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Acid-folk maestro Greg Weeks' psychedelic trio Espers -- with Meg Baird and Brooke Sietinsons -- has created a delicate and blissfully unsettling debut. Weeks' autoharp on tracks like "Flowery Noontide" conjures images of home-baked '60s folk played by sincere and optimistic flower children and dark and dreamy drifters. "Meadow," similarly, recalls the sunshine and doom chamber pop and subtle acoustic guitar of Donovan on "Susan on the West Coast Waiting" or "Atlantis," or Fairport Convention. "Riding" could easily fit on the Super Furry Animals brilliant and catchy West Coast pop collection Phantom Power -- but then "Voices" is nearly as hazy and Far Eastern as Six Organs of Admittance, and "Hearts & Daggers" is over eight minutes of druggy, medieval-inspired British baroque noise. Espers' music is entirely incongruous with the trends of 2003-2004 -- from the devil-may-care rock of Jet and the Strokes, to the over-the-top, cosmic, and sexy wunder-metal of the Darkness. But you can't help but feel that Espers are onto something -- not quite the soft-is-the-new-loud irony of Belle & Sebastian, but a more sinister and trippy picture of a foreboding horizon in the midst of the most beautiful sunset. ~ Charles Spano
Recorded at Esperhause, Philadelphia, Pennsylvania.
Espers: Meg Baird (acoustic guitar); Brooke Sietinsons (acoustic 12-string guitar); Greg Weeks.
Personnel: Meg Baird (vocals, guitar, electric guitar, dulcimer); Greg Weeks (vocals, electric guitar, dulcimer, autoharp, violin, recorder, keyboards, chimes); Tara Burke (vocals); Brooke Sietinsons (acoustic guitar, 12-string guitar, harmonica, finger cymbals, chimes); Matt Everett (viola); Margie Wienk (cello); Laura Baird (flute).
Audio Mixer: Brian McTear.
Recording information: Esperhause, Philadelphia, PA.
Espers includes: Meg Baird (vocals, acoustic, electric & bowed guitar, dulcimer); Brooke Sietinsons (acoustic 6 & 12-string guitar, chimes, finger cymbals, chimes).
Uncut (p.110) - 4 stars out of 5 - "[The] baroque arrangements mesh with bubbling synths, fuzztones and controlled feedback, as on 'Travel Mountains,' which flows freely and mesmerisingly." The Wire (1/04, p.68) - "The effect is deeply psychedelic, situating the events of the album in the twilight neverland mapped by margin walkers like Stone Angel, Donovan and CHELSEA GIRL-era Nico." Mojo (Publisher) (p.98) - 4 stars out of 5 - "[T]he album's eight minute centrepiece 'Hearts And Flowers' serves to remind you there's nothing quite so ghostly as a modal folk waltz." Espers Music | List Price | $16.98 (You save $2.29) | | Category | Rock/Pop Albums, Alternative CDs, Folk Rock, Rock | | Label | Locust | | Orig Year | 2004 | | All Time Sales Rank | 28431  | | CD Universe Part number | 6651232 | | Catalog number | 44 | | Discs | 1 | | Release Date | Jan 20, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Greg Weeks | | Recording Time | 40 minutes | | Personnel | Greg Weeks - vocals, electric guitar, dulcimer, autoharp, violin, recorder, keyboards, chimes Margie Wienk - cello Meg Baird - acoustic guitar Brooke Sietinsons - acoustic 12-string guitar Laura Baird - flute Matt Everett - viola Tara Burke - vocals
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Espers Review
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Purchase Espers CD To buy, Click on price to add to cart | Shins Chutes Too Narrow CD (2003)
Espers album
$12.29 Recorded in James Mercer's Basement, Portland, Oregon and Avasti Studio, Seattle, Washington.
When the Shins bowled over music fans and critics alike in 2001 seemingly out of nowhere (but actually out of Albuquerque and years of playing together) with OH, INVERTED WORLD, their stunningly beautiful debut, the comparisons came pouring in. Scribes likened their insistent, melodic sound and James Mercer's hyper-literate, oblique but mellifluous lyrics to many mostly anachronistic, all deeply revered sources, including everything from the Beach Boys to Love.
The follow-up, CHUTES TOO NARROW, meets and often manages to exceed the tremendous, burgeoning buzz surrounding it. Mercer and co. retain all the elements that made their debut delectable, as the melodies flow hither and thither, a subtle rapture confident in its ability to entrance. Delicately crafted yet explosively poetic lines again abound (such as "secretly I want to bury in the yard the grey remains of a friendship scarred"), and by the time the sing-a-long of "So Says I" kicks in, the die is cast. Nestled near the ...
| | Devendra Banhart Rejoicing In The Hands CD (2004)
Espers CD music
$13.09 Acclaimed eccentric singer/songwriter Devendra Banhart takes a step out of the lo-fi basement and into the hi-fi living room for this critically lauded album. During a span of only 10 days, Banhart recorded more than 30 songs (co-produced by former Swans leader Michael Gira) that were subsequently divided between this record and its companion disc, NINO ROJO. Those already familiar with that gonzo folk masterwork will find this to be equally worthy (and vice versa).
"Will Is My Friend," "Poughkeepsie," and other songs benefit from some string and piano overdubs, but essentially, ...
| | Arcade Fire Funeral CD (2004)
Espers music CDs
$12.15 This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods and deceased loved ones, resulting in an alternating current of joy ...
| | Espers II CD (2006) Digipak
Espers songs
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| | Beirut Gulag Orkestar CD (2006)
Espers album
$11.85 The debut of singer/multi-instrumentalist Zach Condon (aka Beirut), 2006's GULAG ORKESTAR marks the arrival of a precocious talent. It's a lushly arranged album that reveals Condon's unabashed adoration of Eastern European folk music, gilded with swaying accordion lines, rapturous string ...
| | Bette Midler Bette Of Roses CD (1995)
Espers CD music
$16.09 Bette Midler's first release in five years is a sweet, controlled, ballad-heavy confection that portrays her in a new light. No longer a brassy strumpet, the Divine Miss M is now the Pleasant Miss Bette, quirky singer of pretty songs. Fortunately, Midler has an endearing, highly expressive voice, making much of this easy listening material slightly tangy.
Culling from her folk-singer/songwriter grab-bag, Midler opens BETTE OF ROSES with Cheryl Wheeler's "I Know This Town," an excellent song that brims with nostalgia, and one that could find a second life on the country charts if a Trisha, a Dolly or a Reba was to tackle it. "To Comfort You" is a sanitized and languid blues, but its companion piece, the brilliant Maria McKee-penned "To Deserve You," is a complicated off-kilter track full of musical, vocal and emotional swoops. The swirling "The Last Time," another McKee composition complete with a previously unheard of Midler falsetto, is as close to rocking out as Bette gets. The old Bette would have played the disillusionment themes of "Bed Of Roses" to full force with a sweet opening and her signature, dramatic ending; here, it is fairy-tale smooth with no hint of histrionics. Even in the closing "I Believe In Love" Midler doesn't camp it up. Yet, by keeping it straight, she saves the track from becoming a novelty tune.
"In This Life" is the sort of ballad which made Midler famous in the first place. It contains hints of the quiver and zeal with which Midler used to infuse all her songs. But as with lying on a bed of rose petals, the song and the album pretend to be nothing more than soft and pretty experiences.
Recorded at The New Hit Factory and Right Track Recording, New York; Andora Studios, Conway Studios and Record One, California.
Personnel: Bette Midler (background vocals); Howard "Buzz" Feiten (guitar, tambourine); Danny Jacob, Dean Parks, Michael Landau, Michael O'Reilly (guitar); Jay Dee Maness (steel guitar); Gene Orloff (violin); Shelley Woodworth (oboe); Chris Botti (trumpet); Robbie Buchanan (piano, keyboards, synthesizer, programming); Bobby Lyle (piano); Robbie Kondor (electric piano, organ, keyboards, synthesizer, programming); Steve Skinner (keyboards, ...
| | Bill Rieflin Largo CD (2001)
Espers music CDs
$13.79 Largo is the realization of a project first imagined in 1990. Since then, Chris Connelly and Bill Rieflin have collaborated on 15 albums together, and have been in part responsible for some of industrial's finest moments and critical experiments, including Pigface, the Revolting Cocks, and Ministry. On Largo, Connelly and Rieflin maintain the experimental impulse of a genre they helped to define (many songs, for example, have no repeating parts), even as they eschew the electronic noise and found sounds often identified with the genre to favor instead the broad, slow sound suggested by the album's title. The result is an album much more reminiscent of their work together on the Bells and Chris Connelly's solo albums than their more industrial collaborations. "Salt of Joy," a song that first appeared on Connelly's 1991 solo album Whiplash Boychild as the "Last of Joy," is representative of Largo's progression from even this earlier work together. "Salt of Joy" eliminates the electronic interference of the original and the conspicuously processed vocals, leaving the emphasis instead on the rich beauty of Connelly's voice. Where there was static interference, there is now the sound of Reiflin's piano, subtly punctuated ...
| | Tangerine Dream Journey Through A Burning Brain CDs (2002) Import; Anthology
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| | Tuatara Loading Program CD (2003)
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| | Dragon Ball Z Best Of 4 Best Of Dragonball Z: American Soundtrack Vol. IV CD (2003) Original Soundtrack
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| | Greeley Estates Far From The Lies CD (2006)
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| | JAMES DOUGLAS SHOW It's All About You CD (2003)
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| | La Historia De Jose Feliciano CD (2006)
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| | Lovisa That Girl! CD (2007) (Import) Japan
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