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Manuel, Wilbert - Sigo Amando CD Cover Art
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Wilbert Manuel Sigo Amando CD

 Wilbert Manuel Discography of CDs
5 stars (1 Customer Review)

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Sigo Amando Music


Detailed Sigo Amando Music Information



List Price $13.97 (You save $2.48)
Category International Albums, Latin CDs, Bachata, Tropical
Label J & N
Orig Year 2004
All Time Sales Rank   84123  
CD Universe Part number 6668692
Discs 1
Release Date Mar 09, 2004
Studio/Live Studio
Mono/Stereo Stereo
Wilbert Manuel Sigo Amando Songs


Wilbert Manuel Sigo Amando Album Track Listing



Sigo Amando CD LA SIGO AMANDO:
1.Yo la Sigo Amando$0.99
2.Alejate
3.Quien No Entrega el Alma
4.Estoy Herido
5.Entregate
6.Por Tu Amor
7.Vete Ya
8.Mejor Dime Adios
9.Tu Engano
10.Mujer Buena
Sigo Amando Music Review


Customer Sigo Amando Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Incredible bachata
Wilbert Manuel has a winner here. This is his second album and it is for true lovers of this unique rhythm-BACHATA. All ten songs are excellent, acoustics are wonderful, his voice is incredible. Song #3 really left me speechless. If you are a bachata fan check this album out!
Submitted by D-G (Toronto, Ontario, Canada)
Was This Review Helpful? Yes No  2 of 2 found this helpful.

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Monchy & Alexandra combine salsa & merengue music with American pop on HASTA EL FIN. Largely consisting of passionate love songs, this 2004 release features stunning vocal performances, tight musicianship, and resplendent production. As with many Latin albums, the percussion is the backbone of the ensemble and the driving force behind the music. For example, on "Esperando Estar Juntos" and "No Te Prometo Que Si (Tratare de Olvidar)," the congas, bongos, and guiro lay down a taut groove, while Monchy & Alexandra's legato voices soliloquize overtop. On HASTA EL FIN, Monchy & Alexandra do not offer up any of the wilder, more celebratory, forms of merengue and salsa (a la Tito Puente); instead, this is scaled-down romantic music in the bachata vein. Because the music is so intimate, HASTA EL FIN is better suited for a candle-lit dinner than a dance hall.
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Since its formation in the Bronx, New York in 1994, Dominican boy band Aventura has been steadily expanding its sound toward a style that incorporates hip-hop, R&B, rock, merengue, and reggaeton, while still retaining strong traces of traditional bachata. GOD'S PROJECT is the culmination of Aventura's stylistic expansion, and is the group's most mature, diverse, and accomplished album. The sounds of bachata--the quartet's foundation--are still prominent, especially on "Ciego de Amor," which features a cameo by Antony Santos, one of the Dominican Republic's leading bachata artists (not to be confused with Aventura's own Anthony "Romeo" Santos). The group also ventures deep into reggaeton territory on the likes of "Ella y Yo" (which stars reggaeton kingpin Don Omar). Various international flavors work their way into the mix, particularly the samples of Asian music that crop up here and there, and the strains of traditional flamenco on "Un Beso." All of this is wrapped skillfully in a sound and attitude that bursts with contemporary pop savvy. Audio Mixers: Gerry Grimaud Jr.; ...
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Recording information: After Hours, Miami, FL; Calpio Music, Manhattan, NY; Chase Studio, Andover, MA; DBR Recoding, Lawrence, MA; Die Dreamin Studio, The Bronx, New York, NY; Hit Factory, Manhattan, NY; Studio's Emca, ...
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Principally recorded at Columbia Records Studio, San Francisco, California. Originally released on Atlantic (18149). All tracks have been digitally remastered using HDCD technology. After a string of successful solo efforts, Billy Cobham began to slip into mediocrity beginning with this recording, originally released in 1975. While elements of funk were always a part of his band's sound, it was now the primary focus. "Panhandler" stands out as the session's most memorable composition, while Milcho Leviev contributes nicely on "Moody Modes." Cobham fans will want to seek this out for the extended drum solo "A Funky Kind of Thing," which stands as one of the most original drum solos he ever recorded. Of particular interest here is the presence of John Scofield, who had replaced John Abercrombie. Not up to the standards of its predecessors, but a worthy purchase, especially with the reissue on CD. ~ Robert Taylor Reissue producers: Donald Elfman, Naomi Yoshii. Personnel: Billy Cobham (synthesizer, drums, percussion); John Scofield (guitar); Tom "Bones" Malone (piccolo, trombone); Michael Brecker (saxophone, tenor saxophone, horns); Larry Schneider (saxophone); Randy Brecker (trumpet, horns); Walt Fowler (trumpet); Glenn Ferris, Alex Blake (trombone); Milcho Leviev (keyboards). Recording information: Columbia Records Studio, San Fr; Sigma Sound ...
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Shaelaurel Get Together CD  (2008)

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ShaeLaurel is an internationally touring show band playing contemporary, traditional, and Celtic music. They have thrilled audiences across the United States, Canada, Europe and China with their high-energy performances and show-stopping musicianship. The band consists of one family: Christian, 14, on drums; Kathryn, 16 on fiddle and Celtic harp; Jessica, 18, on fiddle and tin whistle; Andy, 19, on mandolin, banjo, fiddle, and bodhran; Mom, Janet, on bass; and Dad, ...
Standing On Ceremony
Figures On A Beach Standing On Ceremony CD  (1987)

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Aside from the glorious opener "No Stars," a swelling, romantic tune with a memorable melody and gossamer production, the full-length debut by Figures on a Beach is a bit of a dud. The group's two indie releases from 1983 and 1984 were complex and melodic synth pop with a slightly arty edge, but the comparatively slick production of this album (by New York remixer Ivan Ivan, who had recently done good work with the fairly similar though more airy Book of Love) makes these songs sound flaccid and underwritten. Even worse, the arrangements sound terribly dated in retrospect -- it's possible that this very early-'80s brand of art rock sounded dated even in 1987 -- which detracts further from Christopher Ewen's solid melodies. Songs like "Rhythm" and the mildly over-the-top "Pagan Gift" feel like empty exercises, and even some of the better songs could stand a thorough remixing. Compared to what had come before, Standing on Ceremony is a disappointment. The self-titled 1989 follow-up was an improvement, however. ~ Stewart Mason The full-length debut by Figures on a Beach features the glorius "No Stars," a swelling, romantic tune with a memorable melody and gossamer production. While the group's two indie releases from 1983 and 1984 were complex and melodic synth pop with a slightly arty edge, the comparatively slick production of this album (by New York remixer Ivan Ivan, who had recently done good work with the fairly similar though more airy Book of Love) makes these songs sound underwritten. Songs like "Rhythm" and the mildly over-the-top "Pagan Gift" feel like empty exercises, and even some of the better songs could stand a thorough remixing. ~ Stewart Mason The full-length debut by Figures on a Beach features the glorius "No Stars," a swelling, romantic tune with a memorable melody and gossamer production. [Wounded Bird's 2008 reissue of the album adds an extra track ("Eternal Repetition") and three mixes of "No Stars."] ~ Stewart Mason Personnel: Anthony Kaczynski (vocals, keyboards); ...
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