| | Harold Mabern Kiss Of Fire CD Harold Mabern Discography of CDs
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Our Price: $30.09  CDFor Sale Usually ships in 1-2 days
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The remastered Japanese special-edition release features a vinyl-inspired design.
24bit Hyper Magnum Sound digitally remastered Japanese limited edition in an LP-style slipcase.
This album by jazz pianist Harold Mabern includes "How Insensitive," "Blue Bossa," and "Brazil."
CD comes in Jpn LP Sleeve.
Personnel includes: Harold Mabern (piano); Nat Reeves (bass); Joe Farnsworth (drums).
Harold Mabern Kiss Of Fire Songs | 1. | How Insensitive |
| 2. | It's a Lonesome Old Town |
| 3. | Nancy (With the Laughing Face) |
| 4. | Bag's Groove |
| 5. | Blue Bossa |
| 6. | Black Orpheus |
| 7. | Cheese Cake |
| 8. | Recado Bossa Nova |
| 9. | Kiss of Fire |
| 10. | Brazil |
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Kiss Of Fire Review
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Purchase Kiss Of Fire CD To buy, Click on price to add to cart | Melody Gardot My One And Only Thrill CD (2009)
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Among the many peaks and valleys international reggae/pop superstar Shaggy experienced in the '90s was having to rebound from being dropped by Virgin Records following a run of worldwide smash singles. Following a widely successful comeback with MCA via 2000's HOTSHOT, the multi-talented Jamaican returned with the dancehall-oriented HOTSHOT ULTRAMIX. The 12 songs featured on this groove-driven outing cover Shaggy's most recent work, and are highlighted by a pair of remixes for his big hit "It Wasn't Me". ...
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Louis Armstrong's later work in the '30s, '40s, and beyond has usually taken a critical backseat to his earlier material recorded with the Hot Fives and Hot Sevens in the '20s. It could be argued, however, that his later work, while no longer revolutionary, was more accessible to the general public who appreciated his vocals as much as his trumpet playing. Platinum and Gold Collection reaches back into the Bluebird vault to collect a sampling of Armstrong's music from two separate periods: the first, orchestra recordings dating back to 1933, represented by gems like "I've Got the World on a String," and the second, smaller group recordings from 1946-47, featuring favorites like "Pennies From Heaven." Most of the cuts equally balance Armstrong's singing and playing, and the two time periods blend well. If the latter material gets a slight nod it's because Satchmo gets to match musical wits with the likes of pianist Billy Strayhorn, alto Johnny Hodges, and trombonist Jack Teagarden. There's a fine take on Maceo Pinkard's "Sugar," kicking off with a lovely trumpet solo, and a winning version of "Ain't Misbehavin'" with Armstrong's trademark vocal treatment. Platinum and Gold Collection offers a good one-stop collection to check out two productive periods for Armstrong, and also a good place to trace the steps of an artist who kept making changes ...
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Camera-Head Shark began in January 2007 as an excuse to mess around with instruments and melodies. George Kalivas and Ry Smith wrote enough songs to perform at local bars' open mics and small rock gigs. Once Ryan Foster and Charlie Stucklen joined the band full-time, singing songs in front of people while drinking beer became a local demand. Within a few months, the band had enough support, material, and motivation to record their own debut LP.The recording of "Oh, You" commenced at the end of April. Engineered and mixed by close friend/musician Udbhav Gupta, the album was tracked entirely in George's basement on Long Island. Most of the instrumentation was done by the band members: George on guitar, Ryan on bass (and on one or two ripping guitar solos), Ry on piano, and Charlie doing the drum thing. A couple of their musician friends joined in to add some of the album's textured tones, such as violin, cello, trumpet, and girly voices. Vocal props are given to George and Ry, with the former singing the lead on everything except "Fire Drill," "Since the Stone Age," and the majority of "Pack Up Your Suitcase." Everyone in Camera-Head Shark has sung backup harmonies, both live and on their recordings. Tracking for the album was finished by the beginning of June 2007. That summer, the band played live shows throughout Suffolk County, Long Island and New York City. They constantly wrote new songs and finished the mixes of "Oh, You." In August, the record was mastered by Ken Wallace of Ian London Productions in New York. On Halloween, they released their debut album and threw a CD release/costume party at their favorite local bar. After ten months of writing music and performing it for friends, Camera-Head Shark had an eleven-song self-produced album. The band feels that this is their greatest accomplishment yet as a diploma-deprived musical outfit. The songs on "Oh, You" were written by George and Ry Smith, almost completely as a joint effort. They all try to focus ...
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