| | Batida Sossegada, Vol. 1 CD - Import
Musart. 2003. Batida Sossegada, Vol. 1 Music Batida Sossegada, Vol. 1 Songs | 1. | Dome - Chill Out Company |
| 2. | Desire - Gil Mahadeva |
| 3. | Circulo - Pedra Branca |
| 4. | Catimbo |
| 5. | DJ Guzman Lazy Groo - Laboratorio |
| 6. | I Want to Tell You - Cinemadinchaos |
| 7. | Quital O Meu Quintal - Toni MZT |
| 8. | Naja - Lunatics |
| 9. | Caminhando Sozinho Na Rua - Beto Salmon |
| 10. | Blanessen Block - Electrodomestic |
| 11. | Etretat - Black Tie Projekt |
| 12. | Circle of the Life |
| 13. | Good News From Nowhere - Waterfront House |
| 14. | Lindo Lago - DJ Yah! |
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Batida Sossegada, Vol. 1 Review
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The goal of Leona Lewis' 2007 debut Spirit was to prove that an X Factor winner could be a phenomenon not just in the U.K. but in the rest of the world. The goal of her second album, 2009's Echo, is to prove that success was no fluke, to build upon "Bleeding Love" and turn Lewis into an actual diva. Certainly, Echo in any of its incarnations -- its song listings are tailored for individual markets, with the U.K. getting a cover of Oasis' "Stop Crying Your Heart Out," while the U.S. gets a second song co-written by Justin Timberlake -- uses the chilly, synthesized "Bleeding Love" as its foundation, creating a sheet of sound equal parts Euro-pop and modern American R&B. As opposed to the often-stuffy Spirit, this ...
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Personnel: Nelly (rap vocals); Pharrell Williams, Anthony Hamilton, Ronald Isley, Tim McGraw (vocals); Jazze Pha (rap vocals, various instruments); Jaheim, Mase, Snoop Dogg, T.I. (rap vocals); James D. "Sted Fast" II Hargrove, Richard "Rip" Gager, Onion, Dan "Thunda Dan" Marshal, Shorty B. (guitar); Jayson "Koko" Bridges (keyboards, drums, percussion); Avery Storm (vocoder); Bryan Loss (drums); Rajinder Kala (congas); Kim Moore Johnson (background vocals).
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Nelly's decision to release his Sweatsuit project as two respective albums, Sweat and Suit -- the former clubby and insincere, the latter refined and mannered -- is somewhat of a mixed blessing. On the one hand, it's nice to pick whichever side of Nelly's persona you prefer, whether in general or at any particular moment; on the other hand, the separate-album concept makes for two very one-dimensional albums that begin to sound formulaic by their respective conclusions. The thing is, Nelly has plenty of great songs here on these two albums. Quality certainly isn't an issue -- he works with a who's who of pop-rap circa 2004, from the Neptunes to Christina Aguilera to Snoop Dogg to Missy Elliott, and ...
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Title and all, Nas's eighth solo album clearly intends to spark controversy. But what gives Nasir Jones the right to declare that HIP HOP IS DEAD? For one Nas's 5-mic debut album ILLMATIC represents the best of a by-gone era. Since then he's tried to find his place in the ever-evolving genre, flirting with the mainstream to mixed results, all the while mired in beef with former allies and childhood friends as well industry rivals. The fact that HIP-HOP IS DEAD is the product of his teaming with one of those former(?) rivals, Jay-Z, shows that business trumps beef--as Nas emphasizes on track one, "Money Over Bullshit."
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