album
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