| | Snow Patrol Final Straw CD Snow Patrol Discography of CDs
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The 2004 limited-edition re-release of this album contains two additional songs: "We Can Run Away Now They're All Dead And Gone" and "Half The Fun." With Final Straw, Snow Patrol mainman Gary Lightbody seems to take all the inspiration he's gathered from the superstar collaborators in his Reindeer Section project and bundle it into a series of earnest bombastic rock ballads. Producer Garrett Lee deserves credit up-front for expanding the band's sound even further from the lush symphonic grandeur of When It's All Over We Still Have to Clear Up. Here, Lightbody and his cohorts traverse the same anthemic territory as Idlewild, with guitars cranked to the max. But where his friend Roddy Woomble of Idlewild soars all over the map vocally, Lightbody prefers the immediate and somewhat indifferent vocal style of another friend, Aidan Moffat of Arab Strap. Indeed, much of Final Straw feels like a middle ground between these two bands, if not for the violins, xylophones, and percussion Lee layers into the mix. Thanks to extra ornamentation, "Gleaming Auction" steps into the swirling realm of Rollerskate Skinny, as wobbly dynamics add interest to punishing guitars. If one gets the sense that Lightbody is shuffling through influences, ranging from all of the above-mentioned bands to Radiohead, Coldplay ("Somewhere a Clock Is Ticking" seems to be a more rocking cousin to Coldplay's "Clocks"), and even Pink Floyd (on the unmistakably Dark Side of the Moon-influenced "Same"), his mastery of mood and adherence to harmonies make for a consistently coherent and compelling 40 minutes. Highlights include the throbbing cacophony that is "Wow" and "Spitting Games," which seems like a cascading Wall of Sound feedback-free descendant of My Bloody Valentine. Final Straw is another strong slab of emotion and invigorating energy from a solid band that mixes its influences into an always heady sonic libation. ~ Tim DiGravina Scotland's Snow Patrol formed in the mid-1990s, united by a love for both American and British alternative rock. Led by singer/guitarist Gary Lightbody, the band recorded two albums for the revered Jeepster label (home of Belle & Sebastian) before signing with A&M Records. FINAL STRAW, the group's major-label debut, finds Snow Patrol expanding its indie-rock guitar-based sound with greater focus on keyboards, strings, and fuller production values (courtesy of Garret Lee). Lightbody's charming vocals and lyrics provide the band's emotional center, as best evidenced on the wistful opener "How to Be Dead" and the slowly building "Run." Although Snow Patrol knows its way around quiet melancholy, the ensemble is also capable of rocking out ("Spitting Games," "Chocolate"), revealing an aesthetic that places the group squarely in the ranks of Coldplay, Travis, and other Britpop luminaries.
Limited edition reissue of the British indie rockers' third album features 14 tracks including the singles 'Run' & 'Spitting Games', as well as 2 bonus tracks, 'We Can Run Away Now They're All Dead & Gone' & 'Half The Fun'. Polydor/Universal. 2004.Spin (p.65) - Ranked #23 in Spin's "40 Best Albums of the Year" - "Feel-good Britpop for nonbelievers." Spin (p.100) - "[A]rena-ready songs about long good-byes with right-angled guitar fuzz." Entertainment Weekly (4/2/04, p.66) - "[FINAL STRAW] proves the Irish quartet keeps getting better....The band has added pulsing strings and staticky textures to its luscious mix." - Rating: A Magnet (p.108) - "[A] soaring, super-polished album replete with dreamy anthems, superior pop moments....All in all, pretty crafty. And pretty smart." Purchase Final Straw CD To buy, Click on price to add to cart | Jak III PS2 Playstation 2
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| | Heavybreathing Vol. 4, The Sounds Of Sex: Touch Me! CD (2007)
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$15.25 Liner Note Authors: Fritz Ostermayer; Dietmar Neidhart. Translator: Friederike Kulcsar. The fourth and, as of initial release, final entry in the HEAVYbreathing series purports to answer a question in the liner notes: "Do music machines have sex when connected together?" By all rights Gary Numan should have had a song on this entry given that query, but a spiritual descendant is Basement Jaxx, whose "Same Old Show" serves as a reminder of how great that duo is in general, rocking both the Selecter and moaning samples with equal aplomb. But that's only one entry among many; in keeping with the previous discs in the series this one touches on a variety of approaches, though nearly everything can be grouped into the continuum of dance music over the decades, from the Montana Sextet's mid-'70s classic "Ooh I Love That!!" to Il Diskokaines' stellar "Lick the Alphabet" from 2005 and back again. Even if there weren't an overriding theme, the sequencing could form the basis of a solid mix disc, kicking off with Raze's brilliant house classic "Break 4 Love" and with later entries including the 12" mix of Bam Bam's landmark of electronic salaciousness "Give It to Me" and Röyksopp's ...
| | N W A Straight Outta...20th Edition Vinyl LP (1988)
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$15.99 20 year anniversary edition of the multi-platinum, ground-breaking album from N.W.A. Expanded to include tribute releases from Snoop Dogg, Bone Thugs-N-Harmony, Mack 10 and W.C.
N.W.A.: M.C. Ren, Ice Cube, Eazy-E, Dr. Dre, Yella. Recorded at Audio Achievements, Torrance, California. N.W.A.: M.C. Ren, Ice Cube, Eazy-E, Dr. Dre, Yella (rap vocals). Recorded at Audio Achievements, Torrance, California. Includes liner notes by Phyllis Pollack. All tracks have been digitally remastered. The year 2008 marks the 20th anniversary of N.W.A's landmark album STRAIGHT OUTTA COMPTON, one of the two most important gangsta rap albums ever (the other being N.W.A. founding member Dr. Dre's THE CHRONIC). The album sounds as ferocious and frightening as ever, as it continues to voice the "power of street knowledge" to the masses. Like the similarly themed 10th Anniversary edition, this version of S.O.C. contains a handful of reworked versions of songs by some of the biggest names in post-N.W.A. rap, including Snoop Dogg ("Gangsta Gangsta") and Ice Cube protege Mack 10 ("Dopeman"). The collective force and power of Ren, Eazy-E, Dre, Cube, and Yella can not be underestimated, and this 20th-anniversary disc is evidence why. Straight Outta Compton wasn't quite the first gangsta rap album, but it was the first one to find a popular audience, and its sensibility virtually defined the genre from its 1988 release on. It established gangsta rap -- and, moreover, West Coast rap in general -- as a commercial force, going platinum with no airplay and crossing over with shock-hungry white teenagers. Unlike Ice-T, there's little social criticism or reflection on the gangsta lifestyle; most of the record is about raising hell -- harassing women, driving drunk, shooting it out with cops and partygoers. All of that directionless rebellion and rage produces some of the most frightening, visceral moments in all of rap, especially the amazing opening trio of songs, which threaten to dwarf everything that follows. Given the album's sheer force, the production is surprisingly spare, even a little low-budget -- mostly DJ scratches and a drum machine, plus a few sampled horn blasts and bits of funk guitar. Although they were as much a reaction against pop-friendly rap, Straight Outta Compton's insistent claims of reality ring a little hollow today, since it hardly ever depicts consequences. But despite all the romanticized invincibility, the force and detail of Ice Cube's writing makes the exaggerations resonate. Although Cube wrote some of his bandmates' raps, including nearly all of Eazy-E's, each member has a distinct delivery and character, and the energy of their individual personalities puts their generic imitators to shame. But although Straight Outta Compton has ...
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