| | Doc Watson Sittin' Here Pickin' The Blues CD Doc Watson Discography of CDs
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Doc Watson's warm baritone, flat-picking guitar style, and facility with an enormous catalogue of American country, blues, and folk songs have made him a popular and significant performer. His large discography contains solo outings and collaborations alike, including numerous recordings accompanied by his son Merle on guitar. SITTIN' HERE PICKIN' THE BLUES is a Rounder collection that features the duo's 1985 release PICKIN' THE BLUES plus eight additional tracks from 1979-1983.
As usual, the emphasis here is on traditional material. Tracks such as "Freight Train Blues," "Deep River Blues," and "John Henry" (performed as a medley with "Worried Blues") receive rhythmic treatments by the Watsons. Also included are renditions of several Jimmy Rodgers tunes, including "Any Old Time" and "California Blues," and blues classics by Barbecue Bob, Sleepy John Estes, and W.C. Handy. Musical guests add fiddle, harmonica, bass, background harmonies, and occasional percussion to the performance, but the focus never strays from Merle's deft slide work or Doc's beautiful, heartfelt interpretations.
Expanded Reissue Of"Pickin The Blues"(1985) + 8 Add'L Tracks.Uncut (p.92) - 4 stars out of 5 - "[I]mpeccably crafted....A warm dovetailing of jazz, country, swing and bluegrass..."" Dirty Linen (p.45) - "'Talking to Casey' is an instrumental that features son Merle's prowess on slide guitar, accompanied by a full rhythm guitar-harmonica-fiddle-bass-drums ensemble." Living Blues (p.58) - "Doc's fingerpicking and Merle's slide work are exemplary, and Doc's voice retains the same warm, distinctive approach across the selections. Strongly recommended." Mojo (Publisher) (p.130) - 3 stars out of 5 - "[T]he very stuff of rainy nights and slow trains." Sittin' Here Pickin' The Blues Music Doc Watson Sittin' Here Pickin' The Blues Songs | 1. | Freight Train Blues | |
| 2. | Hobo Bill's Last Ride | |
| 3. | Mississippi Heavy Water Blues | |
| 4. | Did You Hear John Hurt? | |
| 5. | John Henry / Worried Blues | |
| 6. | I'm a Stranger Here | |
| 7. | Talking to Casey | |
| 8. | Blue Ridge Mountain Blues | |
| 9. | Any Old Time  | |
| 10. | Sittin' Here Pickin' the Blues | |
| 11. | Stormy Weather | |
| 12. | How Long Blues | |
| 13. | Honey Babe Blues | $0.99 | |
| 14. | St. Louis Blues | $0.99 | |
| 15. | Carroll County Blues | |
| 16. | California Blues | |
| 17. | Going to Chicago Blues | |
| 18. | Jailhouse Blues | |
| 19. | Windy and Warm | $0.99 | |
| 20. | Deep River Blues  | $0.99 | |
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Sittin' Here Pickin' The Blues
$11.55 On its 13th album, Canada's groundbreaking metal veterans Voivod have undergone a renaissance of sorts. With vocalist Denis "Snake" Belanger returning to the fold, three quarters of the original band is reunited with a unified purpose. Adding former Metallica bassist -- and longtime friend -- Jason Newsted to the fold adds new energy and vision. No longer a thrash metal act, Voivod has simply become one of the best hard rock bands on the planet. They write songs with complex melodies and bone-splintering riffs, yet they stick to the roots of their trademark sound. In many ways they feel more like some crazy combination of the 1977-era Saints and Queens of the Stone Age with better lyrics and no stoner quotient. Newsted is nothing less than phenomenal in this new context; check out "Rebel Robot," with its four-to-the-floor running riff, propelling the drums and pushing guitarist Piggy into overdrive. Stripping the songs to the essentials of shattering guitars, pumped-up muddy bass throb, and heavy-bottom drumming was a plus in the production department. On the opener "Gasmask Revival," a rebel call to open protest in the streets and the refusal to be "good citizens," four chords and three riffs crank themselves into a frenzy of jarring, cacophonous, metal garage rock. Things slow down on "Facing Up," but become heavier in the process with Michel Langevin's double-bass drumming, triple-timing the super-slow 4/4 grid of the tune led by Piggy's blues-out crunchy and Newsted plowing through the middle. The centerpiece of the album is "The Multiverse," a complex, multi-faceted opus with its lyrics inspired by writer Michael Moorcock's Eternal Champion series of novels. Time signatures shift, blur, change, reverse, and reinvent themselves. Newsted's bass work here becomes a wall of pure propulsive, sludgy writhe and Piggy's guitar is knife-edge yet weighs a ton. Langevin's lightning double-kick drums provide a flawless directional force as Snake soars above the mix telling dark truth after dark truth with intelligence, sensitivity, and a willingness to let the words hold him accountable.
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