| | Lil' KeKe Wreckin' 2004 CD Lil' KeKe Discography of CDs
This is an example of Southern Rap "screwed" mix style.
Audio Mixers: Kevin Bomar; Adam Kellog.
Editors: Kevin Bomar; Adam Kellog. Lil' KeKe Wreckin' 2004 Songs | 1. | Intro: Get Ready | |
| 2. | Wreckin 2K4 | |
| 3. | Hit'em | |
| 4. | Catch a Square | |
| 5. | Mix It Up | |
| 6. | Hustle | $0.99 | |
| 7. | Understand | |
| 8. | No Matter What! | |
| 9. | We Did That | |
| 10. | Don't Cry | |
| 11. | Real, Da (Skit) | |
| 12. | Who U R | |
| 13. | Out of Luck | |
| 14. | Stop Bullsh-T | |
| 15. | We Smash | |
| 16. | Issue | |
| 17. | Warriors | |
| 18. | Outro: Feel That | |
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Wreckin' 2004 Review
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Purchase Wreckin' 2004 CD To buy, Click on price to add to cart | Lil' KeKe Big Unit CD (2003)
Wreckin' 2004
 $15.65  
| | Paul Wall Chick Magnet CD (2004)
Wreckin' 2004
$13.79 
| | Day After Hell Broke Loose CD (2004)
Wreckin' 2004
$14.29 
This is a compilation of Houston, Texas-based rappers.
Personnel: Big Tymers (keyboards, drum programming, scratches); Davion Botts (keyboards); Mike Dean (drum programming).
Audio Mixers: Mike Dean ; Big Tymers.
Recording information: Dean's List House Of Hits, Houston, TX; Holman Sounds Designs, Katy, TX; NoddFactor Studios, Houston, TX; Smoke Filled Room, Holman, TX.
Photographer: Thomas Delisle.
The Day After Hell Broke Loose is a collective affair, bringing together the beats of producer Bigg Tyme and the raps of the Rap-a-Lot stable circa 2004. ...
| | Z-Ro Let The Truth Be Told CD (2005)
Wreckin' 2004
$15.05
Personnel: Z-Ro; Juvenile, Paul Wall , Ashanti, Trae, Lil' Flip, Devin the Dude, Lil' Boss.
True ...
| | Lil' Flip Kings Of The South Mixtape CD (2005)
Wreckin' 2004
$15.05
| | Trae Drama CDs (2006)
Wreckin' 2004
$15.13 
| | Marshall Crenshaw CD (1982)
Wreckin' 2004
$5.95  
MARSHALL CRENSHAW also contains B-sides of singles, demos & live tracks.
Personnel: Marshall Crenshaw (vocals, various instruments, guitar, bass, percussion); Chris Donato (vocals, bass); Robert Crenshaw (vocals, drums); Tony Garnier (bass); Michael Osborn, Richard Gottehrer (percussion).
Producers: Richard Gottehrer, Marshall Crenshaw, Scott Miner.
Principally recorded at the Record Plant, New York, New York in January 1982.
Originally released on Warner Brothers (3673). Includes liner notes by Marshall Crenshaw & David Gorman.
Digitally remastered by Bill Inglot.
Personnel: Marshall Crenshaw (vocals, various instruments, guitar, bass, percussion); Chris Donato (vocals, bass); Robert Crenshaw (vocals, drums); Tony Garnier (bass); Michael Osborn, Richard Gottehrer (percussion).
Producers: Richard Gottehrer, Marshall Crenshaw, Scott Miner.
Principally recorded at the Record Plant, New York, New York in January 1982.
Originally released on Warner Brothers (3673). Includes liner notes by Marshall Crenshaw & David Gorman.
In retrospect, 1982 was a brief, exhilarating moment in between the fall of disco and the rise of MTV, when the eternal verities of real rock & roll broke through once again. The punk and new wave music of the late '70s had given way to power-pop, a return to catchy, relatively unadorned guitar rock. In that context, it was easy to see Marshall Crenshaw and his self-titled debut album as the Next Big Thing. Hailing from music-rich Detroit but based in new wave mecca New York City, Crenshaw looked like Buddy Holly by way of Elvis Costello, and sounded like that combination too. His short, simple songs had an obvious lineage, but Crenshaw further updated the sound and added a lightly sardonic tone à la Costello, giving it a smart-alecky New York edge. Not only did critics love the result, but the immediate surface charms of the music seemed to bode for a quick trip to the top. But although "Someday, Someway" reached the Top 40 and the LP got halfway up the Top 100, that did not happen. Maybe because Crenshaw was perhaps a little too faithful to his old records. Any record collector had to love a guy who knew enough to cover Arthur Alexander's "Soldier of Love." Yet Holly and Costello got away with their essentially nerdy appearance by working ...
| | Sammy Turner Lavender Blue: The Very Best Of CD (2001)
Wreckin' 2004
$10.59
| | Sheila Chandra Indipop Retrospective CD (2003) Enhanced CD
Wreckin' 2004
$11.99
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Recorded between 1984 & 2001. Includes liner ...
| | Burl Ives Christmas Collection: 20th Century Masters CD (2003) Remastered
Wreckin' 2004
$8.39
| | Carlos Y Jose Esto Es Lo Nuestro/20 Exitos, Vol. 2 CD (2005) Remastered; Reissued
Wreckin' 2004
$11.55
| | Bruce Springsteen Born To Run CD (1975) Import
Wreckin' 2004
$27.25
Japan pressing. Limited edition reissue of 1975 original recording is packaged in a paper sleeve. CBS. 2005.
Personnel: Bruce Springsteen (vocals, guitar); Steve Van Zandt (vocals); Suki Lahav (violin); Michael Brecker (tenor saxophone); David Sanborn (baritone saxophone); Clarence Clemons (saxophone, background vocals); Randy Brecker (trumpet, flugelhorn); Danny Federici (organ); Roy Bittan (keyboards, glockenspiel, background vocals); David Sancious (keyboards); Garry Tallent, Richard Davis (bass); Max Weinberg, Ernest "Boom" Carter (drums); Mike Appel (background vocals).
Producers: Bruce Springsteen, Jon Landau, Mike Appel.
Recorded at The Record Plant, New York, and 914 Sound Studio, Blauvelt, New York.
Bruce Springsteen's make-or-break third album represented a sonic leap from his first two, which had been made for modest sums at a suburban studio; Born to Run was cut on a superstar budget, mostly at the Record Plant in New York. Springsteen's backup band had changed, with his two virtuoso players, keyboardist David Sancious and drummer Vini Lopez, replaced by the professional but less flashy Roy Bittan and Max Weinberg. The result was a full, highly produced sound that contained elements of Phil Spector's melodramatic work of the 1960s. Layers of guitar, layers of echo on the vocals, lots of keyboards, thunderous drums -- Born to Run had a big sound, and Springsteen wrote big songs to match it. The overall theme of the album was similar to that of The E Street Shuffle; Springsteen was describing, and saying farewell to, a romanticized teenage street life. But where he had been affectionate, even humorous before, he was becoming increasingly bitter. If Springsteen had celebrated his dead-end kids on his first album and viewed them nostalgically on his second, on his third he seemed to despise their failure, perhaps because he was beginning to fear he was trapped himself. Nevertheless, he now felt removed, composing an updated West Side Story with spectacular music that owed more to Bernstein than to Berry. To call Born to Run overblown is to miss the point; Springsteen's precise intention is to blow things ...
| | Archie Shepp Left Alone Revisited: A Tribute To Billie Holiday CD (2005) Digipak
Wreckin' 2004
$14.15
Tributee: Billie Holiday.
Personnel: ...
| | Gabba Gabba Karaoke: Karaoke To The Ramones CD (2006)
Wreckin' 2004
$9.35
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