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Mr. Lil' One - Once In A Decade PT. 2 CD Cover Art
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Mr Lil' One Once In A Decade PT. 2 CD

 Mr Lil' One Discography of CDs
5 stars (1 Customer Review)

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 Our Price: $13.39  CD
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Personnel includes: Mr. Lil One, Youngstah, Mad One, Shadow, Knightowl.
Once In A Decade PT. 2 Music


Detailed Once In A Decade PT. 2 Music Information



List Price $15.97 (You save $2.58)
Category Rock/Pop Albums, R&B CDs, Rap, Latin, Urban Soundtrack, Latin Rap, Enhanced CD
Label East Side
Orig Year 2002
All Time Sales Rank   191021  
CD Universe Part number 6654225
Catalog number 5017
Discs 1
Release Date Feb 17, 2004
Studio/Live Studio
Mono/Stereo Stereo
Personnel Mr. Lil' One

Also: Mr. Shadow, Knightowl, Mad One, Youngstah
Mr Lil' One Once In A Decade PT. 2 Songs


Mr Lil' One Once In A Decade PT. 2 Album Track Listing



1.Oh God - (featuring Youngstah)
2.Alone$0.99
3.Why? - (featuring Mad One)
4.Naturally Born - (featuring Shadow/Youngstah)
5.Stupid Bitch
6.Hands Up$0.99
7.Highway 666 - (featuring Shadow/Knightowl)
8.Rap Devils II$0.99
9.Who?$0.99
10.Good Bye
11.Hokus Pokus - (featuring Youngstah)
12.Change$0.99
13.I Miss You
Once In A Decade PT. 2 Music Review


Customer Once In A Decade PT. 2 Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars ONE OF THE BEST CLASSICS OF LIL ONE
THE SONGS IN THIS CD ARE DEEP AND MEANINGFUL..PLUS THE BEATS MAKES THE SONGS EVEN MORE PERFECT...I LOVE IT
Submitted by LISSANDRA (SANTA ANA, CA)
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It’s ever so fitting that Xplicit’s solo debut was a balls-out batch of hip-hop anthems released under the moniker “Uncensored.” If anybody embodies that ideal, it’s Xplicit. Of course, it’s not a case of shock for the sake of shock or cultivating a tough image to sell records. Many hip-hop artists rap about the hard life but not all of them have the credentials to back up their words, however rhythmically or poetically those words may be delivered, however big or hook-laden their beats may be.Xplicit is speaking from perspective of real, rough-and-tumble experience. His words aren’t for show and he has bigger concerns than, offending listeners. Real life is what his music is all about – and it’s that same tough urban growing up that gave him his love for the very music he uses to talk about it. “Growing up in the ghettos of California, there was always some hip-hop blaring out of somebody’s boombox on every corner or in somebody’s loud sound system in their car,” Xplicit recalls. “Listening to hip-hop was unavoidable to me.”So was learning to love it. “So many things are appealing about hip-hop … For one thing, when I hear the beat of some good hip-hop, it makes my mind start racing. It make me just start moving and it expands everything going on at that time.” Xplicit also declares his love for the genre because it is, he says, the only style of music he’s ever known that could bridge cultural boundaries so effectively.That he would seek to make his own mark in the hip-hop field was inevitable, as inevitable as first hearing it and loving it. He had the background to rap about truth from a first-person perspective without relying on generic stereotypes. “I think there are many stereotypes – and many truths,” Xplicit says. “It’s about 50/50. About half the people in hip-hop recognize the stereotypes as a guideline for something they have to rap about, even if they don’t live that lifestyle. So when a kid from the suburbs gets into rapping he feels obligated to rap about being a gangsta from the projects. But those of us who really do live that life don’t feel obligated to write about all those things – those are just the type of things going on around us so naturally that’s what we write about. It’s the life we lead.”Xplicit ...
Avenues With Anatomies
In The Absence Avenues With Anatomies CD  (2009)

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In the AbsenceThe individual styles and backgrounds of In the Absence compliment and comprised the overall sound and attitude of the ass-kicking rock band. The style is affecting with its blend of metal and alternative rock. The members do not consider themselves to be indecisive about their style, but rather fortunate to have the ability to cross-genre and create such a distinct tenor of post-hardcore riffs and affable melodies.Ben - Guitar Ben Wright started playing guitar at the age of 14. At 16 he joined in his first band, "Shadow of Oblivion" (2003-2005) with friend Dylan Gray (Shadow of Oblivion, The Venom Feels Fine, Devouring the Fallen). The band found Gary Nobriga (Shadow of Oblivion, Galvaneyes, In The Absence) who eventually joined the band on bass. The band played a few local shows but eventually fell apart. A few years later, Ben put together another project, "The Venom Feels Fine" (2005-2007) with friend Nathaniel ...
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