| | Peter Alexander & Karl Loube Rot-Weiss-Rot Aufnahme CD - Import Peter Alexander & Karl Loube Discography of CDs
Rot-Weiss-Rot Aufnahme Music Peter Alexander & Karl Loube Rot-Weiss-Rot Aufnahme Songs | 1. | Guten Morgen, Fraulein Scholz |
| 2. | Ich Lade Sie Ein, Fraulein |
| 3. | Ich Mocht Von Dir Ein Foto |
| 4. | Warum Sagt Dein Mund |
| 5. | Ja, Der Kleine Blonde Julius |
| 6. | Was Die Kleinen Madchen Singen |
| 7. | Eine Kleine Mansarde |
| 8. | Oh Donna Clara |
| 9. | Nachts Sind Die Strassen So Leer |
| 10. | Deine Liebe Ist Zuckersuss (Quien Sera) |
| 11. | Chef, Wir Brauchen Bitte Vorschuss |
| 12. | Komm, Wir Fahren Mit 100 PS |
| 13. | Manuela-Mambo |
| 14. | Adieu, Mimi |
| 15. | Mule Train (Englisch) |
| 16. | Bunny Hop, The (Englisch) |
| Rot-Weiss-Rot Aufnahme Review
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$7.29 Randi Russo has ended up on the wrong side of the tracks!at least when it comes to her guitar-playing. Her fingers ride and glide the rails of strings of a right-handed guitar played upside-down and backwards. In other words, this southpaw is not just taking a righty guitar and switching the strings around (like the late, great Jimi Hendrix), but keeps the guitar as is and just flips it over, so that the bass strings are on the bottom. And all this happened long before Randi ever heard of Elizabeth Cotten (another upside-down lefty guitarist of the late 1940's).This inspired approach came about when Randi bought a $22 right-handed classical guitar on the street. Maybe it was teenage laziness or maybe it was a pure magnetism for thinking out of the box, but Randi didn't change the intricate tie-end strings to make it into a traditional left-handed guitar. This soon became her foremost artistic muse, experimenting in an organic way while coming up with unique and interesting chords. Oddly enough, she continued to play the 'proper' lefty style on her electric, but eventually inverted that guitar as well, with the bulk of her prolific catalog dominated by this atypical style. It was only a couple of years ago that Randi began 'experimenting' again with the standard way of playing. As a result, Randi is proficient in play-ing both ways. This has not been an easy task, as she tells us, 'I was trying to look at it as an alternate tuning, but it was much more complicated than I thought. It's like playing a keyboard and then being asked to walk around to the other side and play a piece with the black keys up front and the white keys in back - that can really mess with a musician's mind. But in the long run, it really has made me a better musician and has opened up so many possibilities musically. ' Randi's songs and presence bridge the gap ...
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