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Greatest Hits Of The 70'S CD


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Greatest Hits Of The 70'S Music


Detailed Greatest Hits Of The 70'S Music Information



List Price $11.99 (You save $2.50)
Category Rock/Pop Albums, Rock CDs, Christmas, Oldies Collections, Greatest Hits Collections
Label Echo Bridge
All Time Sales Rank   622762  
CD Universe Part number 6653347
Discs 2
Release Date Jan 04, 2005
Greatest Hits Of The 70'S Review


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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping in a little flair -- restoring "we'll have to muddle through somehow" to "Have Yourself a Merry Little Christmas," singing the opening of "O Come All Ye Faithful" in its original Latin -- but never pushing tunes in unexpected directions. Many would argue having Dylan croon these carols is unexpected enough and, true, there ...
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall. Night Castle appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings ...
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Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but also John Hill and Wyclef Jean -- is giddily addicting, a celebration of all the strange sensuality that comes out at night. ~ Stephen Thomas Erlewine Last time around, Shakira touched upon so many styles she couldn't be contained to one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses ...
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On her second album, SHADOWLAND, k.d. Lang matched up with legendary producer Owen Bradley on a record that simultaneously channeled the essence of Patsy Cline and helped Bradley recover from a recent illness. Switching up after her more uptempo debut ANGEL WITH A LARIAT, Lang left her back-up band The Reclines at home for SHADOWLAND, and instead went into the studio with session vets that included the Jordanaires, Buddy Emmons and Hargus "Pig" Robbins. Her use of the Nashville String Machine put a new spin on songs such as "Black Coffee" and the title track. Lang's rich timbre of voice is coupled with extraordinary range. She turns Chris Isaak's "Western Stars" and Ray Price's "Don't Let The Stars Get In Your Eyes" into cowboy ballads worthy of Marty Robbins, puts a Minnie Pearlish spin on "(Waltz Me) Once Again Around The Dance Floor" and makes Roger Miller's "Lock, Stock And Teardrops" ooze with pathos. By far the crown jewel of this record is the "Honky Tonk Angels' Medley" of "In The Evening," "You Nearly Lose Your Mind" and "Blues Stay Away From Me" wherein Lang matches up well with legendary honky-tonk angels Kitty Wells, Brenda Lee and Loretta Lynn. Rolling Stone (10/31/02, p.140) - Ranked # 49 in Rolling Stone's "Women in Rock: The 50 Essential ...
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THESIS: WHO’S THAT GIRL?If Thesis isn't a star, I don't know what a star is. She has more stage presence and charisma than most rappers on Earth. She's one of those people who just walks up and says whuddup and it just makes you feel like she's trying to get with you. But she's not, she's just being her… -Bavu Blakes-FIRST, YOU NOTICE THE PINK DREDLOCKS AND YOU THINK, “WHAT THE…?” THEN, YOU NOTICE HER VERSATILE STYLE THAT CAN RANGE FROM CLASSIC PUMAS TO 5 INCH STILETTOS AND YOU THINK, “ WHO THE…? ASK ANYONE THAT’S INTO THE SOUTHERN HIP-HOP/ R&B MUSIC SCENE AND THEY’LL FILL YOU IN.JUST MIX SOME ELLA FITZGERALD WITH A LITTLE LAURYN HILL. ADD A DASH OF STEVIE ...
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