Kanye West College Dropout CD

Personnel: Kanye West, CLC, Consequence, Jay-Z, J. Ivy, Talib Kweli, Twista, Ludacris, Mos Def, Freeway (rap vocals); Jamie Foxx (spoken vocals); The Harlem Boys Choir, Syleena Johnson (background vocals).
Producers: Kanye West, Brian Miller, Miri Ben-Ari.
Personnel: Ken Lewis (vocals, guitar, acoustic guitar, keyboards, percussion, sampler); John Legend (vocals, piano, background vocals); Tarey Torae, Tiera Singleton, Lavel Mena, Aisha Tyler, Tony Williams , Thomassina Atkins, Kevin Shannon, Candis Brown, Brandi Kuykenvall, Beverly A. McCargo, Consequence, The Boys Choir of Harlem (vocals); Eric Johnson (guitar); Miri Ben-Ari (violin); Josh Zandman (piano); Keith Slattery (keyboards); Bosko (talk box); Tracie Spencer (background vocals).
Audio Mixer: Manny Marroquin.
Recording information: Baseline Recording, New York, NY; Conway Studios, Los Angeles, CA; Digital Insight, Las Vegas, NV; Edie Road Recording Studio, Argyle, NY; Full Time Dreamer Studios; Larrabee Sound North, Los Angeles, CA; Light @ The End Of The Tunnel, New York, NY; Quad Recordings, New York, NY; Sony Music Studios, New York, NY; The Enterprise, Burbank, CA; the Record Plant, Hollywood, CA.
Arranger: Miri Ben-Ari.
Producer Kanye West's highlight reels were stacking up exponentially when his solo debut for Roc-a-Fella was released, after numerous delays and a handful of suspense-building underground mixes. The week The College Dropout came out, three singles featuring his handiwork were in the Top 20, including his own "Through the Wire." A daring way to introduce himself to the masses as an MC, the enterprising West recorded the song during his recovery from a car wreck that nearly took his life -- while his jaw was wired shut. Heartbreaking and hysterical ("There's been an accident like Geico/They thought I was burnt up like Pepsi did Michael"), and wrapped around the helium chirp of the pitched-up chorus from Chaka Khan's "Through the Fire," the song and accompanying video couldn't have forged his dual status as underdog and champion any better. All of this momentum keeps rolling through The College Dropout, an album that's nearly as phenomenal as the boastful West has led everyone to believe. The bad points? A few too many skits, "The New Workout Plan," and the fact that the triumph that is "Through the Wire" is de-emphasized and placed so deep into the album that it's almost anticlimactic. Apart from this? Abundant hotness in every aspect. From a production standpoint, nothing here tops recent conquests like Alicia Keys' "You Don't Know My Name" or Talib Kweli's "Get By," but he's consistently potent and tempers his familiar characteristics -- high-pitched soul samples, gospel elements -- by tweaking them and not using them as a crutch. Even though those with their ears to the street knew West could excel as an MC, he has used this album as an opportunity to prove his less-known skills to a wider audience. One of the most poignant moments is on "All Falls Down," where the self-effacing West examines self-consciousness in the context of his community: "Rollies and Pashas done drive me crazy/I can't even pronounce nothing, yo pass the Versacey/Then I spent 400 bucks on this just to be like 'N*gga you ain't up on this'." If the notion that the album runs much deeper than the singles isn't enough, there's something of a surprising bonus: rather puzzlingly, a slightly adjusted mix of "Slow Jamz" -- a side-splitting ode to legends of baby-making soul that originally appeared on Twista's Kamikaze, just before that MC received his own Roc-a-Fella chain -- also appears. Prior to this album, we were more than aware that West's stature as a producer was undeniable; now we know that he's also a remarkably versatile lyricist and a valuable MC. ~ Andy Kellman
For most artists who are discovered behind the mixing boards, making the transfer from producer to MC proves a daunting task. Fortunately for Kanye West, his verbal skills more than rise toRolling Stone (3/4/04, p.63) - 3.5 stars out of 5 - "West has something to prove on DROPOUT....His ace in the hole is his cozy sound - dusty soul samples, gospel hymns, drums that pop as if hit for the very first time."
Rolling Stone (p.153) - Included in Rolling Stone's Top 50 Records Of 2004 - "[T]he red-hot producer delivered a solo debut that partied all over its contradictions..."
Spin (p.68) - Ranked #1 in Spin's "40 Best Albums of the Year" - "He is witty, provocative, and intensely devoted..."
Entertainment Weekly (2/13/04, p.71) - "[H]is surprising debut disc is the most impressive hip-hop CD of the young year....[T]he Chicago native shuns hip-hop's tired SCARFACE iconography for a broad topicality..." - Rating: A-
Uncut (5/04, p.106) - 4 stars out of 5 - "West's rhymes are wry, witty, warm and unswervingly self-aware."
Uncut (p.75) - Ranked #12 in Uncut's "Best New Albums of 2004" - "[H]e leavens the swagger and bling of hip hop with lyrics that are wry, witty and aware."
Mojo (Publisher) (p.102) - 4 stars out of 5 - "The numerous guests never out-shine their host's vocals, meaning this is one drop-out graduating near the top of his class."