| | Keiko Matsui Wildflower CD Keiko Matsui Discography of CDs
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WILDFLOWER is an exotic addition to the discography of jazz pianist Keiko Matsui. Known predominately as a smooth jazz artist, Matsui has released over a dozen CDs in the US since 1986 and has become known for her sparse, evocative piano compositions that float over sweeping, majestic chords. While her last few albums ventured closer to New Age music, WILDFLOWER makes a surprising move toward sophisticated dance/lounge grooves. The first track, "Flashback," incorporates textural sound treatments with Matsui's reserved piano playing, creating a tension that captivates the listener for the entire album. "Facing Up, " the song on the album that comes closest to pop, features unusual vocal samples and a pulsating, dance-friendly beat. Before the party gets too raucous, "Brand New Wind" slows the tempo a bit, but delivers a classic, expressive Matsui performance. While WILDFLOWER may veer into electronica, it does not do so at the expense of Matsui's signature sound. Long-time fans of Keiko Matsui will enjoy listening to WILDFLOWER for its soothing, melodic jazz instrumentals, while new listeners are sure to be attracted to her fresh, contemporary sound.
Recorded at Sound Dali, Yamaha Ikebukuro, H.Y., Planet Joy Studios, Tokyo, Japan in 2003.
Personnel: Keiko Matsui (piano); Kazu Matsui (shakuhachi); Masamichi Nanji, Shinobu Ishizaki (soprano saxophone); Akira Jimbo (drums, percussion); Derek Nakamoto, Heigo Yokouchi, Kazunori Miyake, Hajimi Hyakkoku (programming).
Audio Mixer: Tatsuhito Naruse.
Recording information: H.Y. Studio (06/2003-07/2003); Planet Joy Studio, Tokyo, Japan (06/2003-07/2003); Sound Dali (06/2003-07/2003); Yamaha Ikebukuro (06/2003-07/2003).
Photographer: Shuichi Tsunoda.
Arrangers: Derek Nakamoto; Heigo Yokouchi; Kazunori Miyake; Hajimi Hyakkoku.
Personnel: Keiko Matsui (piano); Shinobu Ishizaki, Masamichi Nanji (soprano saxophone); Kazu Matsui (shakuhachi); Tomohito Aoki (bass); Akira Jimbo (drums, percussion).
Keiko Matsui Wildflower Songs Purchase Wildflower CD To buy, Click on price to add to cart | Keiko Matsui Deep Blue CD (2001) Enhanced CD
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Keiko Matsui's last album, 2000s Whisper From the Mirror, was picked up and reissued by the Narada label in 2001, and Narada is also releasing her 12th album, Deep Blue. It's an appropriate match-up for the Japanese pianist, since Narada is known primarily as a new age label, and, though her records are being released on its Narada Jazz imprint, "new age" is actually the best category to place her in. From the start of her career, Matsui has been shelved under "jazz," but that has always been more a marketing ...
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Derek Nakamoto (keyboards, synthesizer, bass, programming); Bernie Dresel (drums, percussion); Rob Chiarelli (programming).
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This 1998 reissue features the original 1972 LP on disc 1 and previously unreleased alternate takes on disc 2.
Chick Corea & Return To Forever: Chick Corea (electric piano); Airto Moreira (vocals, drums, percussion); Flora Purim (vocals, percussion); Joe Farrell (soprano & tenor saxophone, flute); Stanley Clarke (acoustic & electric bass).
Digitally remastered using 24-bit technology by Kevin Reeves.
Always tied to a confusing time line, the first released recording from the original configuration of Return to Forever was actually their second session. An initial studio date from the ECM label done in February of 1972 wasn't issued until after the band had changed in 1975. The Polydor/Verve recording from October of 1972 is indeed this 1973 release, featuring the same band with Chick Corea, Stanley Clarke, Airto Moreira, Joe Farrell, and Flora Purim. There's no need splitting hairs, as both are five-star albums, showcasing many of the keyboardist's long enduring, immediately recognizable, and highly melodic compositions. Farrell's happy flute, Purim's in-the-clouds wordless vocals, the electrifying percussion of Airto, and Clarke's deft and loping electric bass guitar lines are all wrapped in a stew of Brazilian samba and Corea's Fender Rhodes electric piano, certainly setting a tone and the highest bar for the music of peer groups to follow. "Captain Marvel" -- the seed for the band sans Farrell and Purim that was expanded into a full concept album with Stan Getz -- is here as a steamy fusion samba with Corea dancing on the keys. By now the beautiful "500 Miles High" has become Purim's signature song with Neville Potter's lyrics and Corea's stabbing chords, and unfortunately became a hippie drug anthem. Perhaps Corea's definitive song of all time, and covered ad infinitum by professional and school bands, "Spain" retains the quirky melody, handclapped interlude, up-and-down dynamics, exciting jam section, and variation in time, tempo, and colorations that always command interest despite a running time of ...
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Slippin' Around - Again is the second of two CDs that have all of trombonist Miff Mole's recordings as a leader (other than two big band numbers from 1937) prior to 1944. This CD begins with six alternate takes (all former test pressings) from Red and Miff's Stompers. Also included are the last dates by Mole's Molers with trumpeter Phil Napoleon taking over for Red Nichols and the members ...
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Recorded live at Castle Donnington, England on August 22, 1992.
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Coercion. 2004.
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