| | Scariot Strange To Numbers CD - Import Scariot Discography of CDs
STRANGE TO NUMBERS is the 2003 debut of Scariot, a progressive metal band from Norway formed by Daniel Olaisen.
SCARIOT was formed back in 1997 by Daniel Olaisen (BloodRedThrone, Cobolt 60, ex-Satyricon). The musical style of the band back then was more like a progressive power/thrash metal style. Strange to Numbers was recorded, mixed, engineered and produced by Endre Kirkesola and Scariot at Dub studio in June and July 2003. Mastered by Morten Lund at Masterhuset August 2003. Design by Asgeir Mickelson (Borknagar) at Multimono. All music, lyrics and arrangements written by Scariot. "Strange To Numbers" was originally released in the Norwegian territory November 2003 and is now available in the US. 2004. Scariot Strange To Numbers Songs | 1. | Monopolize |
| 2. | Strange to Numbers |
| 3. | Prospects Unknown |
| 4. | Broken Circle - Cutting Glass |
| 5. | Lady X |
| 6. | Pushing For Perfection |
| 7. | Clear Mind |
| 8. | E-Pollution |
| 9. | Inner Mica |
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Strange To Numbers Review
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Purchase Strange To Numbers CD To buy, Click on price to add to cart | Kiss Sonic Boom CDs (2009)
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When SONIC BOOM was released, it had been over a decade since the last Kiss studio album, so expectations were understandably high. In addition, the intervening period had seen the band fire two of its founding members for the second time, only to replace them with sidemen wearing Ace Frehley and Peter Criss's iconic makeup. Luckily, the new additions, unlike some of Kiss's "un-masked years" members, have a good feel for classic Kiss. That fact, matched with Paul Stanley's assumption of production duties, makes SONIC BOOM one of the most consistent and thoroughly Kiss-sounding ...
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand ...
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| | Black Sabbath Volume 4 CD (1972)
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| | Pain Of Salvation Linoleum EP CD (2009) (Import) Import; Extended Play
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| | Women Of Worship Gospel CD (2003)
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| | Gloria Estefan Amor Y Suerte: Exitos Romanticos CD (2004) Bonus DVD
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This release includes a bonus DVD.
W/DVD. Her Greatest Ballads Sung In Spanish.
Personnel: Gloria Estefan (vocals); José Feliciano (vocals, acoustic guitar); Jon Secada, Alejandro Fernández (vocals).
Amor y Suerte: Exitos Romanticos rounds up a baker's dozen of Gloria Estefan's most romantic Spanish-language songs, including numerous really great ones. For the most part, this is a collection of previously released songs, and most of them are glossy adult contemporary ballads (perhaps too glossy, at times, for those who favor her dance music); however, Sony Discos has included one new song, "Ay, Ay, Ay Amor," and it closes the collection with bombast, unleashing a tidal wave of extravagant, feverish salsa following its hushed first minute. This new song ends this fine collection in grand fashion, breathing some fire into this otherwise subdued collection of well-mannered love songs and leaving you short of breath. In general, the best songs here are the ones that open the collection: "Con los Ańos Que Me Quedan," "Como Me Duele Perderte," and "Tu Fotografía." Another highlight is "Hoy" (the Spanish version of "Wrapped," from Unwrapped [2003]), a light yet lively song with a great chorus you'll surely want to sing along to -- whether you're a Spanish speaker or not. This song comes late ...
| | Motorhead No Remorse CDs (1984) Import; +Bonus Disc
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There have been dozens and dozens of Motörhead compilations released over the decades, but the first one remains definitive, even if it's not perfect. Released in 1984 as a gap-filler -- for Motörhead were regrouping in the wake of the bandmember shuffling that followed the odd Another Perfect Day album -- No Remorse compiled two-dozen songs across two discs (latter-day editions adding a good serving of bonus tracks, too). Many of the band's best songs to date are here, like "Ace of Spades," "Stay Clean," "Overkill," "Bomber," and "Iron Fist." There are also four new recordings that were cut exclusively for No Remorse: "Killed by Death," "Snaggletooth," "Steal Your Face," and "Locomotive." These four songs were cut by the newly instated four-piece lineup that would go on to record Orgasmatron (1986): guitarists Michael Burston and Phil Campbell, drummer Peter Gill, and of course, bassist/vocalist Lemmy. These new recordings make No Remorse more than a standard greatest-hits package, as do the number of stray recordings compiled here as well. For starters, No Remorse rounds up "Please Don't Touch" and "Emergency," which were released on a 1981 split EP with Girlschool, St. Valentines Day Massacre. It also rounds up an early single ("Louie, Louie") as well as a pair of B-sides ("Too Late, Too Late" and "Like a Nightmare") and a tossed-about live cover "Leaving Here." The inclusion of these stray recordings likewise makes No Remorse more than a standard greatest-hits package. Rather, it's a collection that caters to newbies as well as completists. And furthermore, it plays well, as the new songs and stray material are sequenced ...
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$14.45 | | Cluster II CD (1972)
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If the triumph of the psychedelic explosion in the 1960s was to upend the traditional relationship between listener and entertainer--i.e., experiencing music became not about following a strict melody and chord structure but about the physical exhilaration of sound itself--then ambient electronic music fulfilled that destiny best. In the early '70s, electronic music had nebulous boundaries, and no one epitomized the nexus between Krautrock, psychedelia, Stockhausen, and space rock more than Kluster and its offshoot project, Cluster.
Cluster, the duo of Dieter Mobius and Hans-Joachim Roedelius, formed after Conrad Schnitzler left Kluster, the pioneering German space rock trio. CLUSTER II, their second studio outing, is a classic of proto-ambient music. The album's six tracks ooze and continually unfold with layered atmospheric soundscapes that bleed into one another, creating a mesmerizing whole. Hardly sonic wallpaper, CLUSTER II pulses with the excitement and alienation of deep space exploration itself, and beautifully captures the moment when psychedelia begat ambient, just before synthesizers and the New Age set turned the genre into background music for massage therapy sessions.
Comprising six songs, two of which nearly hit the 15-minute mark, Cluster's II is the second album by the German experimental ambient/prog duo of Hans-Joachim Roedelius and Dieter Mobius (the pair previously recorded as a trio with Conrad Schnitzler under the name Kluster). Pioneers in the world of analog synth compositions, Mobius and Roedelius create dark, menacing electronic swells and icy soundscapes for a Berlin deep in the midst of Cold War anxiety. Their proto take on ambient music presaged subsequent experimental styles such as noise and drone, minimalist techno, and industrial. Originally released in 1972 on the Brain label, II was reissued by SPV in 2007.
Cluster's second album finds them still in their Berlin phase, that of the amorphous analog ...
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