| | Janice Harrington Magic CD - Import Janice Harrington Discography of CDs
Full performer name: Janice Harrington/Kenn Lending Blues Band.
Personnel: Janice Harrington (vocals).
Kenn Lending Blues Band: Kenn Lending (guitar); Steen Vig (saxophone); Henning Verner (keyboardes); Svenni Svafnisson (bass); Frank Larsen (drums); Mette Fanenskov (background vocals). Janice Harrington Magic Songs | 1. | Double Dynamite |
| 2. | Huh Huh, The |
| 3. | Work Your Magic |
| 4. | Going Home Again |
| 5. | Making Plans |
| 6. | Telephone Blues |
| 7. | C.C. Rider |
| 8. | You Got Me Running |
| 9. | I Ain't Doin' Too Bad |
| 10. | Seven Days a Week Man Blues |
| Magic Review
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Purchase Magic CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
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$18.05 Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged album of historical musical artifacts documents the very beginning of Johnny Otis' recording career. With one apparently unobtainable exception, the Classics Blues & Rhythm ...
| | Philly Steps: Phila-La Of Soul & Arctic Records Remixed Hits CD (2004)
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| | Jan & Dean Surf City/Dead Man's Curve CD (2004) (Import) United Kingdom
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$18.49 This two-fer from Beat Goes On features a pair of out-of-print Jan & Dean Liberty LP's: Surf City and Dead Man's Curve/The New Girl in School originally released in 1963 and 1964, respectively. Included among the 24 songs are the hits "Surf City," "Honolulu Lulu," "Dead Man's Curve" and "Linda," along with top-notch hot rod tracks like "3-Window Coupe," "Mighty G.T.O.," and "Bucket "T." This is an enjoyable, fun reissue recommended to both collectors and casual listeners. ~ Al Campbell
Digitally remastered collation of two original albums on a single CD of the surf duo's first two releases as they appeared in the U.K. Both were released in 1963 and 1964 respectively and includes the hits "Surf City", "Dead Man's Curve", "The New Girl In School", "It's As Easy As 1,2,3", "Honolulu Lulu" and many more.
2 LPs on 1 CD: ...
| | J J Jackson But It's Alright CD (1967)
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$9.95 Soul belter J.J. Jackson is best known for his 1967 smash, "But It's Alright," but he has some fine singles and a couple of excellent albums as well, and 1967's But It's Alright on the Calla label is one of them. Kicking off with the infectious title track, the record alternates between flat-out rockers like "I Dig Girls," "Come See Me (I'm Your Man)" (which was written by Jackson, covered by the Pretty Things, and then reclaimed powerfully here), and "Boogaloo Baby," midtempo groovers like "You've Got Me Dizzy" and "The Stones That I Throw," and ballads like "Try Me" and a righteous "A Change Is Gonna Come." Jackson's live-wire voice and boundless energy put the songs across and the band kicks up quite a storm as well. The only times Jackson stumbles are when he takes on Lou Rawls' "Love Is a Hurting Thing" and loses the battle and on the Temptations' "Ain't Too ...
| | Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2006) (Import) United Kingdom
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$24.79 While MUSICALLY RICH...AND FAMOUS documents the second half of British blues godfather Alexis Korner's career, KORNERSTONED adopts a more comprehensive approach, following the pioneering singer/guitarist from the very beginning of his musical life, all the way through every ...
| | B B King Mr. Blues/Confessin' The Blues CD (2005) (Import) Remastered; United Kingdom
Magic
$18.79 This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of Love." The upgrade of Ivory Joe Hunter's "Blues at Midnight" is closer to the spirit of modern era King as he aptly demonstrates his singular testifyin' style. The fun and frolic of both "I'm Gonna Sit in 'Til You Give In" and "My Baby's ...
| | Jimmy Witherspoon Some Of My Best Friends Are The Blues CD (1964)
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| | Warren Storm Night After Night CD (1992)
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| | Chuck Strong 3-N-A-Bed CD (2002)
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| | James 'Blood' Ulmer Memphis Blood: The Sun Sessions CD (2001)
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$14.55 MEMPHIS BLOOD was nominated for the 2002 Grammy Award for Best Traditional Blues Album.
Over three days in April 2001, James "Blood" Ulmer and producer/guitarist Vernon Reid (yes, of Living Colour fame) went into the legendary Sun Studios in Memphis and kicked out some of the greasiest, knottiest, most surreal blues music ever. The blues have always been part of Ulmer's iconography, even when deeply entrenched in the harmolodic theory he helped to develop with Ornette Coleman. Over the years on his albums for DIW, Ulmer has with mixed results attempted to dig into the blues wholesale, but until now, with the aid of Vernon Reid and a cast of stellar if not well-known musicians, Blood hasn't been able to indulge his obsession to the hilt. All 14 songs on Memphis Blood are covers, many of them blues classics from the canon, with a few from Ulmer's own shrine book. The set opens with Willie Dixon's "Spoonful." There's a trace about 12 notes coming from the harmolodic E to the fore before Reid and Ulmer kick it in with harmonica player David Barnes, whose blowing in this album is so meaty, tough, and oily that he must have learned how to play in a Memphis rib joint. Also getting down into the pit of the blue-black mass is Ulmer's running partner, violinist Charles Burnham, who puts a wah-wah on his axe in "Little Red Rooster." Burnham reveals that there is more than swing to blues violin chops; he could have taught Sugarcane Harris or Papa John Creach plenty. Burnham's sense of dynamic and timing is phenomenal, as he underlines each line of Ulmer's lyric with a phrase that moans and snakes as the singer wails. On Otis Rush's "Double Trouble," Reid gets his turn to shine, and he does explosively, but in the vernacular. He doesn't give us his standard thousand-note run, but instead blistering attacks on the minor-key side of the tune; he's all edges and cutting, spitting notes and fury. As for Ulmer, he's never sounded more at home in his role as singer and guitarist, funking it up just enough with those edgy chords and strangled, single-note runs. He allows Reid to run the musical proceedings and settles in to front the band. The music, ...
| | Dr Mattie Moss Clark God's Got All You Need/I Am Crucified With Christ CD (2006)
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| | Rahsaan Paterson After Hours CD (2006) (Import) Import
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| | Ray Barretto Together CD (1970) Remastered; Reissued
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| | Phantom Rockers 20 Years And Still Kicking CDs (2007) Bonus Track
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| | Johnny Hammond Wild Horses Rock Steady CD (1971) (Import) Japan; Remastered
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$21.05 This Japanese CD reissue of Johnny Hammond's 1972 soul-jazz classic is another stunning example of great creativity at Creed Taylor's Kudu label through the mid-'70s. Arranged by Bob James, Hammond's trademark B-3 work is showcased here on six extended cover versions of tunes from the pop vernacular. The lineup includes guitarists George Benson, Eric Gale, and Melvin Sparks, saxophonists Grover Washington, Jr. and Pepper Adams, bassist Ron Carter (playing electric as well as double bass), and drummers Bernard Purdie and Billy Cobham! There are grooves galore in this wondrously mixed set, from the smoking guitar breaks in the read of Aretha Franklin's "Rock Steady" to the syncopated organ pyrotechnics in "It's Impossible," with Washington playing his ass off around Hammond's organ breaks, and the beautiful horn arrangements by James in "Peace Train." The funky-butt glimmer ...
| | Temple Dog Transcendental Travel CD (2009)
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$6.39 Temple Dog© is Jim ...
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