| | Ladi Geisler Minor Swing CD - Import Ladi Geisler Discography of CDs
Minor Swing Music | List Price | $24.97 (You save $14.32) | | Category | Rock/Pop Albums, Easy Listening CDs, Oldies | | Label | Bear Family | | Orig Year | 1997 | | CD Universe Part number | 6616506 | | Catalog number | 325081 | | Discs | 1 | | Release Date | Jan 01, 2008 | | Mono/Stereo | Stereo | | Additional Info | Germany |
Ladi Geisler Minor Swing Songs | 1. | Kissin'on the Beach |
| 2. | Adac |
| 3. | Samba Pa Ti |
| 4. | Persian Market |
| 5. | Dos Pajasos |
| 6. | Wave |
| 7. | Minor Swing |
| 8. | Sunrise Serenade |
| 9. | Siboney |
| 10. | Ballade fur Birgit |
| 11. | Andalusia |
| 12. | Johnny Guitar |
| 13. | Lovesong for Effi |
| 14. | One More for My Lady |
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. ...
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Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
KC's debut album introduced to the world a group that threw various '60s genres into a blender and set the results afire with a blowtorch. One of the pioneers of the progressive rock movement that began in the late '60s and flourished in the early '70s, King Crimson was arguably the most consistently creative band in the genre. On IN THE COURT they blend wispy, Donovan-ish folk-rock with Wagnerian grandeur, mind-bending heavy rock, and even a free- jazz sensibility. Greg Lake's vocals are effectively theatrical but more restrained than in his later ELP work. Robert Fripp was just learning how to make mincemeat of a chord progression, but he's alternately lyrical and frenetic as the moment requires.
The extended jams on cuts like "Moonchild" are light-footed and inventive, never ponderous, thanks largely to the crisp, jazzy drumming of Michael Giles. "20th Century Schizoid Man"'s bone-crushing ensemble riffs and crazed solos were of a heft ...
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In terms of tempo, doom metal is the exact opposite of thrash metal, grindcore, or death metal/black metal. Those styles are known for insanely fast tempos, which is why they are quite conducive to mosh pits and slam dancing (a bizarre ritual that started in the Los Angeles punk scene of the late '70s). Doom metal, on the other hand, is about aggression and heaviness at an extremely slow tempo -- which is exactly what one hears on The Hortator's Lament. This 2003 release is the first CD by Toadliquors, a sludgy doom band that isn't well-known but has had a tiny cult following since the early '90s. Surprisingly, none of Toadliquors' '90s releases came out on CD; they were a vinyl-only band during the '90s, which was hardly the norm for that decade (although some punk and metal artists continue to put out vinyl in the 21st century -- perhaps as a way of thumbing their noses at the major labels who declared vinyl obsolete in the late '80s). The Hortator's Lament contains ...
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