| | Limp Bizkit New Old Songs CD - Import Limp Bizkit Discography of CDs
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While Limp Bizkit scrambled to find a replacement guitarist for the vacancy left by Wes Borland, mastermind Fred Durst found a way to breathe new life into selected tracks from the band's canon. NEW OLD SONGS reads like a who's who of 2001's hottest DJ's. "Nookie" sounds funkier and possibly more compelling than the original, as manipulated by The Neptunes, while Timbaland puts a fresh spin on "Take a Look Around" with hip-hop help from MC's E-40 and Eightball. Limp Bizkit's own man behind the turntables (DJ Lethal) takes center stage with his cut-up version of "Break Stuff." Xzibit checks in with DJ Premier on "Getcha Groove On," while Durst tries his own hand at remixing with guest vocals by Everlast on "Faith/Fame." NEW OLD SONGS is a great introduction for hip-hop fans that find rap metal a bit hard to swallow, as these well produced remixes simultaneously appease hungry Bizkit fans.
NEW OLD SONGS is a collection of Limp Bizkit remixes.
This is a Japanese release.
Interscope. New Old Songs Music | List Price | $34.99 (You save $1.94) | | Category | Rock/Pop Albums, Rock CDs, Heavy Metal, Rap Metal | | Label | Interscope | | Orig Year | 2001 | | CD Universe Part number | 6664871 | | Catalog number | 677944 | | Discs | 1 | | Release Date | Jan 13, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Japan |
New Old Songs Review
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Recorded between 1969 & 1971. Includes liner notes by Shaun Stallard.
This 2-disc deluxe expanded edition also includes THE GRASS IS GREENER.
One of England's prime jazz-rock -- or, more accurately, rock-jazz -- outfits, most of the members of Colossuem had apprenticed in blues bands, and it shows very strongly on some of the material here. Both "The Kettle" and "Butty's Blues" are essentially tarted-up 12-bar blues, although they work well in a grander context; in the latter case much grander, as a brass ensemble enters for the last part, drowning out everything but the guitar, an indication that this recording is in dire need of remastering. "Elegy" is a fast-paced, minor-key blues that stretches guitarist James Litherland's vocal abilities. Things do get far more interesting with "The Machine Demands a Sacrifice," which offers solo opportunities to organist Dave Greenslade and sax player Dick Heckstall-Smith before re-emerging in what can only be called a proto-industrial style, all heavily treated clattering percussion. The album's real joy comes with "The Valentyne Suite," which takes the band out of their bluesy comfort zone into something closer to prog rock. Bandleader Jon Hiseman is a stalwart throughout, his busy drumming and fills owing far more to jazz than the studied backbeat of rock. Greenslade proves to be a largely unsung hero, his only real solo in the suite something to offer a challenge to vintage Keith Emerson, but with swing. As to criticism, bassist Tony Reeves has very little flow to his playing, which severely hampers a rhythm section that needs to be loose-limbed, and Litherland's guitar playing is formulaic, which can be fine for rock, but once outside the most straightforward parameters, he seems lost. In retrospect this might not quite the classic it seemed at the time, but it remains listenable, and for much of the time, extremely enjoyable. ~ Chris Nickson
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