| | Riddim Driven: Fiesta CD
Live Recording
Recording information: Big Yard Studios, Jamaica; Doppler Studios, Atlanta, GA; The Boxx.
Editor: Paul Shields. Riddim Driven: Fiesta Music Riddim Driven: Fiesta Songs | 1. | Dude - Ms. Thing/Beenie Man |
| 2. | Vitamin S - Baby Cham |
| 3. | Man Is the Least - Lady Saw |
| 4. | Bad Man - Elephant Man |
| 5. | Regular - Ms. Thing |
| 6. | Dick - Beenie Man/J |
| 7. | All Night - Devonte/Tanto Metro |
| 8. | Badness Nuh Wear Pon Face - Cobra |
| 9. | Gun Shot - Tariq Akonan |
| 10. | Lay Lay - Kardinal Offishall |
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Riddim Driven: Fiesta Review
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Live Recording
Editor: Paul Shields.
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"Long ago I left my home in a yellow Rambler AmericanFollowing the footsteps of Woody and Jack Keroauc."- From "No Goodbyes" - © 2006 Nancy K. DillonNancy K. Dillon is an emerging Roots/Americana artist who is making a name for herself. Hailed by respected UK country music journalist, Alan Cackett (Maverick-UK) as an “original new talent” mining a musical vein akin to Lucinda Williams or Kasey Chambers, Nancy is a gifted singer, award-winning songwriter and recording artist. She masterfully weaves the textures and rhythms of American folk and country music into mythic road stories of the “small town claustrophobia and surreal euphoria” of traveling America’s byways. Her songs evoke the vistas and horizons of the sprawling American West. Descended from an Irish Mason employed by the Missouri Pacific Railroad, Indian Territory evangelists and circuit-riding preachers, Dillon was born on the plains of Oklahoma during the second Dust Bowl less than a half-century after Oklahoma became the 46th State of the Union. Immediately upon acquiring a formal education, she hit the road without so much a plan as a desire to accumulate as many varied experiences and memories as possible. These included a 1980 circumnavigation of the globe, crisscrossing the western United States in a 1966 yellow Rambler American and jobs as a computer operator of IBM dinosaurs, a University of Oklahoma Indian Housing research project administrator, a photographer’s model and a keypuncher for a Seattle race-car parts company. All the while she pursued her musical dreams quietly performing in bands and on others' recordings until at last, having overcome persistent stage fright and a lengthy illness (CFIDS) she began writing and performing her own original songs releasing her debut solo CD Just Let Me Dream on June 8, 2004.Since its release, Just Let Me Dream has generated a continuing buzz receiving international radio airplay, song contest honors and landing on several “Best of…” lists. Hailed as “accomplished, mature and soulful”, the CD has a sparkling windswept sound captured by Grammy-winning engineer Garey Shelton (The Believers/Danny Barnes/Rachel Harrington). Nancy co-produced the album with Austin, TX-based Michael Hill (Slobberbone/12 Lb Test). The album features virtuoso performances by Hill as well as John ...
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If you considered their debut “Worthless Lesson” album a slap upside the head, you better duck. Route .44’s sophomore release is a haymaker. The album, called “This is My America,” can be likened to Russell Crowe’s first bigline in “Gladiator”... “Unleash Hell” or Gerard Butler’s, as Leonidas in “300”... “Prepare for Glory.”Yeah, “...My America” has just that kind of ferocity. The current lineup of Route .44 came together just under five years ago, with stand up bassist and production guru Eric D. joining in ’05. In 2007, they earned a Motif Music Award for Breakthru Band of the Year. In 2008, they were dubbed Alt-Rock Band of the Year by local music junkies. Here at Motif, Roots music columnist John Fuzek first noticed Route .44 as an upstart roots outfit throwing together crazy elements of various genres into a richly-saturated oblique tour-de-force. The debut work, “Worthless Lessons,” leaned mainly on the bands roots foundation, coming across as much gospel as roots-rock at times. Despite the fact that band leader and lyricist Ian Lacombe peppered the album with hard-edged lyrics in songs such as “Addiction” and “Worthless Lessons.” The sound, vocals, and arrangements are an acquired taste, to some degree. You’re not likely to catch Route .44 on mainstream Clear Channel stations like WHJY, or corporate alt-rock such as WBRU. There’s an oblique power and beauty, admittedly not for everyone. “This is My America” demonstrates a clear maturation into more forceful songwriting and an uncompromising social critique noticeably absent in this time of war and crisis. “Music has always been a mirror of the times. This album is a continuance of that tradition,” songwriter Ian Lacombe says. “I have always been a fan of music with a conscience from Anarcho-punk bands like Crass and Conflict to Woody Guthrie and Country Joe and the Fish.“I think we are living in a time when we need more social commentary in music. I don’t think people really want to be spoonfed the latest Britney Spears song about how difficult her comeback has been… I mean,do we really give a f&%$k about that.” One of the more pertinent and in- your face tracks, ‘My America,’ indicts American apathy, political deceit and the dark cruelty harbored by human souls. Referencing the album’s title, ‘My America’ could double for Johnny Depp’s big “Sweeney Todd” number. A blend of breathless harlequin and burning disdain, Lacombe continues his raw wordsmith excellence. ‘My America’ would be like Jim Morrison joining Disturbed and bringing his poetic psychedelia on a Warped Tour. Vocalists Jess Powers and Teri Pimley conflate an angelic ...
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