| | Kelis - Milkshake DVD Kelis CDS
(1 Customer Review)
Standard Screen; Soundtrack English With production and mixing duties handled by 2003 R&B overlords The Neptunes, this single from Kelis offers a sublime marriage of talents. With a reputation as a flame-haired flamboyant songstress, Kelis has proved she has huge crossover appeal with her cutting-edge combination of rap, rock, and R&B. Two videos are contained here, "Milkshake" and "Light Your A** On Fire." Kelis - Milkshake | List Price | $7.97 (You save $0.62) | | Studio | BMG Video | | Orig Year | 2003 | | DVD Encoding | Region 1 | | All Time Sales Rank | 38229  | | CD Universe Part number | 6649400 | | Discs | 1 | | Release Date | Dec 16, 2003 | | Rating | Not Rated | | Movie Details | Color; Digitally Processed |
Kelis - Milkshake Movie Review Kelis - Milkshake DVD DVD Single Features:
Region 1 Jewel Case Full Frame - 1.33 Tracks: 1. Milkshake 2. Light Your A** On Fire
Purchase Kelis - Milkshake Movie To buy, Click on price to add to cart | Emma Bunton Girl Like Me CD (2001) (Import) United Kingdom
Kelis - Milkshake film
$7.59 Emma Bunton, better known as Baby Spice of late-1990s British bubblegum band the Spice Girls, emerges in 2001 with a debut featuring 12 tracks of spirited pop out of her former band's playbook.
Emma Bunton's post-Spice Girls solo debut is the most surprising of the lot, as it moves farther afield from the bubblegummy dance-pop of her former band than Melanie C.'s Northern Star or Geri Halliwell's Schizophonic. The single "What Took You So Long?" opens the album on a gliding cushion of acoustic guitars, dreamy keyboards, and laid-back mid-tempo beats, a mix that underpins nearly the entire album. Even the assertive title track (the hook of which is a cleverly bleeped f-word in the chorus, a deliberate move away from the saccharine Baby Spice image) has the relaxed groove and organic feel of a classic early disco single instead of the canned electronic beats of Hi-NRG dance music. Bunton didn't have the best voice in the Spice Girls (that would be Melanie C., with a special nod to Geri Halliwell for getting by on loudmouthed brassiness), but unlike Victoria Beckham and Mel B, she can genuinely sing, albeit sometimes with a thin reediness that's not quite enough for a song like the gospel-inflected "Sunshine on a Rainy Day." (And the cover of Edie Brickell's "What I Am" only reinforces what a lame song it is.) On the other hand, "Been There, Done That" and the slinky "We're Not ...
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$15.89 Upon his first move away from A&M, Sergio Mendes signed with Bell, known mostly for pop fluff on the level of the Partridge Family, and practically jettisoned Brazil in search of a return ticket to the pop charts. Bones Howe is totally in charge of the production, Mendes has little to do with the arrangements (Bob Alcivar and Tom Scott handle them), and half of the material is Top 40 pop. It's surprisingly ...
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$15.65 A housewife begins a journey of erotic self-discovery, sparked by her accidental "abduction" by two campers who teach her the art of letting go.
Irene, a thirty-something housewife with a successfull husband and a young son, has her life thrown in a spin when she becomes attracted to Billy, a member of a landscape crew outside her house. ...
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$22.09 Keren Yedaya's directorial debut, OR (MY TREASURE), tells of a complex mother-daughter relationship in modern-day Tel-Aviv, Israel. Or (Dana Ivgy) is a 16-year-old girl who does all she can to support her mother, Ruthie (Ronit Elkabetz), a sick and aging prostitute. The film takes great care in showing the taxing daily routines of Or's life: recycling loose cans, washing dishes in a local restaurant, and going to school when she can. Her ultimate goal is to earn enough money so that her mother never has to walk the streets again. Or even finds a housekeeping job for her mother in hopes that she'll stop turning tricks. It soon becomes clear that Or must assume all of the strains and responsibility of the household to help her poor mother, and thus the traditional roles of parent and child are reversed. Other films might make a character like Ruthie contemptible, but Yedaya does not. Indeed, there are some loving scenes between this mother and daughter who truly need each other.
In OR (MY TREASURE), Yedaya achieves a unique look, including a minimal amount of shots per scene, and a gritty, no-frills aesthetic. The result is an unflinching and compelling film that won the Golden Camera for Best First Film at the 2004 Cannes Film ...
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