| | Catie Curtis Dreaming In Romance Languages CD Catie Curtis Discography of CDs
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It's hard to imagine anyone with even the slightest tolerance for rootsy singer/songwriter rock & roll not falling immediately under the spell of Catie Curtis, a Boston-based artist whose albums and live performances have been building her a substantial regional and national following over the past 15 years. Her fifth album is, thankfully, nothing substantially new: just a solid program of sturdy, sometimes anthemic, and occasionally darkly cathartic songs that chug along with the help of acoustic and electric guitars, the occasional Hammond organ or accordion, tasteful drums, and even a rhythm loop or two. Curtis is starting to rely a bit too much on one particular yodelly vocal trick, but other than that, her voice and delivery are perfectly suited to the material: on songs like "Hold On," "Saint Lucy," and a deeply affecting cover of the late Mark Sandman's "Night," she hits all the notes just right while making it sound as if she's not really trying to hit the notes at all. "Cross Over to Me," which Curtis wrote in collaboration with Beth Nielsen Chapman, is an artful expression of romantic yearning, and "Doctor" is an artless expression of dissatisfaction with a cruel world. All in all, this is a solid and satisfying effort from one of the folk-rock scene's more impressive singer/songwriters. ~ Rick Anderson
Recorded at Playtime Studios, Boston, Massachusetts.
Personnel: Catie Curtis (vocals, acoustic guitar); Kevin Barry (acoustic & electric guitars); Russell Chudnofsky (electric guitar); Jimmy Ryan (mandolin); Stephanie Winters (cello); Julie Wolf (accordion, Fender Rhodes piano, Hammomd B-3 organ, keyboards); Jeff Berlin (drums, percussion); Billy Conway (drums); Deb Talan, Mark Erelli, Jennifer Kimball, Trina Shoemaker, Kris Delmhorst (background vocals).
Producers: Trina Shoemaker, Tome Dube, Catie Curtis.
Dirty Linen (p.49) - "The subtle touches add up to a completed whole: the primal percussion on 'The Trouble You Bring' and the immaculate strains of a B-3 organ on 'Dark Weather'." Dreaming In Romance Languages Music Catie Curtis Dreaming In Romance Languages Songs Dreaming In Romance Languages Music Review Average Rating: (2 out of 5 stars)   Come back, Catie! I've been a fan of Catie Curtis for a long time. She is a wonderful, vulnerable-sounding singer and a songwriter of the everyday who pounces on you with her romanticism. She's been able to write lovely, melodic socially-conscious songs ("Hole in the Bucket"), funny songs about her human urges ("Slave to My Belly"), memorably dark songs with messages ("The Wolf," "Larry"), and personal songs which truly make one think that Catie "dreams in romance languages:" "Falling Silent in the Dark," "Come to Me," and so many compositions from her magnificent A CRASH COURSE IN ROSES: "I'll Cover You," "Roses," "Look at You Now," and the near-perfect "Magnolia Street." The last is truly gorgeous and moving.
So, it's with some regret that I must ask where this Catie has gone. I don't see much of her in her last two cds: MY SHIRT LOOKS GOOD ON YOU and the new DREAMING IN ROMANCE LANGUAGES. I must disagree with the Amazon editor who sees this last album as a maturing of her talent. I rather see it as a real loss of her melodic and writing sensitivities. There is not one song on the last two records which can compare with the strongest items in her back catalog. Most of the songs are shapeless, musically, with little to hang on to and less to remember. Many seem to revisit themes about breakups and get-togethers with none of the poignancy and originality of A CRASH COURSE IN ROSES. I don't know why this is. Catie writes in one of the better compositions on the new cd, "Doctor, I've got a problem with my imagination. I don't use it any more..." Come back, Catie.
Submitted by davidtsteere (Annapolis, MD, USA)  Was This Review Helpful? Yes No
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