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On/Off Music


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List Price $28.98 (You save $4.33)
Category Rock/Pop Albums, Rock CDs, Jazz
Label Universal Distribution
Orig Year 2004
CD Universe Part number 6671495
Discs 1
Release Date Mar 31, 2002
Mono/Stereo Stereo
Additional Info Import; Digipak
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1.Solar Ice
2.Tablatic
3.Bushfukka
4.The Bad
5.Gambuh
6.The Good
7.Globotomy
8.Lunar Eyes
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How a good-looking Jewish boy from Brooklyn discovered the secret of success in an updated form of mariachi music is perhaps beyond our scope. Then again, it might not be such a mystery after all. Aside from the obvious example of exotica, much easy listening depends upon more than a touch of ethnicity to maintain its musical roots. What Herb Alpert found in Mexican street bands was a previously untapped source of south-of-the-border melody and rhythm. With its unlikely combination of Alpert's cool Chet Baker-like trumpet and the blocky cadences of a marching band, the Tijuana Brass produced a lively, colorful mix that managed to appeal to hips and squares alike. WHIPPED CREAM & OTHER DELIGHTS was Herb Albert's most successful album, helped--no doubt--by its highly provocative cover art. The tunes are mostly unknown originals or, in the case of Lieber ...
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Street Was Always There
Eric Andersen Street Was Always There CD  (2004)

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This is the first of a projected two-volume set by singer/songwriter Eric Andersen showcasing the songs of his youth, by some of its best-known as well as by all-but-forgotten songwriters from the New York Greenwich Village scene of the early- to mid-'60s. There are modern versions of classics like Buffy Sainte-Marie's "Universal Soldier," Bob Dylan's "Hard Rain's Gonna Fall," Tim Hardin's "Misty Roses," and Fred Neil's "The Other Side of This Life," and Phil Ochs' "I Ain't Marching Anymore." There are tunes that are now considered obscure tunes too, such as Paul Siebel's "Louise," David Blue's "These 23 Days in September," Patrick Sky's "Many a Mile," Peter La Farge's "Johnny Half-Breed." As well as a pair of originals, in the title track and "Waves of Freedom." What this all amounts to is nothing more than nostalgia. First there's the package: There are no less than three sets of liner notes including an utterly verbose, florid, self-indulgent insult to the intelligence by writer Glenn O'Brien. Next is the music itself. Andersen, despite his plethora of musical guests like Pete Kennedy, Wyclef Jean, Happy Traum, John Sebastian and Sky adds nothing to this material. Andersen's voice is shot; it's ragged and his delivery ridiculously stresses how "important" these songs are, or at least how important they are supposed to be. Make no mistake, they made a difference once, they were anthems and road signs for what was at that time a new consciousness among America's youth -- not the least of which is Andersen's "Waves of Freedom," which is easily the best song on the set. Most of the arrangements here don't work either. A case in point is the army of bagpipes, penny whistles and military drums that overwhelm "I Ain't Marching Anymore": they utterly undermine the poignant meaning and intention of the tune. Actually, in almost every instance, Andersen's ragged manner makes these songs seem like ghosts who've been haunting the landscape for far too long and wish to move on to their rest. Rather than inspire, Andersen's recording comes off as beaten, lost, and bewildered. It feels as if he's trying to convince himself that these songs still mean something, rather than his listeners. ~ Thom Jurek This is the first of a projected two-volume set by singer/songwriter Eric Andersen showcasing the songs of his youth, by some of its best-known as well as all-but-forgotten songwriters from the New York Greenwich Village scene of the early- to mid-'60s. There are modern versions of classics, like Buffy Sainte-Marie's "Universal Soldier," Bob Dylan's "A Hard Rain's Gonna Fall," Tim Hardin's ...
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Very Best Of Eddie Floyd
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Although he is far from a household name in the 21st century, as a songwriter, producer, and performer Eddie Floyd made regular visits to the R&B charts from the mid-'60s through the mid-'70s while he was a part of the legendary Stax Records family. Floyd was originally hired by Stax as a writer and, paired with MG's guitarist Steve Cropper, he wrote several hits for the label, including one for himself, the classic "Knock on Wood" (based on the chord progression for "In the Midnight Hour" reversed), which was Floyd's second single when it was released in 1966. Later, Floyd began writing with another MG's member, Booker T. Jones, and his stay at Stax neatly divides into a Cropper era and a Jones era, both of which are covered in this fine 20-track set. ...
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HER was co-founded by guitarist Trisha Doan and singer Rose Perry in August 2001 with the intention of demonstrating that "chicks can rock just as hard as boys". Recruiting fellow high school best friends Cara Moyer, & Kerry Hayden, bass and drums, respectively, HER was a learning experience and beneficial stepping stone for all of those involved. In fact, Moyer and Hayden picked up their instruments for the first time for the sake of the group. Performing both covers and original material in the London music scene for several ...
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