| | Five Songbirds: A Reference Collection Of Female Voices Super-Audio CD
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
(SACD-HYBRID) This album is a celebration of the signature songs of 5 great divas in superb musicality and excellence in performance, which will satisfy even the most discriminating sensibilities of audiophiles everywhere. For this reference sampler albu
Performers include: Jacintha, Patricia Barber, Esther Ofarim, Ayoko Hosokawa, Marie Nakamoto. **Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players. Five Songbirds: A Reference Collection Of Female Voices Music Five Songbirds: A Reference Collection Of Female Voices Songs Five Songbirds: A Reference Collection Of Female Voices Music Five Songbirds: A Reference Collection Of Female Voices Review
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Purchase Five Songbirds: A Reference Collection Of Female Voices CD To buy, Click on price to add to cart | Herbie Hancock Gershwin's World CD (1998) Hybrid; SACD Hybrid
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GERSHWIN'S WORLD won the 1999 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "St. Louis Blues" won the 1999 Grammy Award for Best Male R&B Vocal Performance and ...
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$14.75 | | Replacements Pleased To Meet Me CD (1987)
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The Replacements' brand of brash, dirty rock & roll reached its apex on PLEASED TO MEET ME. A stomping collection of blistering, no-bull compositions and performances, this album represents a wild, angry, and ultimately beautiful marriage of inspired songcraft and punk rock abandon. The album's biggest hit, "Alex Chilton," is a swinging, stomping homage to the pop stylist to whom the Replacements were so deeply indebted, with plenty of the stadium-sized power-chords that comprise the groups less-fashionable influences (Kiss's "Black Diamond" ...
| | Evita (Premiere American Recording) CDs (1979) Original Broadway Cast
Five Songbirds: A Reference Collection Of Female Voices
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Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run. The London production had been represented by a one-disc highlights album, but this one became the second full-length treatment, running, like the concept album, 100 minutes. As such, the revisions made for the stage were more apparent, especially because there were more of them than there had been in London, sometimes to Americanize the language. ("The back of beyond" in "Eva and Magaldi" became "the sticks," while "Get stuffed!" in "Goodnight and Thank You" was now "Up yours!") "The Lady's Got Potential" had been deleted, and there was a new song, "The Art of the Possible," which, with its musical-chairs staging, was more effective in the theater than on record. And "Dangerous Jade" had been revised to become "Peron's Latest Flame." Many of the changes built up the role of Evita's critic, Che. As played by Mandy Patinkin, who achieved Broadway stardom in the role, Che now rivaled Evita as a musical presence, the actor's elastic tenor and bravura manner drawing more attention to him. ...
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This is where Joel reaches back to his roots, a process essential to a maturing artist who realizes he has to look at where he's from before he can move further ahead. Things get off to a jumping start with the organ-driven R&B of "Easy Money," somewhat reminiscent of "Gimme Some Lovin'." Joel touches on the styles of the '50s and early '60s on the street-corner doowop of "The Longest Time" and the Four Seasons homage "Uptown Girl" (written for his then-wife, fashion model Christie Brinkley).
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