Dirty Dancing: Havana Nights Soundtrack CD

Dirty Dancing: Havana Nights Soundtrack songs The 1990s may not have been kind to Michael Jackson on a commercial level, due to fickle music tastes and assorted personal controversies, but NUMBER ONES reinforces Jackson's place in pop culture history. Unlike its preceding compilation, HIStory, this anthology trims the fat, although occasionally going overboard in leaving off certified chart-toppers like the Paul McCartney duet "Say Say Say" in lieu of lesser-known, latter-day fare like "Earth Song." That said, casual fans of the Gloved One will still feast on plenty, ranging from dance classics like "Don't Stop 'Til You Get Enough" and "Rock with You" from 1979's stellar OFF THE WALL to the singles that powered the industry-shifting THRILLER and BAD. Among the hits featured here are "Beat It," (with its tour de force Eddie Van Halen solo), the scathing "Dirty Diana" (with Steve Stevens substituting for Van Halen), and catchy title cuts from the aforementioned albums. Meanwhile, Alien Ant Farm fans get to reacquaint themselves with the original "Smooth Criminal," and R. Kelly fans get to experience Jacko croon "One More Chance," the single new song that was penned and produced by Kelly. 17 #1's + 1 New Song "One More Chance". W/4 Diff.Covers (LTD) Photographers: Stephen Harvey; Dick Zimmerman; Sam Emerson. Personnel: Michael Jackson (vocals, background vocals); Siedah Garrett (vocals); Donnie Lyle (guitar). Audio Mixer: Serban Ghenea.

Dirty Dancing: Havana Nights Soundtrack buy CD music As the title suggests, Hard to Find 45's on CD, Vol. 6: More Sixties Classics collects more of the decade's pop and rock singles, including Lou Christie's "Lightning Strikes," the Nashville Teens' "Tobacco Road," Dale & Grace's "I'm Leaving It Up to You," and the Left Banke's "Walk Away Renee." Some of the collection's more obscure highlights include the stereo single versions of Miriam Makeba's "Pata Pata" and Lolita's "Sailor (Your Home Is the Sea)," as well as the original mono single version of Four Jacks and a Jill's "Master Jack." Tracks by Dickey Lee, Chris Montez, the Dixiebelles, Millie Small, and Los Bravos complete this fun collection of off-the-beaten-path hits. ~ Heather Phares Here's another high quality collection of 1960s hits. 17 of the 21 tracks here made the Top 20, and two of these songs are making their U.S. CD debut or are appearing in stereo for the first time. Features the cuts "Lightnin' Strikes," "I'm Leaving It Up Audio Remixers: Mark Mathews; Tom Daly.

Dirty Dancing: Havana Nights Soundtrack CD music Return To Summer Lake is Steven's third recording. Special guest artists on the CD include Molly O'Brien, Nina Gerber, Debi Smith, SONiA of Disappear Fear, Pete & Maura Kennedy, Al Petteway & Bruce Molsky. Steven Bio:Billboard Magazine describes Steven Gellman's music as "intensely sensitive and impressively intelligent at the same time". As another reviewer aptly phrased it, Gellman's songs are "Kodak moments" from his life.He often performs in nursing homes and retirement communities, and even used a choir of senior citizens as backup on the track "Almeda at 90" from his album "Photobook". Dick Cerri, President of the World Folk Music Association says "Steve's natural ability on stage enables an audience to not only enjoy the songs and stories, but to participate in the performance."Nowhere is there a better example of how Gellman touches people's lives than the story of fan Jennifer Baker, blind and wheelchair bound from a lifelong struggle with kidney failure. She first heard Steven at a Borders Book store concert and instantly became one of his most ardent fans. His music was an inspiration to her in her last months and Gellman performed at a memorial service in her honor to benefit the National Kidney Association. The song "A Little Bit Fine" on Steven's CD "Return to Summer Lake" was written for Jennifer and is one of his most requested songs.His new release, "Love Loss Longing", is Steven's first concept album. The eleven-song collection describes the journey one goes through at the end of a relationship. As Steven puts it, "To me, each song represents a chapter in a book, there is a beginning, middle and end. Every emotion is explored here -- sadness, anger, hope and joy."Gellman performs throughout the United States and Canada at the premiere acoustic music venues such as The Birchmere in Alexandria, VA, The Ark in Ann Arbor, Michigan, The Blue Bird Café in Nashville, TN, The Tin Angel in Philadelphia, PA, and Club Passim in Boston, MA. In Washington, DC, he has performed at the venerated National Theatre and the most sought after venue of all, The White House. Steven has opened shows for Dar Williams, Cheryl Wheeler, Richie Havens, Richard Shindell and Al Stewart.Steven has garnered critical acclaim across the country - he was nominated for 4 awards from The Washington Area Music Association Awards (WAMA) and by The Gay/Lesbian American Music Awards (GLAMA) for Debut Album of the Year. His release "Return to Summer Lake" was chosen by Barnes & Noble for national distribution and was featured on their listening post wall. Don Murphy of the National Theatre says "Steven Gellman's insightful original songs and homespun stories provide a soul-warming folk rock respite in a busy chilly world." Principally recorded at Recording Arts, Fairfax, Virginia. Includes liner notes by Steven Gellman. Personnel: Steven Gellman (vocals, acoustic guitar); Debi Smith (vocals, background vocals); Amy White (whistling, background vocals); Nina Gerber (guitar, slide guitar); Marco Delmar (acoustic guitar, organ, electric bass, tambourine, hand claps); Al Petteway (acoustic guitar, bodhran); Sean McGhee (acoustic 12-string guitar); Pete Kennedy (electric guitar); Bruce Molsky (fiddle); Fred Lieder (cello); Margaret Wolfe (harmonica); Bob Tyler (recorder); George Welling (upright bass); Robbie Magruder (drums); Maura Kennedy, Mollie O'Brien, Susan Graham-White (background vocals). Recording information: Recording Arts, Fairfax, VA. Photographer: Robert Corwin . Personnel includes: Steven Gellman (vocals, acoustic guitar); Debi Smith (vocals); Marco Delmar (acoustic & slide guitars, organ, electric bass, tambourine, egg shakers, hand claps); Al Petteway (acoustic guitar, bodhran); Jennie Dawson (flute, clarinet); Robbie Magruder (drums); Maura Kennedy (background vocals).

Dirty Dancing: Havana Nights Soundtrack album for sale With distinct, cuttingly insightful, yet subtle lyrics fed over consistently catchy beats and eclectic arrangements, L.A.'s Black Eyed Peas have earned a high level of respect within the rap world, significant attention at college radio, and even the occasional crossover hit. Third release ELEPHUNK sees the addition of a fourth member, enchanting female vocalist Fergie (introduced with verve on the dancehall "Hey Mama"), and the continued elevation of their style and skills, as the group journeys all over the map, never falling into a funk of boredom. ELEPHUNK opens the ears from the outset with the flophouse jazz backbeat of "Hands Up," simultaneously easy-going and infectious, before crashing into the fluorescent, straight-up party anthem "Labor Day" using the familiar JB's "The Grunt" sample as successfully as the Bomb Squad did back in 1988. Then there's the perfectly chiseled but fiery "Shut Up" with its insistent Knight Rider-theme beat and call-and-response. ELEPHUNK closes on an unlikely duet with Justin Timberlake, "Where Is the Love," an earnest state-of-the-world ballad that somehow creates a fitting ending to a solid album from one of hip-hop's most intelligent groups. Recorded at Stewicha, Los Feliz, California; Record Plant, Hollywood, California; Glenwood Studio, Burbank, California; Velvet One, Sacramento, California. Producers: Will.I.Am, Apl.De.Ap, Ron Fair. The Black Eyed Peas: will.i.am (vocals, Wurlitzer piano, Moog synthesizer, drum programming); apl.de.ap (vocals, drum programming); Fergie , Taboo (vocals). Black Eyed Peas: Will.I.Am (vocals, Wurlitzer piano, Clavinet, Moog synthesizer, programming); Apl.De.Ap (vocals, programming); Fergie, Taboo (vocals). Additional personnel: Jacoby Shaddix, Justin Timberlake, Jamie Gomez (vocals); George Pajon, Ray Brady (guitar); Mike Fratantuno (acoustic guitar, bass guitar); Sergio Mendes (piano); Dante Santiago, Noelle Scaggs (background vocals); Papa Roach. Additional personnel: Justin Timberlake, Jamie Gomez, Allen Pineda, Dante Santiago, Jacobi Shaddix, Debbie Nova (vocals); Tobin (guitar, bass); George Pajon Jr., J. Curtis (guitar); Elizabeth Ann Lea (trombone); Printz Board (trumpet); Tim Izo Orindgreff (saxophone, flute, horns); Ron Fair (piano); Mike Fratantuno (acoustic guitar, bass, upright bass); Terence Yoshiaki, Dave Buckner (drums); Davey Chegwidden (congas, shaker); Chuck Prada (percussion); Terry Dexter, Noelle Scaggs (background vocals).

Dirty Dancing: Havana Nights Soundtrack CD music Here's a real grab bag of Top 40 hits from 1960 to 1966, some of them indeed very hard to find on CD or even hear on the radio. Some of them are not really not that hard to find on CD, though this disc (like every one in this series) takes pains to present original 45 RPM single versions, often in stereo. It leans toward the innocuous pop side of pop/rock, though within that framework there's a lot of variety and a good amount of quality: slightly soul-influenced pop (Gene McDaniels' "A Hundred Pounds of Clay"), poppy, late doo wop (the Velvets' "Tonight [Could Be the Night]," the Chimes' "Once in a While"), British Invasion pop (Billy J. Kramer & the Dakotas' "Bad to Me," the Honeycombs' "Have I the Right," the Seekers' "I'll Never Find Another You," Cilla Black's "You're My World"), celebrity teen idols (Patty Duke's "Don't Just Stand There"), weird foreign one-shots (Kyu Sakamoto's "Sukiyaki"), jazz soul-pop (Nancy Wilson's "[You Don't Know] How Glad I Am"), and more. The dedicated collector might be interested in the items that are really the hardest to find or even heard on oldies radio, despite having been hit records. Those would include Nathaniel Mayer's relatively gutsy 1962 R&B-pop hit "Village of Love"; Mike Clifford's almost unbearably white-bread 1962 ballad "Close to Cathy"; Danny Williams' anodyne "White on White," which somehow made the Top Ten in early 1964 in the midst of the early British Invasion; and Joey Powers' 1963 Top Ten hit "Midnight Mary," a super-light, acoustic-flavored pop/rocker. The best of the obscurities is Verdelle Smith's 1966 number 38 hit "Tar and Cement," which sounds a little like an American pop-country spin on Dusty Springfield and was done (as "La Maison Ou J'ai Grandi") in the mid-'60s by French star Françoise Hardy. ~ Richie Unterberger 21 track collection contains really hard-to-find high-charting hits from the 1960s. 16 tracks made the Top 20, and 5 tracks are making their U.S. CD or stereo debut. All tracks are digitally remastered, and most are in stereo. Features the songs "Sukiyak Liner Note Author: Greg Adams.

Dirty Dancing: Havana Nights Soundtrack buy CD music Katey Miller (Romola Garai) is an 18-year-old girl who is about to have the time of her life, even if she doesn't know it. When her father Bert Miller (John Slattery) is transferred to Havana in 1958, just before Katey's senior year in high school, the whole family relocates to the exotic locale, moving into a luxurious hotel filled with Americans as Cuba teeters on the brink of revolution. Bookish Katey is mesmerized by the raw intensity of the dancing she sees in a public square one afternoon--and by Javier (Diego Luna), a Cuban pool boy that works at her hotel. Soon, Katey and Javier are heating up the dance floor, combining his Latin moves with her formal ballroom training. With some inspiration from the hotel dance instructor, played by none other than the original dirty dancer Patrick Swayze, Katey enters a Latin ballroom dance competition. Based on co-producer and choreographer JoAnn Jansen's own experiences as an American teenager in Cuba, DIRTY DANCING: HAVANA NIGHTS comes to the screen 17 years after the original DIRTY DANCING debuted. This coming-of-age film also features Sela Ward as Katey's mother, and was directed by Guy Ferland (TELLING LIES IN AMERICA). This DVD film tells the story of Katey, a young American woman in revolution-eve Cuba, and her discovery of love, sensuality, and independence with a sexy, sultry, Cuban dancer, Javier.