| | Rowans Sibling Rivalry/Jubilation CD Rowans Discography of CDs
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After more than two decades out of print, the Rowans' mid-'70s platters Sibling Rivalry (1976) and Jubilation (1977) have been corralled onto a double-play CD. These platters follow their self-titled effort, The Rowans (1975), denoting the first time all three had recorded together. As a trio, their strengths range from superlative songwriters to equally endowed vocalists and instrumentalists. This is especially true of Peter Rowan's mandolin and acoustic guitar mastery, which would become part of the combo's trademark sound. Their shot of reggae on "Love Is" works well within the context of standard fare such as "Tired Hands," "Mongolian Swamp/Kings Men," and the extended eight-plus minute Spanish love ballad "Joaquin Murrieta," the latter being one of Peter's finest contributions to the album. "If I Only Could" became their sole charting side and offers easygoing and countrified rock that matched their West Coast contemporaries America and Crosby, Stills & Nash. Contrasting this relatively solid long-player was Jubilation (1977), dismissing their inherent eclecticism for a more appealing middle-of-the-road and pop-friendly vibe that ultimately yielded an uneven affair. The results vacillate from the tepid "Best of Friends" and the hopelessly dated "New Horizons" to a few hidden nuggets such as Peter's "Don't Say Goodbye" -- featuring jazz legend Stephane Grappelli (violin) -- and Chris and Peter's achingly beautiful "Love's Secret Sighs." Although neither sold particularly well initially, they are harbingers of later collaborations such as the brilliant Americana collection Tree on a Hill (1994), which would be billed as Peter Rowan & the Rowan Brothers. ~ Lindsay Planer
2 LPs on 1 CD: SIBLING RIVALRY (1976)/JUBILATION. Sibling Rivalry/Jubilation Music Rowans Sibling Rivalry/Jubilation Songs | 1. | Ooh My Love | |
| 2. | Love Is | |
| 3. | Tired Hands | |
| 4. | If I Only Could | |
| 5. | No Desamines Amor (Don't Disappoint Love) | |
| 6. | Ya Ba da Ba | |
| 7. | Fire Dragon | |
| 8. | Mongolian Swamp / King's Men | |
| 9. | Joaquin Murrieta | |
| 10. | Sword Of Faith / Soldier Of The Cross | |
| 11. | Best of Friends | |
| 12. | Give Ya Good Lovin' | |
| 13. | Hoo Doo Love | |
| 14. | Love's Secret | |
| 15. | Don't Say Goodbye | |
| 16. | Lovelight | |
| 17. | New Horizons | |
| 18. | Makin' It Easy | |
| 19. | Calle Music | |
| Sibling Rivalry/Jubilation Review
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$20.99 Including a diverse selection of Sicilian cellist Giovanni Sollima's compositions spanning 2000 to 2004, Works is a worthy introduction to the wide range of Sollima's artistry. The album begins with the four-part "Terra" suite, commissioned for a dance performance at the 2001 Venice Biennale and featuring Sollima multi-tracked on at least four cellos, with Maurizio Curcio added on djembe ("Terra Acqua") and on stick bass and sampling ("Terra Fuoco"). The opening "Terra Aria" might be Sollima's best-known piece thanks to Norwegian video artist Lasse Gjertsen's Daydream video, which matches the music to fantastical imagery from expansive skies down to the molecular level, including an introductory sequence in which Sollima sprouts extra arms to play all the parts on a single cello and another in which the viewer glides along a mountain stream in a seamless montage of nearly psychedelic naturalism. As amazing as those visuals are, "Terra Aria" stands on its own here as mesmerizing music. Sollima's foundation of ostinatos holds back from harmonic resolution to achieve maximum tension and release; over this, the cellist plays long vibrato-laden melodic lines that ebb and flow until finally breaking away to join the insistently rhythmic bowed and plucked strings underneath. The folkish tinges and tribal percussive midsection (using only cello, apparently) of "Terra Danza" and the electro-world music flavorings of "Terra Fuoco" are also beautiful in their own right, although "Terra Acqua" sounds like Sollima and Curcio merely having fun with a digital delay unit -- like the more abstract album-closer, "Notte," it's still a good example of Sollima's experimental side.
The album's wide scope is well illustrated by "Zobeide" on one hand and "Inversion Recovery" on the other. The former, an excerpt from Sollima's Viaggio in Italia premiered at Carnegie Hall in 2000 (although this version is a studio recording), features the cellist accompanied by the Lark Quartet in a pulsing chamber music composition highlighted by a pizzicato-accented section of comparatively hushed dynamics; while the latter (from 2004) moves close to -- and even embraces -- rock, with Giovanni Caruso suddenly bursting out on drums and Marco ...
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