| | Grupo Exterminador De Parranda Con El Diablo Vol. 3 CD Grupo Exterminador Discography of CDs
Some listeners refuse to listen to any recordings that are performed in a foreign language -- if they can't understand all the words, they aren't interested. But not everyone feels that way; there are people who love Edith Piaf's recordings but speak no French or enjoy Talip Özkan but don't understand a word of Turkish. And even if one doesn't speak any Spanish at all, he/she can still appreciate De Parranda con el Diablo on a musical and rhythmic level and find Grupo Exterminador's norteņo/Tex-Mex to be highly infectious. That said, knowing some Spanish certainly doesn't hurt where this CD is concerned -- it isn't necessary, but it doesn't hurt. In the '90s and 2000s, Exterminador has offered some of the liveliest, most colorful storytelling in norteņo music, which combines Mexican ranchera with German polka -- and on Narco Corridos, Vol. 3: De Parranda con el Diablo, they continue to do it with a healthy dose of humor. Indeed, Exterminador brings a uniquely Mexican sense of humor to "La Leona," "El Garaņon de Michoacan," and other memorable corridos. Clearly, they've learned a thing or two from Los Tigres del Norte, a norteņo/Tex-Mex powerhouse famous for their rough-and-tumble tales of Mexican life. Not everything on this CD is hardcore norteņo; "Necesito un Amor" and "Nos Tienen Envidia" find them detouring into pop-minded Tejano and grupero territory, and "La Manguera" is a vibrant example of Cumbia Mexicana (a Mexican interpretation of the Colombian Cumbia rhythm). Nonetheless, De Parranda con el Diablo is a norteņo album first and foremost -- norteņo is what they do best, and they do it with a lot of heart on this excellent CD. ~ Alex Henderson
Unknown Contributor Role: Jesús Corona.
Arranger: Gustavo Pardo.
Personnel: Gustavo Pardo (rap vocals, keyboards); Jose Corona, Bernardo Corona (bajo sexto); Juan Corona (accordion).
Recording information: AM Productions, Oxnard, CA.
De Parranda Con El Diablo Vol. 3 Music Grupo Exterminador De Parranda Con El Diablo Vol. 3 Songs De Parranda Con El Diablo Vol. 3 Review
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chris arduser is a cincinnati-based songwriter and producer who has written many a tune for critically lauded comboes such as THE BEARS (which features adrian belew), PSYCHODOTS (which includes childhood friends rob fetters and bob nyswonger) and THE GRAVEBLANKETS.CHRIS ARDUSERThe Celebrity Motorcade(Crooked Mile)Written and performed by Psychodots drummer/vocalist, Chris Arduser, Motorcade is a short and rather melancholic take on the early days of Hollywood and some of its misunderstood characters, such as Fatty Arbuckle in the track 'Roscoe. ' Arduser turns tracks about John Garfield (The Postman Always Rings Twice) and famed/hated director Erich Von Stroheim into fascinating and beautifully composed pop ballads. Arduser's ability to turn some rather strange subject matter into such intriguing music is a real testament to his songwriting abilities. In the hands of a less talented songwriter, this album could have swung dangerously close to a Weird Al Yankovic release. The early days of Hollywood were an important period in American history, and Arduser has done them justice with his fascinating album. -- Ian White / americanwired / june 1 2006Performed, written and produced entirely by the pyschodots drummer/vocalist, Motorcade is a "concept record" revolving around characters from old Hollywood. Arduser gets into the head of comedian Fatty Arbuckle on "Roscoe," painting the tragic figure sympathetically as a victim of circumstance ("They called you Fatty/'Cause that's all they could see"), while "Remember Irving Thalberg" remembers the sacrifices of ...
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Delhi 2 Dublin is the new sound of music! Blending east and west, electronic and acoustic, mainstream and underground, the five member D2D crew takes listeners on a wild and borderless trip through global sounds and synchronicities. The band fuses the traditional sounds of tabla, dhol, fiddle, and sitar with cutting edge DJ aesthetics, to create a highly charged multi-cultural ...
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