| | Punk Goes Acoustic CD (7 Customer Reviews)
The first 50,000 copies will include a limited bonus CD, featuring non-acoustic tracks by Fearless and Victory Records' artists. As part of the long-running, gimmicky series from Fearless Records and BMG, Punk Goes Acoustic features a gaggle of youthful punk revivalists unplugging the patch chords and tuning up the acoustics. The bands aren't doing covers, which is a format change from the gimmickry of past titles like Punk Goes Metal or Punk Goes Pop. Instead, you get bands like Simple Plan, the Ataris, Further Seems Forever, Yellowcard, and Midtown running acoustically through their songs with passably entertaining results. The comp should be of interest to fans of these groups looking for something a bit different, but it's by no means a must-have. ~ Johnny Loftus Punk Goes Acoustic Music Review Purchase Punk Goes Acoustic CD To buy, Click on price to add to cart | Mindless Self Indulgence Frankenstein Girls Will Seem Strangely Sexy CD (2000)
Punk Goes Acoustic
$10.39
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Punk Goes Acoustic
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Punk Goes Acoustic
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| | NOFX 45 Or 46 Songs That Weren't Good Enough To Go On Our Other Records CDs (2002)
Punk Goes Acoustic
$9.79 This is a collection of NOFX tracks from various compilations, 7"s and EPs, plus a previously unreleased song and dub remix. 45 or 46 Songs That Weren't Good Enough to Go on Our Other Records has to be one of the longest, and greatest, album titles of all time. However, for you pedants out there, it's also far from accurate. These songs may not have been up to NOFX album standards, but all, bar one, were considered worthy for release on 7" singles, EPs, or compilations. And that one exception is a new song. All told, this comes close to bringing together much of the group's vinyl-only releases and tough to find numbers from indie compilations. Close, but obviously not all, as Fat Mike chose to deliberately omit songs so as not to wreck the "coolness" value of owning the ...
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Punk Goes Acoustic
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Punk Goes Acoustic
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| | Tennessee Ernie Ford Country Music Hall Of Fame 1990 CDs (2000)
Punk Goes Acoustic
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| | Very Best Of Bobby Sherman CD (1993)
Punk Goes Acoustic
$10.95 Producers: Jackie Mills, Ward Sylvester, Bobby Sherman. Compilation producers: Cary E. Mansfield, Bill Pitzonka. Includes liner notes by Andy Anderson. Digitally remastered by Dan Hersch (Digiprep, Hollywood, California). Bobby Sherman never got much critical respect during the prime years of his career. Oh, he sold tons of records, to be sure, but the virtues of those recordings were eclipsed by his good looks and the publicity successes of his management, which got him on the cover of every teen magazine in the country, seemingly for four years running. Listening to this collection, it dawns on one just how much respect he did deserve as a singer (and reportedly still does, based on what people say of his 21st century shows). This is bubblegum rock, to be sure, but it's all amazingly "unsticky" for bubblegum rock, and Sherman's ...
| | Gerry Mulligan California High School CD (2006) (Import) Netherlands
Punk Goes Acoustic
$10.05 This oddly titled release is actually a compilation drawn from two separate concerts, issued in more complete ...
| | Jewel Goodbye Alice In Wonderland CD (2006)
Punk Goes Acoustic
$11.25 This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Personnel: Jewel (acoustic guitar); Jewel (vocals); Johnny Pierce (guitar); John Pierce , Paul Bushnell (bass guitar); Rob Cavallo, Tim Pierce, Greg Suran (guitar); Jamie Muhoberac (piano, keyboards); Dorian Crozier (drums, programming); Luis Conte (percussion). Audio Mixer: Chris Lord-Alge. Photographers: Kurt Markus; Jeri Heiden. On 2006's GOODBYE ALICE IN WONDERLAND, Jewel Kilcher dusts off her folk-influenced singer/songwriter outfit and wears it confidently, as if her previous album, the beat-driven and blatantly pop-oriented 0304, was just some strange, brightly colored dream. In fact, this outing most obviously echoes Jewel's debut, PIECES OF YOU, with its chiming melodies and soul-searching themes. The record opens with a buoyant, catchy instant Jewel classic, "Again and Again," while the subsequent "Long Slow Slide" evokes depression in a disarmingly beautiful way. "Good Day" shifts from light, playful verses to a bold, majestic chorus, and the energetic "Satellite" sounds remarkably like a Sheryl Crow tune, revealing that Kilcher has retained a bankable pop/rock sensibility, even as she steps back from the gloss of 0304. Though GOODBYE ALICE IN WONDERLAND is rooted in highly confessional lyrics, its musical scope is the widest of any Jewel outing, arguably making it her most immediately appealing album. The last time listeners encountered Jewel, the famously sensitive singer/songwriter had just performed an extreme makeover on herself, refashioning herself as a dance-pop diva on 2003's 0304. Artistically, it worked against all odds, and it did pretty well on the charts too, debuting at number two on the Billboard Hot 100, but her fans didn't necessarily warm to it, and three years later, Jewel is running away from the album she proclaimed as her "first record I enjoy listening to" ("It's fun!"), and back to safe territory with 2006's Goodbye Alice in Wonderland. Like ...
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Punk Goes Acoustic
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Punk Goes Acoustic
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Punk Goes Acoustic
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