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Chris Poland/Robertino Pagli- Ari/Kofi Baker
O.H.M.: Chris Poland (guitar); Robertino Pagliari (bass guitar); David Eagle (drums, percussion).
Ohm: Chris Poland (guitar); Robertino Pagliari (bass); David Eagle (drums).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Purchase Ohm CD To buy, Click on price to add to cart | Yes Word Is Live CDs (2005) Boxed Set
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$44.25 A three-disc collection of Yes concert performances dating from the early 1970s to the late '80s, THE WORD IS LIVE presents the pioneering British prog-rock group in its various incarnations. The first disc features live tracks from '70 and '71, when organist Tony Kaye's distinctive Hammond lines figured strongly into the band's performances, which here include a jam-heavy take on "America" that precedes its studio version. The second and third discs are filled with concert appearances that have Kaye's replacements, either keyboardist Rick Wakeman or Patrick Moraz, surging through classics such as "Sweet Dreams" and "Roundabout." The set goes on to include Kaye's return to the fold, most notably on the high-energy medley of "Make It Easy" and "Owner of a Lonely Heart." While hardcore, bootleg-seeking Yes fans have undoubtedly heard some of ...
| | Grand Funk Railroad Survival CD (1971) Bonus Tracks; Remastered
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$9.45 By the time Grand Funk Railroad came to make Survival in January 1971, Cleveland Recording had moved to new quarters, and the group had become a national phenomenon, its last two albums Top Ten million-sellers. They spent a relatively luxurious six weeks or so on the record, and the results showed; Survival was the best-sounding and the best-played album they had yet made. Such assessments are, of course, relative, however. The group's playing remained rudimentary, especially in the rhythm section, and its sense of song construction was simple and repetitious. Singer/songwriter/guitarist Mark Farner sang in a strained, limited tenor lyrics that yearned for basic satisfactions ("Comfort Me," "I Want Freedom"), then led the lengthy instrumental passages with either simple guitar patterns or simple organ patterns. The band's choice of covers, Traffic's "Feelin' Alright" and the Rolling Stones' "Gimme Shelter," indicated taste (and that they were short of material), but their interpretations were inferior. This may have been Grand Funk's first real studio album, but they still sounded like they hadn't quite figured out how the studio differed from the stage and what added dynamics might be necessary to make a recording successful. ~ William Ruhlmann
The cleaned-up production and general absence of sloppiness is the first thing you will notice upon hearing Survival. A surprisingly good album, Survival contains a number of standout cuts, including a cover of the Rolling Stones' "Gimme Shelter." With the devotion ...
| | Greg Howe Extraction CD (2003)
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$14.29 Although he's primarily known as a heavy metal shredder, guitarist Greg Howe can pretty much adapt to any style thrown his way -- including jazz fusion. And this is precisely the style that is featured throughout 2003's Extraction, which saw Howe joined by such top-notch instrumentalists as Victor Wooten on bass and Dennis Chambers on drums (as well as David Cook on keys). Longtime fans of Howe who are hoping for at least a glimpse of his hard rock roots are out of luck here, as the tunes often recall the carefree fusion days of the 1970s, when such artists as Billy Cobham, Stanley Clarke, and Al di Meola were consistently giving a clinic with chops-heavy tunes. As far as modern-day fusion goes, Extraction is pretty darn consistent from front to back, as evidenced by such uptempo ditties as "Extraction" and "Crack It Way Open," as well as more tranquil moments like "Tease" and "Ease Up." Howe, Wooten, and Chambers have certainly succeeded in summoning up a heavy '70s vibe throughout Extraction, and as a result, ...
| | Chris Poland Chasing The Sun CD (2004)
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$9.89
| | Ohm Amino Acid Flashback CD (2005)
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$12.15
| | Ohm Circus Of Sound CD (2008)
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$14.35 Chris Poland's "voice" is instantly recognizable. His guitar tone is thick, warm, yet edgy. He's sort of a cross between Bill Frisell and Joe Satriani, with the tone obsession of the former and the accessibility of the latter. His instrumental trio Ohm: features fretless bassist Robert Pagliari, who played fusion with him before Poland joined Megadeth in the '80s. As for drummers, Circus of Sound employs three, all quite capable. The standout, however, is Kofi Baker, son of Ginger Baker. This is appropriate, since Cream is one of Ohm:'s major inspirations. Baker is ferociously funky, and the record picks up noticeably with his work at its end. Ohm: play fusion in the purest sense: jazzy, with complex chords and copious swing. But the music is also rock, with compact songs and hummable melodies. The catchiest tracks, "Photograph" and "Steps from Home," evoke Satriani, the godfather of guitar instrumental pop. Satriani, though, never gave his bassists such equal billing. Pagliari is delightful, muttering and sliding all over the place. The title track is a wonderful bass showcase, twisting to and fro with sinuous octaves. Poland's playing is fast and fluid, with his trademark wide intervallic leaps. In "The Shortest Straw," he slyly slips in Jimi Hendrix-isms at the end. Together with Pagliari, ...
| | Best Of Terry Stafford CD (1996)
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$9.29
| | Johnny B Moore 911 Blues CD (1997)
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$13.25
| | Lethal Programmed CD (1990)
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$9.79
| | Muddy Waters Chess Box CDs (1990)
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$28.09 HE CHESS BOX covers Muddy Waters' career from 1947 through 1972. It features some previously-unreleased tracks, and many others previously unreleased in the U.S. The box includes a 32-page book with a complete discography of Waters' Chess recordings, track-by-track recording information and black-and-white photos.
Principally recorded in Chicago, Illinois between 1947 and 1972. Includes liner notes by Mary Katherine Aldin and Robert Palmer.
During the '40s and '50s, Chicago's Chess Records recorded a legion of blues legends. But none were greater than McKinley Morganfield, professionally known as Muddy Waters. Though born and raised on the Mississippi delta, Waters came to personify the brash, confident blues that blossomed in Chicago and Memphis in the post-war era. Between 1947 and 1972, Waters cut an uninterrupted stream of brilliant sides for Chess, the best of which are included on the three-disc CHESS BOX.
To call these recordings indispensable is merely to state the obvious. Any one of the following would place these records among the most important in blues history--Waters' deft slide guitar playing and intense vocals; stellar instrumental support from the legendary Little Walter; Otis Spann, James Cotton, and Buddy Guy, to name but a few of the blues greats who first worked with Waters; and a repertoire of classics that includes "Hoochie Coochie Man," "Rolling Stone," and "I Just Want to Make Love to You." The length and cost of this set may intimidate some (the single-disc HIS BEST is a less overwhelming alternative), but true blues lovers should consider investing in THE CHESS BOX, the best career overview of this undisputed giant of the blues.
Personnel includes: Muddy Waters (vocals, guitar); Little Walter (vocals, guitar, harmonica); Jimmy Rogers (vocals, guitar); Leroy Foster, Auburn "Pat" Hare, Luther Tucker, Earl Hooker, Buddy Guy, Sammy Lawhorn, Pee Wee Madison, Michael Bloomfield, Paul Asbell, Rory Gallagher (guitar); ...
| | Electro & House CD (Import) Spain
$43.35 | | Opeth Ghost Reveries: Special Edition CDs (2005) With DVD; Special Edition; Digipak
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$17.95 This special CD/DVD set includes previously unreleased music, making of the album, 5.1 mix of the entire album, and 1 previously unreleased director's cut video.
New label, new band member, same brilliant Opeth. The most obvious change from their previous two releases, DELIVERANCE (2002) and DAMNATION (2003), is the permanent addition of previous touring keyboard player Per Wiberg. His organ work, specifically, creates new textures ...
| | Electric Wizard Dopethrone CD (2000) Bonus Tracks; Remastered; Digipak
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$13.85 As Deep Purple's Roger Glover once said, "Heavy isn't about volume, it's about attitude." And no band better illustrates this statement than England's Electric Wizard -- the reputed heaviest band in the universe -- whose every album has managed to push the boundaries of down-tuned, grinding, monolithic doom metal to unprecedented depths. Sure, they pack plenty of volume as well, but none of it could possibly work without the band's uncompromising worship of weed and all things gothic and malevolent. After a long hiatus (during which they were no doubt traveling the cosmos without ever leaving their parent's basements or putting down their bongs), Electric Wizard finally returned to action in the year 2000. The resulting dirge masterpiece, Dopethrone, delivers walls of sound so dense that at first they seem too big to fit into your ears. At a paltry three minutes, the opener "Vinum Sabbathi" may be the Wizards' first true candidate for an actual "single," but it really serves as a teaser for what's to come. Introduced by short spoken intros taken from B-movies a la White Zombie, extended riff-monsters like "Funeralopolis," "I, the Witchfinder," and the three-part colossus "Weird Tales" are vintage Electric Wizard. Though they never exceed a snail's pace, they somehow manage to build in intensity, from single note guitar lines to huge power chords with deliberate, maddening certainty. First-time listeners will find it easier to cope with more compact offerings ...
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