| | Kane Hodder Pleasure To Remain So Heartless CD - Import Kane Hodder Discography of CDs
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Our Price: $34.15  CDFor Sale Limited Availability
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Japanese pressing scheduled to include bonus tracks. Details TBA. Fabtone. 2005.Alternative Press (p.107) - "The ratio of tuneful singing to discordant belting on THE PLEASURE TO REMAIN SO HEARTLESS is nearly perfect...." - 4 out of 5 Pleasure To Remain So Heartless Music | List Price | $36.99 (You save $2.84) | | Category | Rock/Pop Albums, Punk CDs, Rock | | Label | FABTONE | | Orig Year | 2004 | | CD Universe Part number | 6677388 | | Catalog number | 6 | | Discs | 1 | | Release Date | Jan 13, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Bonus Tracks; Japan |
Pleasure To Remain So Heartless Music Pleasure To Remain So Heartless Review
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Purchase Pleasure To Remain So Heartless CD To buy, Click on price to add to cart | Bon Jovi The Circle CDs (2009) With DVD
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Bon Jovi's 2007 effort, LOST HIGHWAY, found New Jersey's finest brandishing a Nashville-tinged, commercial rock/country crossover sound that wasn't too far a stretch from their usual arena rocking anthems for the Everyman. And where that ...
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; Alabama Song; Back Door Man; Five To One; Pretty Neat, Pretty Good; Build Me A Woman; Tuning/Breather; Who Do You Love; Tuning/Breather; Wild Child; Cheering/Tuning; When The Music's Over; DISC 3: JANUARY 17, 1970 SECOND SHOW CONTINUED: Tuning/Breather; Light My Fire; Hey, Mr. Light Man!; Soul Kitchen; Jim's Fish Joke; End, The; End Of Show; DISC 4: JANUARY 18, 1970 THIRD SHOW: Start Show; Roadhouse Blues; Ship Of Fools; Break On Through (To The Other Side); Tuning/Breather; Universal Mind; Alabama Song (Whisky Bar)-False Start; Alabama Song (Whisky Bar); Back Door Man; Five To One; Tuning/Breather; Moonlight Drive; Who Do You Love; Calling Out For Songs; Money; Tuning/Breather; ...
| | Anthrax Among The Living CDs (1987) With DVD; Bonus Tracks; Remastered
Pleasure To Remain So Heartless
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When Anthrax released AMONG THE LIVING in 1987, the band was a part of a then-burgeoning heavy metal sub-genre called speed or thrash metal. This was an inversion of glam metal. The band members wore worn-out jeans and T-shirts, their long hair was hairspray-free, and not a smudge of make-up was applied to their unsightly mugs. Their music was dense, borrowing speed from punk and hardcore and mammoth guitar riffing from metal, and featured thought-provoking lyrics. AMONG THE LIVING not only served as Anthrax's commercial breakthrough, but (along with seminal releases by Metallica, Megadeth, and Slayer) the album brought this new musical form to the forefront.
The members of Anthrax were a bunch of comic-book-reading, jam-wearing heavy metal fans from NYC, and the music reflects the lifestyle. The band based it's U.K. Top-30 hit ...
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Retreating from the psychedelia of THEIR SATANIC MAJESTIES REQUEST, the Stones released the roots-rock single "Jumpin' Jack Flash," and then the album BEGGAR'S BANQUET. It was hailed as a rock ...
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If there was any flaw with Brandi Carlile's second album, THE STORY, it's that it was perhaps a touch too austere, painted in amber tones by producer T Bone Burnett. Its 2009 sequel, GIVE UP THE GHOST, opens up and breathes, perhaps partially due to swapping T Bone for Rick Rubin, who retains the spooky, serious vibe but makes things a little less chilly. This isn't sealed off; there is room for guests here, including such L.A. linchpins as Benmont Tench and Red ...
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One had to wonder what Pelican's signing to Southern Lord could possibly mean. To be truthful, while the band did write and perform more structurally formal material on 2007's CITY OF ...
| | Kay Starr Complete Lamplighter Recordings CD (1999)
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These sides were recorded in the mid-'40s, just after Kay Starr departed the Charlie Barnet Orchestra for a solo career. It was also a time when the number of small independent labels was growing, especially on the West Coast. Starr hooked up with of these fledgling labels, Lamplighter, to record 18 sides. On these, she was accompanied by a variety of small groups, all led by Duke Ellington's clarinet-player-to-be, Barney Bigard. Bigard, born in New Orleans, was one of the leading practitioners of that city's Creole style of clarinet playing. Staying pretty much in the middle register, Bigard's rich, woody tone framed Starr's voice and style perfectly. Starr became equally at ease with jazz, blues, pop, rock & roll, R&B, folk, gospel, and country, and is arguably the most flexible singer of all time. For these sessions, Starr concentrated on swing and blues, though it's the blues that she really brings to life. "Stormy Weather" and "Frying Pan" (which she wrote with her then-manager Ted Yerxa, who was also the owner of Lamplighter) are among the best renditions of the blues on this disc. But of all the18 cuts she made with Bigard, no tune better illuminated the golden fruits of their collaboration than "Where or When," which features poignant choruses by Starr and a solemn, New Orleans-style solo by Bigard. While he was the main man on these cuts, Bigard was not alone in providing scintillating instrumental work. Trombonist Vic Dickenson takes a long muted solo on the alternate take of "Sunday," and Zutty Singleton's drums get in plenty of licks. "Frying Pan" features some fine back-and-forth instrumental work by Bigard and Dickenson. The only negative about these sessions is Allan Reuss' annoying rhythm guitar strumming in the background. Baldwin Street Music has been very generous with this album. In addition to the Lamplighter sessions, there are ten bonus performances with the Bob Crosby Orchestra, Wingy Manone, Charlie Barnet, and the Barney Kessel Quartet. These are from radio transcriptions and some rare studio recordings, with three cuts from Gene Norman's Just Jazz Concerts. The highlights of the bonus material are "A Sunday Kind of Love" with Kessel, "I Can Get Started With You" with Barnet, and the album's coda tune, "If ...
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Pleasure To Remain So Heartless
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From the spacious, catchy title track that kicks things off, HUMAN BEING continues Seal's unique brand of pop craftsmanship. Filled with the pure, soulful vocals, ...
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