| | Swell Maps Trip To Marineville CD Swell Maps Discography of CDs
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Our Price: $11.65 CDFor Sale Usually ships in 1-2 days (Only 2 available)
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A TRIP TO MARINEVILLE is the debut album from eclectic post-punk band Swell Maps, featuring Nikki Sudden. Tracks include "H.S. Art" and "Gunboats".
Japanese edition includes b-sides, rarities, and enhanced video.
Brothers Nikki Sudden and Epic Soundtracks started the Swell Maps in the early 1970s while in their teens. The band's chaotic mix of arty experimentalism, garage primitivism, and punk rock gumption established a template for the British DIY post-punk movement of the late '70s and early '80s. The band's 1979 debut, A TRIP TO MARINEVILLE, perfectly captures the band's two disparate yet strangely compatible elements. Songs such as "Spitfire Parade," "Another Song," and the rousing opener "H.S. Art" burn with youthful abandon and a glammy, knowingly primitive cool. Yet by "Don't Throw Ashtrays at Me" and "Bridge Head," the listener is presented with an almost completely different band, as improvised noise, clattering percussion, found sounds, and ambient piano soundscapes overtake the more straightforward rock elements that introduced the album. The hypnotic pulse of Krautrock creeps in on "Full Moon in My Pocket" and "BLAM!!" and the Sonic Youth blueprint is presented fully formed on "Gunboat." For the Swell Maps, the call to arms of punk rock wasn't about empty gestures toward anarchy and social rebellion, but rather the notion of a personal revolution via the limitless possibilities of art. A TRIP TO MARINEVILLE perfectly captures this realization.
2004 reissue of the influential experimental post-punk band's 1979 debut album features 26 tracks including 8 bonus tracks, 'Read About Seymour', 'Ripped & Torn', 'Black Velvet', 'Dresden Style', 'Nothing Much/Mystery Track', 'Ammunition Train', 'Full Moon', & 'Midget Submarines' (CD-Extra Video Track). Felicity.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Uncut (p.123) - 4 stars out of 5 - "MARINEVILLE subverts bilious sneers with old-fashioned yarns set to raucous guitar thrashes..." Magnet (pp.96-7) - "[T]he Maps embody the kind of free-wheeling, dangerous joy that results when six British teenagers completely disregard the rules....This debut is a drunken detour into two-chord post-punk." Trip To Marineville Music Swell Maps Trip To Marineville Songs | 1. | H.S. Art | $0.99 | |
| 2. | Another Song | $0.99 | |
| 3. | Vertical Slum | $0.99 | |
| 4. | Spitfire Parade | $0.99 | |
| 5. | Harmony In Your Bathroom | $0.99 | |
| 6. | Don't Throw Ashtrays At Me! | |
| 7. | Midget Submarines | $0.99 | |
| 8. | Bridge Head (Pt. 9) | $0.99 | |
| 9. | Full Moon In My Pocket | $0.99 | |
| 10. | Blam!! | $0.99 | |
| 11. | Full Moon (Reprise) | $0.99 | |
| 12. | Gunboats | $0.99 | |
| 13. | Adventuring Into Basketry | $0.99 | |
| 14. | My Little Shops | |
| 15. | Ripped & Torn | $0.99 | |
| 16. | International Rescue | $0.99 | |
| 17. | Loin Of The Surf | $0.99 | |
| 18. | Shoot The Angels | |
| 19. | Elephant Flowers (No.2) | |
| 20. | Turn Me On Dead Man | |
| 21. | Bronze & Baby Shoes | |
| 22. | Nevertoseeanyotherway | |
| Trip To Marineville Music Trip To Marineville Review
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Purchase Trip To Marineville CD To buy, Click on price to add to cart | Zac Brown Foundation CD (2008)
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$14.30 Rush is no stranger to best-of compilation albums, they've released a slew of them. They are also no stranger to DVDs. To mark their 35th anniversary, they've released Working Men, which is both; it marks their first best-of live compilation exclusively from the DVD sets Rush in Rio (2003), R30 (2005), and Snakes & Arrows Live (2008). There is also an unreleased cut from R30 -- a killer version of One Little Victory. While fans may simply regard this as a record company cash grab, hardcore fans know how closely Rush monitors each release and controls all aspects of their career. On hearing these tracks without benefit of the visuals, it becomes lucidly clear that in the 21st century, Rush plays more like a hungry act looking to prove themselves rather than as seasoned veterans jaded by the entire business. The instrumental interaction between Neal Peart, Alex Lifeson, and Geddy Lee is utterly uncanny, the anticipation and the willingness to add flourishes and to challenge one another in the bridges and solo sections reveal their command of the material and their empathies for one another's playing strengths. One of the more revealing things on a live record such as this one is the sophistication in Lee's vocal delivery now that his singing voice has deepened with age. The only time on the entire disc when it doesn't entirely work is when he tries to recapture his old, piercing caterwaul on 2112, but in that spontaneity ...
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$8.25 Pricipally recorded live at The Roxy, Hollywood, California from December 10-12, 1973; the Auditorium Theater, Chicago, Illinois in 1974; Edinboro State College, Edinboro, Pennsylvania on May 8, 1974.
It's no secret that one of the most powerful weapons in Zappa's arsenal was his sense of humor, which was at its height in live performance. Consequently, there's no better way to get a feel for the full scope of Zappa's music than on the live ROXY & ELSEWHERE. This set finds Frank at his mid-'70s peak, working with Ruth Underwood, Don Preston, George Duke, etc. While all the tunes are technically impeccable (often featuring trademark feats of counter-intuitive derring-do), it's Zappa's humorous interaction with the band and the audience that puts the real spark into this recording.
Delivering lengthy monologues both inbetween and during the songs, Zappa provides light-hearted contrast to the mulit-textured, typically sophisticated arrangements. For every "Son of Orange County" (an ambitious, difficult piece) there's a "Cheepnis" (wherein he details his fondness for cheesy horror films) or "Be-Bop Tango," where he brings audience ...
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