| | Holocaust Live (Hot Curry & Wine) CD Holocaust Discography of CDs
This reissue contains 2 bonus tracks from RAW, LOUD, LIVE EP.
All tracks are digitally remastered.
Released at a time when the band was pretty much falling to pieces, Live (Hot Curry and Wine) combines tracks from Holocaust's influential debut, The Nightcomers, with a number of new songs and obscure tracks. Most crucially, this set contains possibly the only commercially available version of the band's classic "The Small Hours" (famously covered by Metallica -- and a corker it is too), along with some quality material ("No Nonsense," "Lovin' Feelin' Danger," "Forcedown Breakdown") from their rare Garage Days Revisited EP (yes, Metallica later borrowed that too). Highlights from the aforementioned The Nightcomers LP are also trotted out for good measure, but one has to wonder just how live these recordings really were, since the audience often sounds like ten guys screaming in a room. Quite a collector's item, but despite the band's well publicized influence on a young Metallica, only die-hard New Wave of British Heavy Metal lovers will need to venture here. [Note: the track labeled as "The Nightcomers" on this CD is actually just a five minutes of guitar feedback.] ~ Eduardo Rivadavia Live (Hot Curry & Wine) Music Holocaust Live (Hot Curry & Wine) Songs | | Live (Hot Curry & Wine) CD DISC 1: |
| 1. | No Nonsense |
| 2. | Smokin' Valves |
| 3. | Long the Bell Will Toll |
| 4. | Jirmakenyerut |
| 5. | Small Hours, The |
| 6. | Forcedown Breakdown |
| 7. | Heavy Metal Mania |
| 8. | Nightcomers, The |
| | Live (Hot Curry & Wine) Songs DISC 2: |
| 1. | No Nonsense |
| 2. | Push It Around |
| 3. | Death or Glory |
| 4. | Bridge of Impressions |
| 5. | Out My Book |
| 6. | Jirmakenyerut |
| 7. | Heavy Metal Mania |
| 8. | Small Hours, The |
| 9. | Forcedown |
| 10. | Breakdown |
| 11. | Lovin' Feelin' Danger |
| 12. | Crying Shame |
| 13. | Nightcomers, The |
| 14. | Smokin' Valves |
| 15. | Long the Bell Will Toll |
| 16. | It Don't Matter to Me |
|
Live (Hot Curry & Wine) Review
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Purchase Live (Hot Curry & Wine) CD To buy, Click on price to add to cart | Black Sabbath Master Of Reality CD (1971)
Live (Hot Curry & Wine)
 $8.95    
Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass instrument); Bill Ward (drums).
With Paranoid, Black Sabbath perfected the formula for their lumbering heavy metal. On its follow-up, Master of Reality, the group merely repeated the formula, setting the stage for a career of recycling the same sounds and riffs. But on Master of Reality Sabbath still were fresh and had a seemingly endless supply of crushingly heavy riffs to bludgeon their audiences into sweet, willing oblivion. If the album is a showcase for anyone, it is Tony Iommi, who keeps the album afloat with a series of slow, loud riffs, the best of which -- "Sweet Leaf" and "Children of the Grave" among them -- rank among his finest playing. Taken in tandem with the more consistent Paranoid, Master of Reality forms the core of Sabbath's canon. There ...
| | Black Sabbath Sabbath, Bloody Sabbath CD (1973)
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Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums).
With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to the band's ...
| | Black Sabbath Sabotage CD (1975)
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Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums).
Additional personnel: English Chamber Choir (background vocals).
Principally recorded at Morgan Studios, London, England.
Years of constant touring, alcoholism, and drug abuse finally began to affect Black Sabbath around the time of their sixth release, 1975's Sabotage. While it's not a bad album (in fact, it's one of their most underrated), you can sense that the magical chemistry that made such albums as Paranoid and Vol. 4 so special was beginning to disintegrate. But guitarist Tony Iommi again comes equipped with an arsenal of sturdy, ultra-heavy riffs, as evidenced by the raucous album opener, "Hole in the Sky," as well as the drug-induced anthem "Symptom of the Universe" -- both tracks coming as close to garage ...
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Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums, background vocals).
Additional personnel: Gerald Woodruffe (keyboards).
Recorded at Criteria Studios, Miami, Florida.
Black Sabbath was unraveling at an alarming rate around the time of their second to last album with original singer Ozzy Osbourne, 1976's Technical Ecstasy. The band was getting further and further from their original musical path, as they began experimenting with their trademark sludge-metal sound. While it was not as off-the-mark as their final album with Osbourne, 1978's Never Say Die, it was not on par with Sabbath's exceptional first five releases. The most popular song remains the album closer, "Dirty Women," which was revived during the band's highly successful reunion tour of the late '90s. ...
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Paranoid was not only Black Sabbath's most popular record (it was a number one smash in the U.K., and "Paranoid" and "Iron Man" both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath's signature sound -- crushingly loud, minor-key dirges loosely based on heavy blues-rock -- and applied it ...
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