| | Dan Cray No One CD Dan Cray Discography of CDs
28-year-old pianist Dan Cray, a finalist at the 2003 Montreux Jazz Festival Solo Piano Competion and the 2004 Cole Porter Fellowship Competition of the American Pianist Association,is already being hailed as "a key figure when it comes to escorting jazz into the new millennium." Since graduating in 1999 from Northwestern University with degrees in Jazz Studies and European History, Dan has been in demand as a pianist and bandleader. While living in Chicago, he has performed at galas for Governor Edgar, Governor Ryan, and Mayor Richard Daley, and plays regularly at the city's premier jazz clubs and corporate events. He currently leads a trio featuring bassist Clark Sommers and drummer Greg Wyser-Pratte. Dan has also performed with a number of other established jazz musicians and ensembles, including Orbert Davis, Eric Schneider, George Fludas, Kimberly Gordon, and the Chicago Jazz Orchestra. Dan studied at Northwestern with Donald Isaak and Michael Kocour, and has also studied privately with Danilo Perez and Dick Hyman. He has released two albums with his trio, Who Cares (2001) and No One (2003), and can also be heard on Chicago trumpeter David Young's 2001 release Appassionata and vocalist Marc Johnson's 2005 release Mark Johnson and the Dan Cray Trio.
Personnel: Dan Cray (piano); Clark Sommers (bass); Greg Wyser-Pratte (drums). Recorded in May 2003. Personnel: Dan Cray (piano); Greg Wyser-Pratte (drums). Audio Mixer: Brian Schwab. Recording information: Brian Schwab Studios (05/12/2003-05/14/2003). Photographer: Audrey Cho. No One is the second release from the Dan Cray Trio. It features the pianist with Clark Sommers on bass and Greg Wyser-Pratte on drums, exciting their listeners with a unique blend of polish, enthusiasm, and emotional depth. Cray seems to have cleared his mind of everything and improvises from a clean slate on 11 excellent songs. However, the reflexes of jazz are not totally eradicated because the trio's use of existing harmony, rhythm, and melody from such songs as "Let's Face the Music and Dance," or "The Lady Is a Tramp" continue to serve as a springboard for their unique improvisations. Some of the music heard here, such as "Woody n' You" and "For All We Know" will bowl you over, while some of the originals will give you many reasons to believe in -- and look forward to -- more of Dan Cray's excellent composing and piano skills. Overall, No One is far superior to his previous 2001 release, Who Cares. ~ Paula Edelstein
No One Review
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Purchase No One CD To buy, Click on price to add to cart | Steve Smith Chantal's Way CDs (1999)
No One
$17.39 with pianist Richie Beirach & drummer Billy Hart, bassist Steve Smith's debut recording features reharmonized standards & several modern jazz compositions by the Richie Beirach, Steve Smith & John Coltrane
Personnel: Steve Smith (acoustic bass); Richie Beirach (piano); Jabali Billy Hart (drums). Includes liner notes by Josef Woodard. Personnel: Richie Beirach (piano); Jaboli Billy Hart (drums). Audio Mixer: Joseph Bartoldus. Liner Note Author: Josef Woodard. Recording information: Sorcerer Sound Studios (03/06/1996-03/07/1996). Arranger: Richie Beirach. Bassist Smith (not the drummer of the same name) presents a straight piano-bass-drums jazz trio, but the music is far from straight-ahead, though it is within the modern mainstream. Pianist Richie Beirach adds both new dimensions and his personal ...
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$14.29 Personnel: Steve Nelson (vibraphone); Steve Nelson Quartet (vibraphone); Ray Drummond (drums); Kirk Lightsey (piano). Liner Note Author: Russ Musto. Recording information: Systems Two Studios, Brooklyn, NY (02/19/1998/02/20/1998). Photographer: Alan Nahigian. At this juncture of the vibraphonist's career, Steve Nelson is mostly known for his tenure with the Dave Holland Quintet and this mellow and conventional session might surprise many. It is, however, the logical ...
| | Manny Albam/The Jazz Workshop CD (2006) (Import) Bonus Tracks; Spain
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$13.59 2006 two-on-one CD features the first two albums Manny Albam recorded under his own name. Many outstanding figures participated on the sessions including Joe Newman, Thad Jones, Conte Candoli, Bob Brookmeyer, Al Cohn, Milt Hinton, Urbie Green, Jimmy Cleveland, Hank Jones, Freddie Green, Eddie Costa and Osie Johnson. Albam's recording career spanned seven decades, beginning in 1944 (on his first sessions he was more of a baritone sax player than an arranger) and ending in 1999. 18 tracks total. Lonehill Jazz.
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| | Bill Bruford Feels Good To Me CD (1977)
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$8.65 Personnel: Bill Bruford (drums, percussion); Annette Peacock (vocals); Allan Holdsworth (guitar); Kenny Wheeler (flugelhorn); Dave Stewart (keyboards); Jeff Berlin (electric bass). Recorded at Trident Studios, London, England in August 1977. Includes liner notes by Richard Williams. This is the first solo date by drummer Bill Bruford after the first demise of King Crimson. Feels Good to Me goes far beyond the usual prog rock conceits of its time, and enters fully into the compositional structures and improvisational dynamics of jazz. Here he surrounds himself with various mates from the Canterbury scene -- guitarists Allan Holdsworth (Soft Machine and Tony Williams' Lifetime) and John Goodsall (Brand X), bassist Jeff Berlin, keyboardist Dave Stewart, and ECM flügelhorn stalwart Kenny Wheeler. He also enlisted the enigmatic vocal prowess of poet, singer, and songwriter Annette Peacock. The opener, "Beelzebub," is a furious staccato workout. Holdsworth trades eights with Bruford and Berlin executes loping basslines as Stewart waxes painterly with both organ and synthesizer. It's knotty and stops on a dime before charging into a beautiful solo by Holdsworth and resolving itself with the ensemble restating the theme. "Back to the Beginning" has one of four vocal performances by Peacock. It's a jazz tune -- funky, syncopated, and heavily and wildly lyrical both in groove and meter. It's a song about addictions and, given Peacock's sultry treatment, it's hard to tell if they are chemical, material, or sexual. The band works hard staying behind the singer but can't help but overshadow her. On the two-part "Seems Like a Lifetime Ago," musical schizophrenia sets in. After a colorful pastoral intro, Peacock glides beautifully through Bruford's lyric of forlorn reverie accompanied by a gorgeous Wheeler solo. Then "Part Two" begins with her growling out the refrain and the band taking off for parts unknown. Hard funky rhythms call Holdsworth's lead guitar to move flat up against Bruford's frenetic drumming. They challenge each other dynamically as the rest of the rhythm section nervously dances around them. Holdsworth finally grabs the lead and plays a solo that is nothing short of breathtaking, giving way to a restatement of the theme and Bruford opening up the harmonic structure before bringing it to a transcendent close two minutes later. The album's six instrumentals are tight: they hold improvisational breaks to the limits of compositional dictation rather than vice versa. The most beautiful, ...
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