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In the vein of Bay Area legends Red House Painters, the Red Thread -- basically the nom de rock for singer/songwriter Jason Lakis -- peppers its somberness with tinges of warm Americana on Tension Pins. Lakis' sophomore set is superbly written, with repeated listens to songs like "New Watch" and "Map of the Moon" supporting its elegance. Relaxed but hauntingly executed, "The Getaway" and "From the Divide" are sophisticated and strangely memorable. One can't help wanting to lump Lakis in with American Music Club frontman Mark Eitzel based on his vocal turn on the latter, although the Red Thread's mouthpiece also regularly recalls Idaho's Jeff Martin. But the man's instrumental prowess on "Postcards" and his ability to pepper his own heartache with pedal steel find Lakis carving out his own identity. Expect the Red Thread's Tension Pins to influence busloads of lovelorn troubadours in the years to come. ~ John D. Luerssen
The debut album from the red thread, After the Last, is what happened when Jason Lakis took his finely-crafted tunes to friends from various Bay Area bands, and came back with a musical offering of slow-burning beauty and a sprinkling of countrified charm. The new album, "Tension Pins," further builds on Jason's hypnotic voice with its blend of soulful Americana and finely crafted somber pop tunes.A critically acclaimed album, After the Last enjoyed a smothering of positive press including write-ups in MOJO, CMJ Monthly, and Uncut to name a few.12 months, a national tour and a minor line-up change later, the red thread return with Tension Pins, to be released in early 2004. While venturing into some new territories, Tension Pins still maintains the band's signature laid back, west coast feel.Reviews:"The nine songs on their debut LP, After The Last, use minor chords and Morricone-esque string plucking to mold moody pop that weaves in intricate country influences. The sound is more soulful Americana delivered from the heart than tear-in-my-beer Nashville fare, and judging by the lazy yet assured melodies, it's also obvious that the Red Thread is equally well-versed in '90s indie rock. Lakis' voice sounds weathered and strong even when he sings softly, and the spaghetti-western guitar licks, so often overdone, are refreshingly devoid of cheese here. After The Last boasts some fine examples of serious pop music, and highlights that come from other moods: The beautifully understated cover of Bad Brains' classic "Sailin' On," a hypnotic and almost unrecognizable departure from the original, and "Subject To Change," a great comedown after a night of heavy partying and heavier heartache." - CMJ Monthly"The Red Thread delivers an album most strongly marked by the auburn hue of a late-night/early-morning slide guitar that works its way into the slow-burning songs of frontman Jason Lakis. Those who long for the peaceful, easy feelings of West Coast harmony revisionists such as Beachwood Sparks may find a more downtrodden kin in the Red Thread. Closer still may be the Radar Brothers, only without the David Gilmour fixation. Throw in some Hayden and Joe Pernice's soft-rock musings and now you know where the band's inspiration lies." - East Bay Express"Jason Lakis has the kind of hypnotic voice that Will Oldham never quite perfected. And the fact that he punctuates his gently floating countrified melodies with pedal steel guitar just makes the music he and his band members create as The Red Thread all the more mystifying. After the Last is melancholy without being suicidal, pretty without being cute and rock solid without being overwrought. Occasional Wurlitzer beds and shimmering vibes accentuate Lakis' songs perfectly, making The Red Thread a miracle amalgam of Idaho, Calexico and, believe it or not, Versus on a quiet morning. You're gonna love this!" - Alibi"Jason 'Red Thread' Lakis has abandoned his more monochrome Half Film persona and taken solace in sombre, tenderly weather-beaten West Coast rock. A countrified coveUncut (p.83) - 3 stars out of 5 - "There's ambition here...and a skip in the stride..." CMJ (3/08/04, p.5) - "TENSION PINS requires patience and attention - but the more you listen, the more wisdom it will offer." Red Thread Tension Pins Songs Tension Pins Review
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Purchase Tension Pins CD To buy, Click on price to add to cart | Songs Ohia Didn't It Rain CD (2002)
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| | Red Thread After The Last CD (2003)
Tension Pins CD music
$13.69 The Red Thread play music with a distinctive southwest feel, that alt-country/Americana sound made popular by bands like The Shins or The Beachwood Sparks and the bands who came before them, many of whom have some tie-in to Uncle Tupelo. On a more obscure level, this could easily be on the FilmGuerrero label, alongside bands like Tracker or Norfolk & Western. While maintaining some of the ...
| | Mojave 3 Spoon And Rafter CD (2003)
Tension Pins music CDs
$15.15 Who expected a big stylistic turnabout? Probably nobody. Is there a big stylistic turnabout? Of course not. Album number four, Spoon and Rafter, is merely another worthy addition to the discography of Mojave 3, whose Neil ...
| | Erase Errata At Crystal Palace CD (2003)
Tension Pins songs
$11.49 Erase Errata's second album, At Crystal Palace, continues the band's ongoing flirtations with order and chaos, ping-ponging between the two with such ease that it's clear that even their most disjointed moments are under their control. Songs such as "Driving Test" and "Go to ...
| | Kingsbury Manx Aztec Discipline CD (2003)
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| | Gary Lucas Busy Being Born CD (1998)
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| | Charlie Girl CD (1993) Import
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| | Frankie Laine Songs Of The West CD (2006) (Import) Australia
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| | Maggie Brown CD (2004)
Tension Pins CD music
$15.95 Down in Natchez, Mississippi, just across the river from Jerry Lee Lewis' Ferriday, Louisiana, guitarist, songwriter and singer Maggie Brown is remaking American roots music in her own image. Her self-titled debut is steeped in grease, honky tonk, blues, R&B, and the best of America's singer/songwriter tradition. And Brown can play the hell out of a guitar. Sure, she listened to Bonnie Raitt, but she also listened to Sonny Landreth, Delaney and Bonnie, Rory Block, and Delbert McClinton. Pure, rural, Southern soul drips from every single line she plays and cascades like hard water bubbling up from the rich black soil and falls from her mouth. In the grain of her big, clear, throaty voice is the sound of real heartbreak; one that sings of hard times from the center of experiencing them. But in it is also hard-won acceptance, and the vulnerable but wily will to transcend; every nuance, trill or groan digging a little deeper to express it. Brown's band is a country-rock combo augmented in places with a B3 or piano here, a cello there, and a ringing weave of electric and acoustic guitars. When she rocks, she rolls. The opener, "Forty Dollars," offers a falling scale of acoustic chords, kissed by a droning electric as she intones: "Forty dollars worth of Lyle Lovett/Twenty dollars worth of gas/Might not get her back to Texas/ But she might outrun the past..." The electric sixes wind their way in snake-like, until the refrain when they crash in with anthemic authority as she soars over them. On "Full Moon Over Dallas," a dobro whines over mandolins and acoustic guitars as the protagonist speaks with aching resignation across the miles into a humming phone line to long lost love with the night as witness: "I look outside my window/And the darkness ain't so dark/... And I sat right down and got my heart to thinking...There's ...
| | B Aishwarya Aishwarya,B. Vol. 1-Nursery Rhymes CD (2006)
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| | Block Monsters New Block Order CD (2008)
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| | Joe Sierra Irish Daughter CD (2009)
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