| | Gilad Barkan Modulation CD Gilad Barkan Discography of CDs
It's hard to say whether pianist Gilad Barkan's greatest achievement on his debut album, Modulation, is the showcasing of his very fine original compositions, or the surprising way he is able to breathe new life into such overexposed material as Bill Evans' classic "Waltz for Debbie," Duke Ellington's "Caravan," and Herbie Hancock's "Dolphin Dance." His compositions really are a treat. He writes in a style that is both harmonically sophisticated and immediately accessible; on compositions like the warmly inviting (and only subtly Brazilian) "Brazilian Suite #2" and the gently angular "Modulation," he shows both a sharp mind and a generous musical disposition. "Modulation" gets just a bit soft in the middle, but for the most part Barkan eschews self-indulgent noodling in favor of carefully considered pianistic constructions. But there are lots of good composers around; Barkan really distinguishes himself here with his ability actually to say something new with both "Waltz for Debbie" (which he takes at a brisk and no-nonsense pace, while leaving the tune's sense of tenderness and love intact) and "Caravan" (on which he imposes some jaw-droppingly difficult polyrhythmic elements). This is a powerfully impressive debut from one of Boston's finest pianistic talents. ~ Rick Anderson
Recorded at WGBH Studio, Boston, Massachusetts on December 1 & 2, 2001.
Personnel: Gilad Barkan (piano); Harvey Wirht (drums).
Liner Note Author: Jon Garelick.
Recording information: WGBH, Studio 1, Boston, MA (12/01/2001-12/02/2001).
Photographer: Tomas Lee Jacobson.
Personnel: Gilad Barkan (piano); Dan Greenspan (bass); Harvey Wirht (drums).
Gilad Barkan Modulation Songs Modulation Review
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Purchase Modulation CD To buy, Click on price to add to cart | Bill Evans Homecoming: Live At Southeastern Louisiana University CD (1999)
Modulation album
$8.15 Recorded live at Southeastern Louisiana State University, Hammond, Louisiana on Novermber 6, 1979. Includes liner notes by Ron Nethercutt.
Digitally remastered by Joe Tarrantino (1999, Fantasy Studios, Berkeley, California).
A previously unreleased concert recording by the legendary Bill Evans would be great news anyway, but this one is particularly special because ...
| | Steve Smith Chantal's Way CDs (1999)
Modulation CD music
$17.39 Bassist Smith (not the drummer of the same name) presents a straight piano-bass-drums jazz trio, but the music is far from straight-ahead, though it is within the modern mainstream. Pianist Richie Beirach adds both new dimensions and his personal harmonic mysterioso embellishments to four of Smith's originals, ...
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Modulation music CDs
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| | Manny Albam Jazz Workshop CD (1955) (Import) Bonus Tracks; France
Modulation songs
$9.85 As an arranger and bandleader, the works of Manny Albam seem better appreciated by jazz musicians than by record labels and the jazz-buying public. This RCA Victor LP collects three separate octets recorded over the span of a few days in December 1955, divided evenly between Albam's swinging originals and imaginative charts of standards ("Anything Goes") and oldies like "Black Bottom" and "Charmaine." The band is anchored by bassist Milt Hinton and drummer Osie Johnson, with a rotating cast of soloists who include Bob Brookmeyer, Urbie Green, Hank Jones, Al Cohn, Hal McKusick, and Joe Newman, among others. At least French ...
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| | Pogues Pogue Mahone CD (1996) (Import) Bonus Tracks; Remastered; United Kingdom
Modulation music CDs
$12.65 POGUE MAHONE was the last album from these legendary Irish folk-punkers, who continued on after lead singer Shane MacGowan left the band.
Pogue Mahone (Gaelic for "kiss my arse") is the seventh and final studio album from lauded progressive Irish folk pioneers the Pogues. After the departure of Shane MacGowan, co-founder Spider Stacy found himself at the helm, singing and sharing songwriting duties with the rest of the group. If their post-MacGowan debut, Waiting for Herb, was a respectable attempt at recapturing the shape-shifting, genre-splitting days of classic tracks like "Fiesta," "Lorelei," and "Night Train to Lorca," Pogue Mahone is a celebration of the band's inception. Panned by critics and fans who refused to take a "Shane-less" Pogues seriously, both records are a testament to the band's enormous vault of talent. Stacy, who spent most of his career in MacGowan's shadow, rose to the occasion on Herb, offering up what must have been years of oppressed material, most of it remarkable. This time around it's the rest of the group that gets a shot at emptying their catalogs. In fact, Mahone is actually multi-instrumentalist Jem Finer and drummer Andrew Ranken's baby. For the most part they succeed in re-installing the traditional spark that made the group so electrifying in the '80s. Pub rockers like Finer's "Bright Lights" ...
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| | Christmas Grass Vol. 3 CD (2007)
Modulation music CDs
$6.05 Holiday collections are a record label perennial, including serial releases like Christmas Grass, Vol. 3. This particular serial recording is subtitled "featuring 3 Fox Drive and Friends," which allows a revolving cast of well-known and lesser-known singers to sit in with the band. As the title to the collection suggests, Christmas Grass, Vol. 3 offers a bluegrass twist on the Christmas season, decorating holiday favorites like "O Holy Night" with mandolin, fiddle, and dobro. Christmas Grass, Vol. 3 provides an odd mix of songbirds like Sarah Jarosz and real countrified singers like Larry Sparks; rock crooners like John Cowan and strange recitations by country-rocker Charlie Daniels. It's traditional and contemporary, pretty and rugged. While the 38-minute collection is solid, the novelty of Christmas music performed by bluegrass acts has become a familiar custom. And as is true of nearly ...
| | There Was A Lady: The Voice Of Celtic Women CD (1997)
Modulation songs
$9.45 A splendid compilation drawn from the Green Linnet catalog, focusing on solo artists and bands with female vocalists. The track listing is fairly eclectic, but entertaining throughout -- uniformly good enough that nothing stands out from the entire collection. A ...
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