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The Casual Dots self-titled debut release rocks like other bands that the members have been part of -- specifically Slant 6. The Casual Dots get down to business with their expressive indie rock, sounding like a punker Gories or a cooler Sleater-Kinney. The two guitars of Billotte and Kathi Wilcox echo each other with punchy picking lines, while Steve Dore lays the solid backbone with appropriate, simple beats. The vocal delivery of Christina Billotte is off-the-cuff and works well with the energy of the music. "She's the Real Thing" is a dark, simple, melodic tune that showcases the best elements of the Casual Dots: tone of guitar, marching drums, and vocals that set in the perfect inflections at the right time to hook the listener to melt in the song. The Casual Dots rock hard, playing off one another and delivering the goods. If you like haunting, melodic garage/indie rock, the Casual Dots are for you. ~ David Serra
Recorded at Inner Ear Studios, Washington, D.C., 2003.
Personnel: Christina Billotte (vocals, guitar); Kathi Wilcox (guitar); Steve Dore (drums).
Audio Mixers: Don Zientara; Guy Picciotto; The Casual Dots.
Recording information: Inner Ear Studios (05/2003).
The Casual Dots: Christina Billote (vocals, guitar); Kathi Wilcox (guitar); Steve Dore (drums).
Casual Dots Review
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Purchase Casual Dots CD To buy, Click on price to add to cart | Quixotic Mortal Mirror CD (2002)
Casual Dots album
$12.65 Quix*o*tic's deadpan delivery on their debut, Mortal Mirror, makes their gloomy garage and goth punk marches seem, though probably unintentionally, like an exercise in irony. The ...
| | Beulah Yoko CD (2003)
Casual Dots CD music
$12.39 Even in the context of the jangly, jubilant Elephant 6, Beulah plied a particularly lush, orchestral kitchen-sink brand of lo-fi indie pop. YOKO was recorded in 2003 as a majority of the band's six members were going through divorce or separation, and a sense of sorrow pervades the album. The gathering tension (which would ultimately dissolve the band shortly after the album's release) led to the San Francisco band's most restrained--even reflective--record. There's still the occasional flourish, the carnival-esque swirl of the insanely infectious single "Landslide Baby," the bizarre blend of chugging guitars and clashing cymbals that lend a subterranean ...
| | Minus 5 I Don't Know Who I Am CD (2003) Let The War Against Music
Casual Dots music CDs
$13.85 Although Scott McCaughey pays his bills as a loyal R.E.M. sideman, the longtime Young Fresh Fellows frontman's Minus 5 project has allowed him to explore his fundamental pop/rock leanings with colleague Peter Buck on albums like 2001's acclaimed Let the War Against Music Begin. Recorded in tandem with that set, I Don't Know Who I Am -- a limited-edition disc reportedly restricted to a pressing of just 2,000 copies -- is far darker and more experimental, as evidenced by the set launcher, "There Is No Music." Meshing a slide guitar with a brooding lo-fi feel, the song's alt-country leanings uneasily shift into the electronic-tinged "Myrna Loy." While there are contagious moments like "Rooting for the Plague" and the profane singalong "I Don't Want to Fuck Off Anymore," tunes like the heady "Disaster Nurse Fang" and "Dear Employer" (which is recycled but drastically stripped-down from its appearance on 2003's Down With Wilco and again boasts Jeff Tweedy) are as off-kilter as these alternative pop luminaries are likely ...
| | Band Of Horses Everything All The Time CD (2006)
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| | Sparklehorse Dreamt For Light Years In The Belly Of A Mountain CD (2006)
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| | Swan Lake Beast Moans CD (2006)
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| | Tossers First League Out From Land CD (2001) Extended Play
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| | Mutts Life In Dirt CD (2005)
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| | Sonja Kristina CD (1980) (Import) United Kingdom
Casual Dots album
$16.29 The messy end of Curved Air finally behind her, Sonja Kristina all but disappeared from the scene for a couple of years, before finally making a low-key comeback at the head of a new band, Escape. It was a tentative venture. Early gigs saw the band performing primarily to veteran fans who'd have preferred to hear their old favorites; it took time for a younger audience to catch on that Escape was actually shaping up to be one of the best live bands on the late-'70s club circuit -- and one of the best new wave bands full-stop. Firmly predicting all that Lene Lovich, Hazel O'Connor, and Toyah would be bringing to the Top 30 over the next couple of years, Escape's sound was firmly rooted in the present day, a succession of exhilarating, quirk-bedecked rockers that owed little more than their assurance to any past experience. When it came time to cut their debut album, however, Escape's name was barely visible on the sleeve. The marketing men knew Kristina was "the name"; now she was the artist as well. But it's still a full-on band effort, with the opening "Street Run," in particular, a sharp-edged rocker alive with both modern quirk and more classical undercurrents. The almost-world-music-flavored "Man He Colour," a cover of Spirit's "Mr Skin," and the single "St Tropez" likewise, position Kristina and Escape on the cutting edge of the latest musical fascinations, with producer Nigel Gray (best known at that time for his work with Kristina's husband Stewart Copeland's band, the Police) layering in some of his own finest work. It was all to no avail, however, ...
| | Wovenhand Mosaic CD (2006)
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| | Hits Of The 80S CDs (2006) 3CD
$7.59 | | Niall Vallely Buille CD (2007)
Casual Dots music CDs
$13.95 Niall Vallely is one of the most virtuosic living players of the concertina, a smaller, circular cousin of the accordion. Its sound is sharper, drier and reedier than that of either the accordion or the melodeon, and in the hands of a player like Vallely it seems to have a life of its own, jumping and dancing with feverish energy. He usually plays in the band Nomos and as a backup musician for Irish-American singer Karan Casey, but on his solo album Vallely is joined by guitarist Paul Meehan and his brother Caoimhin on piano (as well as the jaw-droppingly good bodhran player Brian Morrissey on some tracks). The program consists primarily of original tunes written in a mostly quite traditional style, though there are some interesting curveballs ...
| | Sister Vanilla Little Pop Rock CD (2005)
Casual Dots songs
$13.79 Sister Vanilla's Little Pop Rock is a Reid family reunion, with William and Jim providing guitars and production along with the occasional lead and backing vocals, and sister Linda (who sang Moe Tucker on the last Jesus and Mary Chain record to date, Munki) on lead vocals. It's a Jesus and Mary Chain reunion too because long-time JAMC member Ben Lurie is on board as well. Unsurprisingly, Little Pop Rock sounds a whole lot like a Jesus and Mary Chain record. One with a low-budget, lo-fi approach, but still very much of a piece with their late-period output. Tracks like the surging "Jamcolas" and "Delicat" have the same machine-driven, rock & roll swagger that tracks like "I Hate Rock & Roll" had, "Slacker"'s a country ballad that would have fit right in on Stoned & Dethroned, "Can't Stop the Rock" is a wonderfully knuckleheaded rock anthem the group specialized in. ("Jamcolas" and "Delicat" also feature lead vocals by William and Jim, with Linda in a supporting role.) While it's nice to have another Mary Chain record, what makes the record even better is the presence of Linda Reid. Her charmingly innocent vocals shine some sweetness and light on the proceedings and make songs like "Pastel Blue," "The Two of Us" (a duet with Stephan Pastel), and "Angel" almost tender, which is not a word that comes to mind when thinking of the Reids. She also has a good rock & roll voice as demonstrated on "Can't Stop the Rock" and "Down" and even manages to do a credible job singing classic Reid lyrics like "I've been running from A to B/No more hookers or LSD" (on "What Goes Around"); indeed, she has just enough of the Reid sneer to pull nonsense like that off. Along with her vocal presence, it would seem that having her around ...
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