Ultimate Yes: 35th Anniversary Collection CD

Additional Tracks

Yes: Jon Anderson (vocals); Peter Banks (guitar); Tony Kaye (keyboards); Chris Squire (bass, background vocals); Bill Bruford (drums).
Recorded at Advision Studios, London, England in 1969-70. Originally released
on Atlantic (8273).
All tracks have been digitally remastered.
Yes: Jon Anderson, Trevor Horn (vocals); Bill Sherwood (guitar, keyboards, background vocals); Trevor Rabin, Steve Howe (guitar, background vocals); Peter Banks (guitar); Igor Khoroshev, Geoff Downes, Patrick Moraz, Rick Wakeman, Tony Kaye (keyboards); Chris Squire (bass, background vocals); Bill Bruford, Alan White (drums, percussion).
Producers include: Tony Colton, Eddie Offord, Yes, Trevor Horn, Tim Weidner.
Compilation producers: Yes, David McLees, Bill Inglot.
Recorded between 1969 & 2003. Includes liner notes by Chris Welch.
Personnel: Billy Sherwood (vocals, guitar, keyboards); Steve Howe, Trevor Rabin (vocals, guitar); Chris Squire, Jon Anderson, Trevor Horn (vocals); Peter Banks (guitar); Geoffrey Downes, Patrick Moraz, Rick Wakeman, Tony Kaye, Igor Khoroshev (keyboards); Alan White , Bill Bruford (drums, percussion).
Audio Mixer: Tim Weidner.
Audio Remasterers: Dan Hersch; Bill Inglot.
Audio Remixer: Paul Fox .
Liner Note Author: Chris Welch .
Recording information: Los Angeles, CA.
All of the Yes hits are here -- there are numerous edited versions for either radio or for singles, such as on "America," "It Can Happen," "The Calling," and "Homeworld." In addition, there is a remixed version of "Big Generator." Disc three offers three acoustic tracks in versions of "Roundabout" and "South Side of the Sky," with a solo Steve Howe six-string read of "Australia." ~ Thom Jurek
All of the hits are here, just as they are on every Yes compilation. There are numerous edited versions for either radio or for singles, such as on "America," "It Can Happen," "The Calling," and "Homeworld." In addition, there is a remixed version of "Big Generator" that adds nothing to the original. Disc three offers three acoustic tracks in versions of "Roundabout" and "South Side of the Sky," with a solo Steve Howe six-string read of "Australia." ~ Thom Jurek
Yes' second (and least successful) album was a transitional effort; the group trying for a more produced and sophisticated sound through the use of an orchestra. Even so, the results weren't conventional, because the group didn't tone down or turn down its sound. Much of Time and a Word relies on bold, highly animated performances by Bill Bruford, Chris Squire, and Tony Kaye. Additionally, by this time the group was developing a much tauter ensemble than was evident on their first LP, so there's no lack of visceral excitement. "No Opportunity Necessary, No Experience Needed" was a bold opening, a highly amplified, frenzied adaptation of the Richie Havens song, melded with Jerome Moross's title music from the movie The Big Country. Somewhat more successful musically is "Then," which keeps the orchestral accompaniment to a minimum and allows Kaye and Banks to stretch out on organ and guitar. "Everydays" is highlighted by Anderson's ethereal vocals and Kaye's dueting with the orchestra. A surprising amount of the material here seems rather tuneless, but the group was solidifying its sound and, in the process, forcing Banks out of the lineup, despite some beautiful moments for him (and Tony Kaye) on the prettiest parts of "The Prophet," a piece that also contains fragments of music that anticipate Yes' work right up through Tales from Topographic Oceans. "Astral Traveller," as a title anticipates, the themes of future group work, though they still don't have the dexterity to pull off the tempo changes they're trying for. By the time the record was completed, Banks was out of the band, which is why Steve Howe, his successor, ended up pictured on the cover of most editions. The 1997 remastering does make the orchestral accompaniments work better than they did oUncut (6/03, p.117) - 3 stars out of 5 - "...[The album] continued to expand the basic rock format with increasingly symphonic arrangements..."
Uncut (6/03, p.117) - 3 stars out of 5 - "...[The album] continued to expand the basic rock format with increasingly symphonic arrangements..."